3 STORIES: ABANINDRANATH TAGORE


Book Description

The three stories in this collection are united by a common theme of chivalry and sacrifice. It was said that Abanindranath Tagore used his pen as an artist uses a brush – to colour old tales and bring them to vivid life. The stories are filled with unforgettable vignettes of heated desert sands and filigreed balconies clinging to sheer mountain walls. Ancient battles and family sagas come to life and it is easy to see how these stories inspired many young freedom fighters to dare and dream of overthrowing their colonial masters. Whether today’s reader seeks inspiration or is simply entertained by these tales of Rajput valor, they are a magical window to the richness of Indian literature.




Paintings of Abanindranath Tagore


Book Description

Study on the selected paintings of Abanindranath Tagore, 1871-1951, Indian painter; includes reproduction of the original paintings.




Some Notes on Indian Artistic Anatomy


Book Description

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.




The Alternate Nation of Abanindranath Tagore


Book Description

This volume provides a revisionary critique of the art of Abanindranath Tagore, the founder of the national school of Indian painting, popularly known as the Bengal School of Art. The book categorically argues that the art of Abanindranath, which developed during the Bengal Renaissance in the 19th–20th centuries, was not merely a normalization of national or oriental principle, but was a hermeneutic negotiation between modernity and community. It establishes that his form of art—embedded in communitarian practices like kirtan, alpona, pet-naming, syncretism, and storytelling through oral allegories—sought a social identity within the inter-subjective context of locality, regionality, nationality, and trans-nationality. The author presents Abanindranath as a creative agent who, through his art, conducted a critical engagement with post-Enlightenment modernity and regional subalternity.




My Favourite Stories of Rabindranath Tagore


Book Description

Rabidranath Tagore started writing at an early age. His first short story Bhikharini (The Beggar Woman) published in Bharati magazine in the year 1877 when he was just sixteen. Though this story did not receive much acclaim, but it was the first short story ever published in Bangla. He did not take up writing short stories in earnest until the year 1891, when he went to East Bengal (Now Bangladesh) to look after the family estates. During this period, he came in close contact with the common people and witnessed their trials and tribulations-an experience which served as an inspiration for his short stories. The ninety short stories he wrote; were published under the title Golpoguchcho (A bunch of stories) in three volumes. This book contains translations of seventeen Rabindranath's. stories. Children play a major role in the first eight. Though the protagonist in 'Kabuliwala', 'Khokababu comes back' and 'The Postmaster' is an adult, but the stories revolve around a child. In 'Bolai', 'The Unwanted', 'The Guest', 'The Notebook' and 'Holidays', the central figure is a child. The rest of the stories are women-centric. The heroines of Rabindranath were bold, intelligent, and emotionally strong-unstoppable in their quest for freedom.




The Private Lives of the Impressionists


Book Description

New York Times Bestseller “Anyone who has ever lost themselves in Monet’s color-saturated gardens or swooned over Degas’s dancers will enjoy this revealing group portrait of the artists who founded the Impressionist movement. . . . For the armchair dilettante, as well as the art-history student, this is lively, required reading.” — People The first book to offer an intimate and lively biography of the world’s most popular group of artists, including Manet, Monet, Pissarro, Cézanne, Renoir, Degas, Sisley, Berthe Morisot, and Mary Cassatt. Though they were often ridiculed or ignored by their contemporaries, today astonishing sums are paid for their paintings. Their dazzling works are familiar to even the most casual art lovers—but how well does the world know the Impressionists as people? Sue Roe's colorful, lively, poignant, and superbly researched biography, The Private Lives of the Impressionists, follows an extraordinary group of artists into their Paris studios, down the rural lanes of Montmartre, and into the rowdy riverside bars of a city undergoing monumental change. Vivid and unforgettable, it casts a brilliant, revealing light on this unparalleled society of genius colleagues who lived and worked together for twenty years and transformed the art world forever with their breathtaking depictions of ordinary life.




Raj Kahini


Book Description

An unforgettable historical novella that leads you to the flowing sand dunes of Rajasthan, the clash of swords, to the courtyard of kings and queens. The book captures the spirit of a heroic past that never fails to move readers even today.




Apon Katha


Book Description

Abanindranath Tagore recalls his childhood and ancestral home with meticulous detail and gentle affection.







Righteous Republic


Book Description

What India’s founders derived from Western political traditions as they struggled to free their country from colonial rule is widely understood. Less well-known is how India’s own rich knowledge traditions of two and a half thousand years influenced these men as they set about constructing a nation in the wake of the Raj. In Righteous Republic, Ananya Vajpeyi furnishes this missing account, a ground-breaking assessment of modern Indian political thought. Taking five of the most important founding figures—Mohandas Gandhi, Rabindranath Tagore, Abanindranath Tagore, Jawaharlal Nehru, and B. R. Ambedkar—Vajpeyi looks at how each of them turned to classical texts in order to fashion an original sense of Indian selfhood. The diverse sources in which these leaders and thinkers immersed themselves included Buddhist literature, the Bhagavad Gita, Sanskrit poetry, the edicts of Emperor Ashoka, and the artistic and architectural achievements of the Mughal Empire. India’s founders went to these sources not to recuperate old philosophical frameworks but to invent new ones. In Righteous Republic, a portrait emerges of a group of innovative, synthetic, and cosmopolitan thinkers who succeeded in braiding together two Indian knowledge traditions, the one political and concerned with social questions, the other religious and oriented toward transcendence. Within their vast intellectual, aesthetic, and moral inheritance, the founders searched for different aspects of the self that would allow India to come into its own as a modern nation-state. The new republic they envisaged would embody both India’s struggle for sovereignty and its quest for the self.