Alien Powers


Book Description

The term "ideology" can cover almost any set of ideas, but its power to bewitch political activists results from its strange logic: part philosophy, part science, part spiritual revelation, all tied together in leading to a remarkable paradox--that the modern Western world, beneath its liberal appearance, is actually the most systematically oppressive system of despotism the world has ever seen. Alien Powers: The Pure Theory of Ideology takes this complex intellectual construction apart, analyzing its logical, rhetorical, and psychological devices and thus opening it up to critical analysis. Ideologists assert that our lives are governed by a hidden system. Minogue traces this notion to Karl Marx who taught intellectuals the philosophical, scientific, moral, and religious moves of the ideological game. The believer would find in these ideas an endless source of new liberating discoveries about the meaning of life, and also the grand satisfaction of struggling to overcome oppression. Minogue notes that while the patterns of ideological thought were consistent, there was little agreement on who the oppressor actually was. Marx said it was the bourgeoisie, but others found the oppressor to be males, governments, imperialists, the white race, or the worldwide Jewish conspiracy. Ideological excitement created turmoil in the twentieth century, but the defeat of the more violent and vicious ideologies--Nazism after 1945 and Communism after 1989--left the passion for social perfection as vibrant as ever. Activist intellectuals still seek to "see through" the life we lead. The positive goals of utopia may for the moment have faded, but the ideological hatred of modernity has remained, and much of our intellectual life has degenerated into a muddled and dogmatic skepticism. For Minogue, the complex task of "demystifying" the "demystifiers" requires that we should discover how ideology works. It must join together each of its complex strands of thought in order to understand the remarkable power of the whole.




'An Alien Ideology'


Book Description

An 'Irish Cuba' - on Britain's doorstep? This book studies perceptions of the Soviets' influence over Irish revolutionaries during the Cold War. The Dublin authorities did not allow the Irish state's non-aligned status to prevent them joining the West's crusade against communism. Leading officials, such as Colonel Dan Bryan in G2, the Irish army intelligence directorate, argued that Ireland should assist the NATO powers. These officials believed Irish communists were directed by the British communist party, the CPGB. If communists in Belfast and Dublin were too isolated to pose a threat in either Irish jurisdiction, the republican movement was a different matter. The authorities, north and south, saw that a communist-influenced IRA had potential appeal. This Cold War nightmare arrived with the civil rights agitation in Northern Ireland in the 1960s. Did the left-wing republican movement constitute a security threat? Whitehall feared Dublin could become a Russian espionage hub, with the Marxist-led Official IRA acting as a Soviet proxy. To what extent was the Official IRA's political creation, the Workers' Party, useful to the Soviets' Cold War agenda, in a militarily neutral state? With a parliamentary presence in the Irish state, the party warned against Ireland's incorporation into NATO and denounced the modernization of the Western alliance's nuclear arsenal. This book offers a valuable new perspective on a much-studied period of Irish and British history.




Russell Kirk and the Age of Ideology


Book Description

Russell Kirk, author of The Conservative Mind and A Program for Conservatives, has been regarded as one of the foremost figures of the post-World War II revival in conservative thought. While numerous commentators on contemporary political thought have acknowledged his considerable influence on the substance and direction of American conservatism, no analysis of his social and political writing has dealt extensively with the philosophical foundations of his work. In this provocative study, W. Wesley McDonald examines those foundations and demonstrates their impact on the conservative intellectual movement that emerged in the 1950s and 1960s. Kirk played a pivotal role in drawing conservatism away from the laissez-faireprinciplesoflibertarianism and toward those of a traditional community grounded in a renewed appreciation of man's social and spiritual nature and the moral prerequisites of genuine liberty. In a humane social order, a community of spirit is fostered in which generations are bound together. According to Kirk, this link is achieved through moral and social norms that transcend the particularities of time and place and, because they form the basis of genuine civilized existence, can only be neglected at great peril. These norms, reflected in religious dogmas, traditions, humane letters, social habit and custom, and prescriptive institutions, create the sources of the true community that is the final end of politics. Although this study does not challenge Kirk's debts to a predominantly Catholic and Anglo-Catholic tradition of natural law, its focus is on his appeal to historical experience as the test of sound institutions. This aspect of his thought was essential to Kirk's understanding of moral, cultural, and aesthetic norms and can be seen in his responses to American humanists Paul Elmer More and Irving Babbitt and to English and American romantic literature.Russell Kirk and the Age of Ideology is particularly relevant because of the growing interest in Kirk's legacy and the current debate over the meaning of conservatism. McDonald addresses both of those developments in the context of examining Kirk's thought, attempting to correct some of the inadequacies contained in earlier studies that assess Kirk as a political thinker. This book will serve as a significant contribution to the commentary on this fascinating figure.




