"When a Stranger Calls You Mom"


Book Description

A child development and relationship perspective on why traumatized children think, feel and act the way they do




This Someone I Call Stranger


Book Description

This Someone I Call Stranger, by James Diaz, is absolutely transcendent. Diaz's evocative and courageous writing conjures up cinematic imagery with heartbreaking vulnerability and unpretentious strength. Reading his poetry, I could feel myself leaning in, yearning alongside him for such things as the affirmation of love, beauty, and release in the face of brokenness, loss, and pain. Diaz's poems will make you feel deeply. His poems will make you want to write, even if you're not a writer. His poems will make you look at your world through a new lens, see and feel things through a bigger, perhaps broken, yet wide-open heart. Kym Tuvim In our era of irony, disposability, and impatience, the poems of This Someone I Call Stranger, James Diaz's debut collection, reverberate with rare authenticity and lyrical pain. Threading through a past of blind forests and dark basements, empty cupboards, dirty needles, hospital floors, and bad men who won't die, this book is a necessary example of duende for the twenty-first century. These poems will arrest you. They have hungry souls, and they ache without breaking. They will hang in your brain and settle in your bones, and they will also move you forward, bravely, toward uncertain light. Jessie Janeshek Authentic, unafraid, and unassuming, James Diaz's This Someone I Call Stranger is a personal yet dynamic landscape of the darker parts of the soul, which somehow remains "impossibly alive" no matter how far from home one has strayed. The poems are equal parts vulnerable and strong, a breathing example of how those qualities are inextricable, how there is something about the darkness that cannot put out the light, how there is something about the light that gains its brightness from the shadows. Diaz writes as if no one outside is listening, which is to say, as if these poems are not poems at all but whispered murmurs from one aspect of the self to another, and we the readers just happen to be lucky enough to catch these glimpses of humanity in its most raw essence: determined yet mysterious, messy yet transcendent. Sarah Certa




Stranger Faces


Book Description

Speculative essays that probe the mythology of the face by the author of The Old Drift




Stranger No More


Book Description

There will be pain ahead, and trouble and problems that I won't be able to fix on my own. But in them all, I know God will be there, calling me to look to him. Inviting me to take the next step toward his open arms. And I will say yes. And yes. And yes. Annahita Parsan was born into a Muslim family in Iran and grew up with the simple hope of one day finding a good husband, having children, and doing some good in the world. Married and a mother before she turned eighteen, Annahita found herself unexpectedly widowed and trapped for years in an abusive second marriage that she later fled-discovering instead a God who might love her. Stranger No More is the remarkable true story of Annahita's path from oppression to the life-changing hope of Jesus. Fleeing Iran across the mountains into Turkey, she spent months in the terrifying Agri prison before a miraculous release and flight to Europe, where she and her two children knelt in a church and prayed, "God, from this day on we are Christians." Filled with unthinkable circumstances, miraculous rescues, and the quietly constant voice of Jesus, Stranger No More leads readers deep into the heart of God and draws them toward the same call that Annahita heeds today: using her past to save others from theirs. As the leader of two congregations in Sweden, Annahita has baptized hundreds of former Muslims since her own conversion, has seen firsthand the powerful ways God is at work among those who have left Islam behind, and is reminded every day that saying yes to God is always worth the risk.




The Call from the Stranger on a Journey Home


Book Description

This book is a cross-cultural, gendered study of both self and curriculum. Initiating a conversation between and among Michel Foucault, Confucius, and Julia Kristeva, it searches for a new (third) cultural and psychic space of transformation and creativity. Weaving together philosophy, psychoanalysis, and autobiography through lived experiences of curriculum, it calls for new configurations of subjectivity at the intersection of culture and gender, through the meeting between selfhood and the human psyche, in the dynamics of the semiotic and the symbolic, and through the interaction between the Western subject and the Chinese self. These multiple layers of inquiry provide unique perspectives for readers who are interested in curriculum theory, feminist analysis, philosophy of education, or East/West dialogue.




