Nómada


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Crosscurrents


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This catalogue focuses on painting from 1968 with its great social, political, and aesthetic changes and the beginning of a military dictatorship that would last until the return of democracy in 1989. Each of the artists expresses his or her own identity as a Panamanian. Nevertheless, there is a cohesiveness to their art, each painter representing an important element in the highly textured, nuanced perspective of contemporary painting in Panama.




Teresa Icaza


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En Los Noventa


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Séptima bienal de la Habana 2000


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"Human communication will serve on this occasion as the theme for the projects selected by the curators of the biennial"--P. [429].




1990s Art from Cuba


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