The Sublime Object of Ideology


Book Description

In this provocative and original work, Slavoj _i_ek takes a look at the question of human agency in a postmodern world. From the sinking of the Titanic to Hitchcock’s Rear Window, from the operas of Wagner to science fiction, from Alien to the Jewish Joke, the author’s acute analyses explore the ideological fantasies of wholeness and exclusion which make up human society. _i_ek takes issue with analysts of the postmodern condition from Habermas to Sloterdijk, showing that the idea of a ‘post-ideological’ world ignores the fact that ‘even if we do not take things seriously, we are still doing them’. Rejecting postmodernism’s unified world of surfaces, he traces a line of thought from Hegel to Althusser and Lacan, in which the human subject is split, divided by a deep antagonism which determines social reality and through which ideology operates. Linking key psychoanalytical and philosophical concepts to social phenomena such as totalitarianism and racism, the book explores the political significance of these fantasies of control. In so doing, The Sublime Object of Ideology represents a powerful contribution to a psychoanalytical theory of ideology, as well as offering persuasive interpretations of a number of contemporary cultural formations.




End of History and the Last Man


Book Description

Ever since its first publication in 1992, The End of History and the Last Man has provoked controversy and debate. Francis Fukuyama's prescient analysis of religious fundamentalism, politics, scientific progress, ethical codes, and war is as essential for a world fighting fundamentalist terrorists as it was for the end of the Cold War. Now updated with a new afterword, The End of History and the Last Man is a modern classic.




Allegory and Ideology


Book Description

Fredric Jameson takes on the allegorical form Works do not have meanings, they soak up meanings: a work is a machine for libidinal investments (including the political kind). It is a process that sorts incommensurabilities and registers contradictions (which is not the same as solving them!) The inevitable and welcome conflict of interpretations - a discursive, ideological struggle - therefore needs to be supplemented by an account of this simultaneous processing of multiple meanings, rather than an abandonment to liberal pluralisms and tolerant (or intolerant) relativisms. This is not a book about "method", but it does propose a dialectic capable of holding together in one breath the heterogeneities that reflect our biological individualities, our submersion in collective history and class struggle, and our alienation to a disembodied new world of information and abstraction. Eschewing the arid secularities of philosophy, Walter Benjamin once recommended the alternative of the rich figurality of an older theology; in that spirit we here return to the antiquated Ptolemaic systems of ancient allegory and its multiple levels (a proposal first sketched out in The Political Unconscious); it is tested against the epic complexities of the overtly allegorical works of Dante, Spenser and the Goethe of Faust II, as well as symphonic form in music, and the structure of the novel, postmodern as well as Third-World: about which a notorious essay on National Allegory is here reprinted with a theoretical commentary; and an allegorical history of emotion is meanwhile rehearsed from its contemporary, geopolitical context.