I Was a Stranger


Book Description

I Was a Stranger will help you build empathy for the strangers and foreigners among you. Through personal experience and through the narratives of people who have moved to a foreign country for a variety of reasons, Jodi Mullen Fondell offers encouragement for churches desiring to be a place of welcome and embrace for those who often find themselves rejected by the broader society. Packed with tips on how to help your church navigate the road toward greater openness, this book offers advice on how to avoid the pitfalls that prevent churches from truly welcoming and embracing the stranger among them. Rev. Fondell gently guides readers in examining their own experiences of alienation in order to understand the profound disorientation that being a stranger in a strange land entails. This identification with the pain of being an outsider, she asserts, can move, motivate, and mobilize the church to live out God's calling to welcome in the stranger. As the body of Christ embraces the members we are tempted to exclude, a new level of joy and a taste of heaven await our congregations. Includes a small-group Bible-study guide for communities ready to grow in ministry and hospitality.







A Stranger's Journey


Book Description

Long recognized as a master teacher at writing programs like VONA, the Loft, and the Stonecoast MFA, with A Stranger’s Journey, David Mura has written a book on creative writing that addresses our increasingly diverse American literature. Mura argues for a more inclusive and expansive definition of craft, particularly in relationship to race, even as he elucidates timeless rules of narrative construction in fiction and memoir. His essays offer technique-focused readings of writers such as James Baldwin, ZZ Packer, Maxine Hong Kingston, Mary Karr, and Garrett Hongo, while making compelling connections to Mura’s own life and work as a Japanese American writer. In A Stranger’s Journey, Mura poses two central questions. The first involves identity: How is writing an exploration of who one is and one’s place in the world? Mura examines how the myriad identities in our changing contemporary canon have led to new challenges regarding both craft and pedagogy. Here, like Toni Morrison’s Playing in the Dark or Jeff Chang’s Who We Be, A Stranger’s Journey breaks new ground in our understanding of the relationship between the issues of race, literature, and culture. The book’s second central question involves structure: How does one tell a story? Mura provides clear, insightful narrative tools that any writer may use, taking in techniques from fiction, screenplays, playwriting, and myth. Through this process, Mura candidly explores the newly evolved aesthetic principles of memoir and how questions of identity occupy a central place in contemporary memoir.




A Stranger on the Beach


Book Description

Parade's "10 Books Written by Women We Can't Wait to Read in 2019" | She Reads' "Most Anticipated Thillers of Summer 2019" | Pure Wow's "The Best Beach Reads of Summer 2019" | CrimeReads' "The Most Anticipated Crime Books of Summer" From bestselling author Michele Campbell comes A Stranger on the Beach, an edge-of-your seat story of passion and intrigue that will keep you guessing until the very end. Caroline Stark’s beach house was supposed to be her crowning achievement: a lavish, expensive space to showcase what she thought was her perfect family. But after a very public fight with her husband, she realizes things may not be as perfect as they seem: her husband is lying to her, the money is disappearing, and there’s a stranger on the beach outside her house. As Caroline’s marriage and her carefully constructed lifestyle begin to collapse around her, she turns to Aidan, the stranger, for comfort...and revenge. After a brief and desperate fling that means nothing to Caroline and everything to him, Aidan’s infatuation with Caroline, her family, and her house becomes more and more destructive. But who is manipulating whom in this deadly game of obsession and control? Who will take the blame when someone ends up dead...and what is Caroline hiding?




The Soul Is a Stranger in This World


Book Description

The Soul Is a Stranger in This World is a timely examination of some of the best modern and contemporary poets and a trenchant defense of poetry as a narrative, musical, and theological art. While it is common today to view the poet as a revolutionary, who breaks old forms in the name of aesthetic and political freedom, this volume begins with the classical view of the poet "as a man speaking to men," as Wordsworth put it. Poetry may challenge and shock, but it also consoles, probing the contours of the human soul in a broken world. Collected from essays and reviews first published in The Wall Street Journal, The New Criterion, Books and Culture, First Things, and other outlets, the volume traces these concerns in the work of modern masters such as Rilke and Eliot, avant-garde exemplars like Andre du Bouchet and Basil Bunting, and contemporary writers such as Dana Gioia and Franz Wright.