The Great Parade


Book Description

A beautiful book that showcases how circus figures and artifacts have been portrayed in art over the past two centuries The circus is a dazzling world filled with acrobats and harlequins, tumblers and riders, monsters and celestial creatures. Now this engaging book sets that world in a new light, examining how painters, sculptors, and photographers from the eighteenth century to the present have used the circus as a springboard for their imaginative expression and have envisioned the clown as a metaphor for the modern artist. The book presents more than 175 works by such artists as Degas, Toulouse-Lautrec, Rouault, Picasso, Chagall, and Léger. Some of these are masterful works shown for the first time; these range from the 18-meter stage curtain Picasso designed in 1917 for Erik Satie's ballet Parade to more intimate works such as Nadar and Tournachon's photographs of Pierrot as played by celebrated mime Charles Debureau.




Catalogue of the Drawings of George Dance the Younger (1741-1825) and of George Dance the Elder (1695-1768)


Book Description

George Dance (1741-1825) was a pioneering architect who designed the first Neo-Classical building in England (All Hallows, London Wall) as well as the first Indian-style elevation (the City of London's Guildhall), introduced the circus and crescent to London town planning, invented the ammonite capital, designed a prototype art gallery and made early use of structural iron and other technical innovations. As architect to the City of London and a founding member of the Royal Academy, Dancewas an establishment figure and yet was considered by his contemporaries as a 'poet architect' who spoke of an 'Architecture unshackled'. The designs at the Soane Museum include drawings made during Dance's six years in Rome, designs for churches, monuments, prisons, a major hospital, town houses and country houses as well as an art gallery, bank, law court, library, museum, and anatomy theatre. His important role as a town planner and structural innovator is well illustrated and so is his skill as decorator and even garden designer. Dance's eloquent buildings, which include the strikingly austere Newgate Prison, as well as his use of daylight, canopy domes, stripped forms and decoration had a powerful influence on his protege John Soane, who acquired his master's drawings in 1836. They remain in Sir John Soane's Museum, an invaluable record of an exceptional architect. The catalogue also includes the drawings of the elder George Dance (1695-1768), architect to the City of London for more than 40 years. His major building, the Mansion House, is unusually well documented and is catalogued here by Sally Jeffery.




1000 Drawings of Genius


Book Description

Long thought of as the neglected stepchild of painting, the art of drawing has recently begun to enjoy a place in the sun. With major museums around the world, from the Met to the Uffizi, mounting exhibitions focused on the art of draughtsmanship, drawing is receiving more critical and academic attention than ever before. This captivating text gives readers a sweeping analysis of the history of drawing, from Renaissance greats like Leonardo da Vinci and Michelangelo, to Modernist masters like M.C. Escher, Pablo Picasso, and everyone in between.




Harper's Book of Facts


Book Description




Magazines and the Making of America


Book Description

From the colonial era to the onset of the Civil War, Magazines and the Making of America looks at how magazines and the individuals, organizations, and circumstances they connected ushered America into the modern age. How did a magazine industry emerge in the United States, where there were once only amateur authors, clumsy technologies for production and distribution, and sparse reader demand? What legitimated magazines as they competed with other media, such as newspapers, books, and letters? And what role did magazines play in the integration or division of American society? From their first appearance in 1741, magazines brought together like-minded people, wherever they were located and whatever interests they shared. As America became socially differentiated, magazines engaged and empowered diverse communities of faith, purpose, and practice. Religious groups could distinguish themselves from others and demarcate their identities. Social-reform movements could energize activists across the country to push for change. People in specialized occupations could meet and learn from one another to improve their practices. Magazines built translocal communities—collections of people with common interests who were geographically dispersed and could not easily meet face-to-face. By supporting communities that crossed various axes of social structure, magazines also fostered pluralistic integration. Looking at the important role that magazines had in mediating and sustaining critical debates and diverse groups of people, Magazines and the Making of America considers how these print publications helped construct a distinctly American society.




Customers and Patrons of the Mad-Trade


Book Description

His case book testifies to the scope and prosperity of Monro's "trade in lunacy," and Jonathan Andrews and Andrew Scull brilliantly exploit the opportunity it affords to look inside the mad-business.".







The Art Nouveau Style


Book Description

DIVAbsorbing, exceptionally detailed study examines early trends, posters, and book illustrations, stylistic influences in architecture; furniture, jewelry, and other applied arts; plus perceptive discussions of artists associated with the movement. /div




Who’s Buried Where in London


Book Description

London's many cemeteries, churches and graveyards are the last resting places of a multitude of important people from many different walks of life. Politicians, writers and military heroes rub shoulders with engineers, courtesans, artists and musicians, along with quite a few eccentric characters. Arranged geographically, this comprehensive guide describes famous graves in all the major cemeteries and churches in Greater London, including Highgate, Kensal Green, Westminster Abbey, and St Paul's Cathedral, as well as the City churches and many suburban parish churches. The book gives biographical details, information on the monuments, and is richly illustrated. As well as being an historical guide, it also serves as an indispensable reference guide for any budding tombstone tourist.




A Brontë Encyclopedia


Book Description

A BRONTË ENCYCLOPEDIA “This lively, absorbing, meticulously researched compendium is a rich resource both for the general reader and for the specialist Brontë scholar. It contains much to enlighten and surprise even those who think they know the Brontës well.” Heather Glen, University of Cambridge “Aficionados of all things Brontë must have this encyclopedia on their desks. Even those with just a passing interest in Brontë or literary research can become trapped in this book for hours. Looking up one entry leads to looking up another, and then another. This book has references to the important and the arcane and the obscure, references to places the Brontës visited, people they knew; in short, everything.” English Literature in Transition 1820–1920 A Brontë Encyclopedia is a complete guide to the life and work of the most notable literary family of the 19th century. Comprising approximately 2000 alphabetically arranged entries, this authoritative volume: Brings to light the significant people and places that influenced the Brontës’ lives Defines and describes the Brontës’ fictional characters and settings Incorporates original literary judgments and analyses of characters and motives Includes coverage of Charlotte’s unfinished novels and her and Branwell’s juvenile writings Features a full range of illustrations A Brontë Encyclopedia is the most original and accessible work of its kind.