Alien Zone


Book Description

This is especially true of the science fiction film--a genre as old as cinema itself--which has rarely received the serious attention devoted to such genres as the western, the film noir and recently, under the aegis of feminist film theory, the so-called "woman's film." Alien Zone aims to bring science fiction cinema fully into the ambit of cultural theory in general and of film theory in particular. The essays in this book--some newly written, others gathered from scattered sources--look at the ways in which contemporary science fiction films draw on, rework, and transform established themes and conventions of the genre: the mise-en-scene of future worlds; the myth of masculine mastery of nature; power and authority and their relation to technology. This material is ordered and contextualized by the editor with a view to exploring how science fiction cinema has been approached critically and theoretically by commentators on the genre: as a mirror of society, as bearing or producing ideology; as caught up in an intertext of media productions, or as expressing unconscious desires. Contributors include Giuliana Bruno, Scott Bukatman, Thomas B. Byers, Barbara Creed, Anne Cranny-Francis, Daniel Dervin, H. Bruce Franklin, James H. Kavanagh, Douglas Kelner, Steve Neale, Judith Newton, Constance Penley, Hugh Ruppersberg, Michael Ryan, Vivian Sobchack, Michael Stern, J. P. Telotte, and Paul Virilio.




Women of the Republic


Book Description

Women of the Republic views the American Revolution through women's eyes. Previous histories have rarely recognized that the battle for independence was also a woman's war. The "women of the army" toiled in army hospitals, kitchens, and laundries. Civilian women were spies, fund raisers, innkeepers, suppliers of food and clothing. Recruiters, whether patriot or tory, found men more willing to join the army when their wives and daughters could be counted on to keep the farms in operation and to resist enchroachment from squatters. "I have Don as much to Carrey on the warr as maney that Sett Now at the healm of government," wrote one impoverished woman, and she was right. Women of the Republic is the result of a seven-year search for women's diaries, letters, and legal records. Achieving a remarkable comprehensiveness, it describes women's participation in the war, evaluates changes in their education in the late eighteenth century, describes the novels and histories women read and wrote, and analyzes their status in law and society. The rhetoric of the Revolution, full of insistence on rights and freedom in opposition to dictatorial masters, posed questions about the position of women in marriage as well as in the polity, but few of the implications of this rhetoric were recognized. How much liberty and equality for women? How much pursuit of happiness? How much justice? When American political theory failed to define a program for the participation of women in the public arena, women themselves had to develop an ideology of female patriotism. They promoted the notion that women could guarantee the continuing health of the republic by nurturing public-spirited sons and husbands. This limited ideology of "Republican Motherhood" is a measure of the political and social conservatism of the Revolution. The subsequent history of women in America is the story of women's efforts to accomplish for themselves what the Revolution did not.




Political Visions & Illusions


Book Description

In this freshly updated, comprehensive study, political scientist David Koyzis surveys the key political ideologies of our era, unpacking the worldview issues inherent to each and pointing out essential strengths and weaknesses. Writing with broad international perspective, Koyzis is a sensible guide for Christians working in the public square, culture watchers, and all students of modern political thought.




Analyzing Ideology and Narratology in Film Series, Sequels, and Trilogies


Book Description

The study of ideology and narratology in film reveals intricate layers of meaning and cultural significance embedded within cinematic narratives. This exploration delves into how ideologies are conveyed, reinforced, or challenged across multiple installments of a film franchise. By analyzing the narrative structures, character developments, and thematic continuities, scholars can uncover the underlying messages and societal implications that shape audience perceptions. Analyzing Ideology and Narratology in Film Series, Sequels, and Trilogies explores the complex narrative and ideological dimensions within multi-installment cinematic works. It investigates how sequential storytelling in film not only entertains but also reflects and shapes cultural, social, and political ideologies. By examining narrative structures in film series and franchises, this book reveals the subtle ways in which ideologies are constructed, perpetuated, or subverted. Covering topics such as narrative complexity, psychoanalytical analysis, and ideology, this book is a valuable resource for academicians, researchers, post-graduate students, educators, sociologists, and more.




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