100 Greatest American Plays


Book Description

Theatre in America has had a rich history—from the first performance of the Lewis Hallam Troupe in September 1752 to the lively shows of modern Broadway. Over the past few centuries, significant works by American playwrights have been produced, including Abie’s Irish Rose, Long Day’s Journey into Night, A Streetcar Named Desire, Death of a Salesman, A Raisin in the Sun, Fences, and Angels in America. In 100 Greatest American Plays, Thomas S. Hischak provides an engaging discussion of the best stage productions to come out of the United States. Each play is discussed in the context of its original presentation as well as its legacy. Arranged alphabetically, the entries for these plays include: plot details production history biography of the playwright literary aspects of the drama critical reaction to the play major awards the play’s influence cast lists of notable stage and film versions The plays have been selected not for their popularity but for their importance to American theatre and include works by Edward Albee, Harvey Fierstein, Lorraine Hansberry, Lillian Hellman, Tony Kushner, David Mamet, Arthur Miller, Eugene O’Neill, Sam Shepard, Neil Simon, Gore Vidal, Wendy Wasserstein, Thornton Wilder, Tennessee Williams, and August Wilson. This informative volume also includes complete lists of Pulitzer Prize winners for Drama, the New York Drama Critics Circle Award for American Plays, and the Tony Award for Best Play. Providing critical information about the most important works produced since the eighteenth century, 100 Greatest American Plays will appeal to anyone interested in the cultural history of theatre.







Asian American Drama


Book Description

(Applause Books). Includes: Amy Hill: Tokyo Bound ; David Henry Hwang: Bondage ; Velina Hasu Houston: As Sometimes in a Dead Man's Face ; Lane Nishikawa and Victor Talmadge: The Gate of Heaven ; Dwight Okita: The Rainy Season .




Best Black Plays


Book Description

Three winners of the nation's most distinguished award for African American playwriting.




America on Stage


Book Description




The Methuen Drama Book of New American Plays


Book Description

The Methuen Drama Book of New American Plays is an anthology of six outstanding plays from some of the most exciting playwrights currently receiving critical acclaim in the States. It showcases work produced at a number of the leading theatres during the last decade and charts something of the extraordinary range of current playwriting in America. It will be invaluable not only to readers and theatergoers in the U.S., but to those around the world seeking out new American plays and an insight into how U.S. playwrights are engaging with their current social and political environment. There is a rich collection of distinctive, diverse voices at work in the contemporary American theatre and this brings together six of the best, with work by David Adjmi, Marcus Gardley, Young Jean Lee, Katori Hall, Christopher Shinn and Dan LeFranc. The featured plays range from the intimate to the epic, the personal to the national and taken together explore a variety of cultural perspectives on life in America. The first play, David Adjmi's Stunning, is an excavation of ruptured identity set in modern day Midwood, Brooklyn, in the heart of the insular Syrian-Jewish community; Marcus Gardley's lyrical epic The Road Weeps, The Well Runs Dry deals with the migration of Black Seminoles, is set in mid-1800s Oklahoma and speaks directly to modern spirituality, relocation and cultural history; Young Jean Lee's Pullman, WA deals with self-hatred and the self-help culture in her formally inventive three-character play; Katori Hall's Hurt Village uses the real housing project of "Hurt Village" as a potent allegory for urban neglect set against the backdrop of the Iraq war; Christopher Shinn's Dying City melds the personal and political in a theatrical crucible that cracks open our response to 9/11 and Abu Graib, and finally Dan LeFranc's The Big Meal, an inter-generational play spanning eighty years, is set in the mid-west in a generic restaurant and considers family legacy and how some of the smallest events in life turn out to be the most significant.




The Best American Short Plays 2018–2019


Book Description

Pulitzer Prize–winning playwright Paula Vogel once said that theater helps us learn how to be comfortable with being uncomfortable with each other. Revolving around the theme of "this is who we are," the one-act plays in this latest edition of the Best American Short Plays series (now in its ninth decade) explore the thoughtful ways in which playwrights are wrestling to make sense of our world today. The selected plays reflect how we perform our identities (private and public) and how we negotiate who we are with others who often have different perspectives, perspectives that make us uncomfortable. The theme of this collection is topical and apt—as our country continues to shore up its borders along party lines, from pride parades to strict abortion laws, from inclusivity in education curricula to children in detention centers at the US–Mexico border. Each of the plays presents a clear reflection of who we are (and who we aspire to be) as individuals and as a nation. The styles of the plays also reflect different approaches to storytelling: two characters, four characters, a single setting, multiple settings, or a utopian "nowhere." The rich and compelling characters try to work out their differences and overcome obstacles using humor and a sense of magic that comes with simple moments of human connection. This is who we are: people who are grappling with the desire to be understood, the hope to be loved and accepted, and to allow that hope to shape a larger sense of who we could be if we continue to work and listen.




Seven Black Plays


Book Description

Seven winners of the nation's most distinguished award for African American playwriting.




In the Long Run


Book Description

In the Long Run: A Cultural History of Broadway’s Hit Plays presents in-depth analysis of 15 plays that ran over 1,000 performances, examining what made each so popular in its time—and then, in many cases, fall into obscurity. Covering one hundred years of theatre history, it traces the long-running Broadway play as a distinct cultural phenomenon that rises and falls from 1918 to 2018. Each chapter focuses on the longest-running plays of a particular decade, synthesizing historical research and dramaturgical analysis to explain how they functioned as works of theatrical art, cultural commodities, and reflections of the values, conflicts, and fantasies of their times. At the heart of each play’s history are the ideological contradictions often present in works of popular culture that appeal to diverse audiences, particularly around issues of gender, race, class, and sexuality. Suitable for anyone with an interest in Broadway and its history, In the Long Run explores the nature of time in this ephemeral art form, the tensions between commerce and art, between popularity and prestige, and the changing position of the Broadway play within American popular culture.




The Abbott Touch


Book Description

This in-depth and original study examines 100 productions and analyses why George Abbott's name became synonymous with the 'golden age' of Broadway. What did Abbott contribute? How did he work? How did he innovate the industry? How did he survive so long? All of these inquiries, and more, lead to the most fundamental question of all: what exactly was the famous “Abbott touch”? For sixty years, George Abbott was a vital force in the American theatre. As an actor, playwright, director, librettist, play doctor, and producer, he laid his "touch" on approximately 100 New York productions, from The Pajama Game and Damn Yankees through to Once Upon a Mattress and A Funny Thing Happened on the Way to the Forum. Spanning this incredible figure's work chronologically, each chapter of The Abbott Touch examines a period of creativity in his life, culminating in how he became the famous multi-hyphenate artist he is now celebrated as. Beginning with his early career in 1913 through to his work on the 1994 revival of Damn Yankees, this book analyses his key contributions to his primary works, all of which have relied on his genius. The first study of its kind, The Abbott Touch provides key insights into the working life of one of the 20th Century's most prolific theatre practitioners, as well as a vital history for theatre scholars and fans alike.