A Renaissance Baron and His Possessions


Book Description

This book explores the subject of baronial identity and material culture in sixteenth-century Rome by focusing on the Duke of Bracciano, Paolo Giordano I Orsini, his court, and his possessions. It is an investigation into the way in which a Roman baron constructed and disseminated his sense of self through the objects he owned, the events he organized, and the relationships he forged by means of material goods and works of art. The analysis of the use of artistic and luxury goods in the form of pawns, rentals, loans, gifts, and thefts shows how aristocratic patrimonies were subject to continual mobility and served a multiplicity of goals. Supported by a wealth of documentation, mostly unpublished, including inventories, correspondence and account books, this study provides a new dynamic insight into a Renaissance aristocratic court.




The Perfection of Nature


Book Description

"The Renaissance is celebrated for the belief that individuals could fashion themselves to greatness, but, as Mackenzie Cooley uncovers in this timely book, there is a dark parallel to this fãeted era. Those same men and women who were offering profound advancements in our understanding of the human condition-and laying the foundations of the Scientific Revolution-were also obsessed with controlling that condition and the wider natural world. Cooley traces how the Renaissance world, from the Mediterranean to Mexico City to the high mountains of the Andes, was marked by a lingering fascination with breeding. While one strand of the Renaissance celebrated a liberal view of human potential, another limited it by biology, reducing man to beast and prince to stud. 'Race,' Cooley explains, first referred to animal stock honed through breeding. And, to those who invented the concept, race was not inflexible but the fragile result of reproductive work. She follows these early modern breeders' work with Italian horses, Mesoamerican dogs, Andean camelids, and other creatures, discussing it in tandem with natural philosophers' efforts to make sense of inheritance, modification, and the new concept of race. In doing so, she shows how, as the Spanish empire expanded, the concept of race moved from nonhuman to human animals"




Study and Teaching Guide: The History of the Renaissance World: A curriculum guide to accompany The History of the Renaissance World


Book Description

Turn Susan Wise Bauer's The History of the Renaissance World into a high-school history course. Susan Wise Bauer’s narrative world history series is widely used in advanced high school history classes, as well as by home educating parents. The Study and Teaching Guide, designed for use by both parents and teachers, provides a full high-school-level curriculum in late medieval-early Renaissance history. It includes: Study questions and answers Critical thinking assignments Map exercises Essay topics and instructor grading rubrics Teaching tips and explanations for answers The Study and Teaching Guide, designed by historian and teacher Julia Kaziewicz in cooperation with Susan Wise Bauer, makes The History of the Renaissance World even more accessible to educators and parents alike.




Family and Gender in Renaissance Italy, 1300–1600


Book Description

This book studies family life and gender broadly within Italy, not just one region or city, from the fourteenth through the seventeenth centuries. Paternal control of the household was paramount in Italian life at this time, with control of property and even marital choices and career paths laid out for children and carried out from beyond the grave by means of written testaments. However, the reality was always more complex than a simple reading of local laws and legal doctrines would seem to permit, especially when there were no sons to step forward as heirs. Family disputes provided an opening for legal ambiguities to redirect property and endow women with property and means of control. This book uses the decisions of lawyers and judges to examine family dynamics through the lens of law and legal disputes.




Antiquities in Motion


Book Description

An exciting new approach to understand the trade of antiquities in early modern Rome traces the journey of objects from discovery to display. Barbara Furlotti presents a dynamic interpretation of the early modern market for antiquities, relying on the innovative notion of archaeological finds as mobile items. She reconstructs the journey of ancient objects from digging sites to venues where they were sold, such as Roman marketplaces and antiquarians’ storage spaces; to sculptors’ workshops, where they were restored; and to Italian and other European collections, where they arrived after complicated and costly travel over land and sea. She shifts the attention away from collectors to peasants with shovels, dealers and middlemen, and restorers who unearthed, cleaned up, and repaired or remade objects, recuperating the role these actors played in Rome’s socioeconomic structure. Furlotti also examines the changes in economic value, meaning, and appearance that antiquities underwent as they moved trhoughout their journeys and as they reached the locations in which they were displayed. Drawing on vast unpublished archival material, she offers answers to novel questions: How were antiquities excavated? How and where were they traded? How were laws about the ownership of ancient finds made, followed, and evaded?




Patrimony and Law in Renaissance Italy


Book Description

Family was a central feature of social life in Italian cities. This wide-ranging volume explores patrimony in legal thought and how family property was inherited, managed and shared legally and its central role in Renaissance Italy.




Magnificence in the Seventeenth Century


Book Description

This volume explores the concept of magnificence as a social construction in seventeenth-century Europe.




New Apelleses and New Apollos


Book Description

This book breaks new ground by illuminating the key role of verse-writing as a cultural strategy on the part of Italian Renaissance artists. It does so by undertaking a wide-ranging study of poems by painters, sculptors, architects, and goldsmiths who were active in Florence under Cosimo I and Francesco I de’ Medici – a milieu in which many practitioners of the visual arts appropriated the literary medium to address issues related to their primary professions. New Apelleses, and New Apollos intervenes in the burgeoning scholarly discourse on the intellectual life of artists in early modern Italy, revealing how poetry often provides fresh insights into art-theoretical debates, patronage questions, workshop cultures, issues of professional identity, and networks of personal relations.




Display of Art in the Roman Palace, 1550–1750


Book Description

This book explores the principles of the display of art in the magnificent Roman palaces of the early modern period, focusing attention on how the parts function to convey multiple artistic, social, and political messages, all within a splendid environment that provided a model for aristocratic residences throughout Europe. Many of the objects exhibited in museums today once graced the interior of a Roman Baroque palazzo or a setting inspired by one. In fact, the very convention of a paintings gallery— the mainstay of museums—traces its ancestry to prototypes in the palaces of Rome. Inside Roman palaces, the display of art was calibrated to an increasingly accentuated dynamism of social and official life, activated by the moving bodies and the attention of residents and visitors. Display unfolded in space in a purposeful narrative that reflected rank, honor, privilege, and intimacy. With a contextual approach that encompasses the full range of media, from textiles to stucco, this study traces the influential emerging concept of a unified interior. It argues that art history—even the emergence of the modern category of fine art—was worked out as much in the rooms of palaces as in the printed pages of Vasari and other early writers on art.




Provenance


Book Description

"This volume of essays offers new arguments regarding the significance of the social biography of art and the transformative power of ownership. It realigns the traditional art-historical paradigm that focuses on the moment of an object's origin and instead considers the longue durée of ownership. Whereas the term provenance may call to mind little more than a list of owners or the legal questions raised by competing entitlement claims, the essays in this book demonstrate that a nuanced approach recuperates important, even dramatic, aspects of the history of art. The authors present a broad perspective on provenance, investigating examples from Europe, Asia, Africa, and the Americas, and from ancient archaeology to conceptual art. They explore how stories of ownership are attached to objects, analyze important distinctions between provenance and provenience, and show how provenance can be monetized, politicized, suppressed, or otherwise instrumentalized."--Page 4 of cover.