Hand-book to the Popular, Poetical, and Dramatic Literature of Great Britain
Author : William Carew Hazlitt
Publisher :
Page : 520 pages
File Size : 21,71 MB
Release : 1876
Category : English literature
ISBN :
Author : William Carew Hazlitt
Publisher :
Page : 520 pages
File Size : 21,71 MB
Release : 1876
Category : English literature
ISBN :
Author : William Carew Hazlitt
Publisher :
Page : 522 pages
File Size : 27,52 MB
Release : 1876
Category : English literature
ISBN :
Author : William Evans Burton
Publisher :
Page : 492 pages
File Size : 27,79 MB
Release : 1860
Category : Book auctions
ISBN :
Author : Thomas Thorpe (Bookseller, of Bedford Street, Covent Garden.)
Publisher :
Page : 864 pages
File Size : 14,94 MB
Release : 1842
Category :
ISBN :
Author : Boston Public Library. Barton Collection
Publisher :
Page : 892 pages
File Size : 47,27 MB
Release : 1888
Category :
ISBN :
Author : William Shakespeare
Publisher :
Page : 478 pages
File Size : 17,73 MB
Release : 1892
Category :
ISBN :
Author : Boston Public Library. Barton Collection
Publisher :
Page : 248 pages
File Size : 36,28 MB
Release : 1880
Category :
ISBN :
Author : P. Holland
Publisher : Springer
Page : 278 pages
File Size : 13,85 MB
Release : 2006-01-26
Category : Performing Arts
ISBN : 0230584543
What can the printed texts of plays from Shakespeare's time say about performance? How have printed plays been read and interpreted? This collection of essays considers the evidence of early modern printed plays and their histories of production and reception, examining a wide variety of cases, from early performance to the psychology of Hamlet.
Author : thomas thorpe
Publisher :
Page : 1352 pages
File Size : 41,11 MB
Release : 1839
Category :
ISBN :
Author : Paul Menzer
Publisher : Associated University Presse
Page : 272 pages
File Size : 44,24 MB
Release : 2008
Category : Drama
ISBN : 9780874130133
"While differences among the three early texts of Hamlet have been considered in terms of interpretive consequences, The Hamlets instead considers practical issues in the playhouses of early modern London. It examines how Shakespeare's company operated, how they may have treated the authorial text, what the actor's needs might have been, and how the three texts may be manifestations of the play's life in the theater. By studying cue-line variation in the three texts, the book introduces a unique method of analysis and constructs for Hamlet a new narrative of authorial, textual, and playhouse practices that challenges the customary assumptions about the transmission of Shakespeare's most textually troubling play."--BOOK JACKET.