A Choice of Manuscripts and Book-Bindings


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Excerpt from A Choice of Manuscripts and Book-Bindings: From the Library of Isabella Stewart Gardner, Fenway Court A translation of this prologue is given in the Catalogue of Boobs under the entry xylographie, where this ms. Is briefly de scribed. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.







Beyond Words


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Featuring illuminated manuscripts from nineteen Boston-area institutions, Beyond Words provides a sweeping overview of the history of the book in the Middle Ages and Renaissance, as well as a guide to its production, illumination, functions, and readership. With over 150 manuscripts on display, Manuscripts for Pleasure & Piety at the McMullen Museum focuses on lay readership and the place of books in medieval society. The High Middle Ages witnessed an affirmation of the visual and, with it, empirical experience. There was an explosion of illumination. Various types of images, whether in prayer or professional books, attest to the newfound importance of visual demonstration in matters of faith and science alike."--




Fenway Court


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Flemish Manuscript Painting in Context


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A companion to the Getty’s prize-winning exhibition catalogue Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe, this volume contains thirteen selected papers presented at two conferences held in conjunction with that exhibition. The first was organized by the Getty Museum, and the second was held at the Courtauld Institute of Art under the sponsorship of the Courtauld Institute and the Royal Academy of Arts. Added here is an essay by Margaret Scott on the role of dress during the reign of Charles the Bold. Texts include Lorne Campbell’s research into Rogier van der Weyden’s work as an illuminator, Nancy Turner’s investigation of materials and methods of painting in Flemish manuscripts, and trenchant commentary by Jonathan Alexander and James Marrow on the state of current research on Flemish illumination. A recurring theme is the structure of collaboration in manuscript production. The essays also reveal an important new patron of manuscript illumination and address the role of illuminated manuscripts at the Burgundian court. A series of biographies of Burgundian scribes is featured.




Bulletin


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Bourdichon's Boston Hours


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An absorbing exploration of the crown jewel of the Isabella Stewart Gardner Museum's collection of rare books and manuscripts: Jean Bourdichon's Boston Hours. Jean Bourdichon remains today one of the most celebrated artists of the French Renaissance. Painter to two kings, Bourdichon produced paintings, books, and even parade floats for the sovereign and his entourage. His illustrious career at the French royal court led to a wide range of commissions--from portraits to wall maps to stained glass--but he is remembered principally for astonishing illuminated manuscripts. One of these masterpieces is Boston Hours, his only intact book of hours in the United States. Acquired by Isabella Stewart Gardner in 1890, it became the most prized of her collection of rare books and manuscripts. Leading scholars Anne-Marie Eze and Nicholas Herman explore its history in depth, shedding new light on the book's patronage and provenance--from the shelves of a wealthy Catholic landowner in Lincolnshire to the shop of a Venetian art and antiques dealer.




Publishing Networks in France in the Early Era of Print


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This book examines commercial and personal connections in the early modern book trade in Paris and northwestern France, ca. 1450–1550. The book market, commercial trade, and geo-political ties connected the towns of Paris, Caen, Angers, Rennes, and Nantes, making this a fertile area for the transference of different fields of knowledge via book culture. Diane Booton investigates various aspects of book production (typography and illustration), market (publishers and booksellers), and ownership (buyers and annotators) and describes commercial and intellectual dissemination via established pathways, drawing on primary and archival sources.




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