A Study Guide for A. R. Ammons's "The City Limits"


Book Description

A Study Guide for A. R. Ammons's "The City Limits," excerpted from Gale's acclaimed Poetry for Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Poetry for Students for all of your research needs.




Garbage


Book Description

Winner of the National Book Award.




Is There God After Prince?


Book Description

"Is There God After Prince? is a book about loving things (books, songs, poems, people) in the shadow of looming disaster. Coviello's dazzling, highly personal essays address pieces of contemporary culture across an expansive range--songs by Prince, Joni Mitchell, SZA, and Phoebe Bridgers, writings by Sam Lipsyte, Paula Fox, Paul Beatty, and Dana Spiotta, movies like Heathers, TV shows like The Sopranos, as well as videos, poems, and other pop artefacts. Coviello places these artefacts back in the scenes where he first found them and traces what they did there, whether private (a kid's graduation, an aging parent, a divorce) or public (an election, a pandemic). Laced throughout is a queasy fascination with signs that so much is now coming to an end. It is on this terrain of endstrickenness, as Coviello calls it, that the book lingers, though it does so often in the mood of a startled joyousness, one that these pieces are at pains to understand. Cumulatively, Is There God After Prince? wants to be a model for what criticism can do--what it can sound like, how much sorrow and delight it can get into one place--in an era of Last Things"--




A. R. Ammons: Selected Poems


Book Description

Meditative, comic, emotionally wrenching, steeped in both the natural world and the life of the mind, the poetry of A. R. Ammons is at once cosmic in scope and intimate in its moment-to-moment transformations. With his mastery of description and cadence, his roiling wit and fearless gaze, Ammons was a philosopher of the everyday who found surprise everywhere he looked. “He is often witty, sometimes bawdy,” writes editor David Lehman, “on a perpetual quest to find forms capacious enough for an imagination intent on finding a place for everything.” A compound, in editor David Lehman’s words, of “wisdom, pathos, humor, mortal longing, and intimations of immortality,” the work of A. R. Ammons is like nothing else in modern American poetry. Ammons’s tireless formal invention and restless curiosity about every aspect of nature and of the mind are embodied in poetry that is effortlessly accessible and generous in its impulses. Whether spreading out in the long forms of Tape for the Turn of the Year or Garbage, or honing his perceptions down to the extreme brevity of his shorter lyrics, he holds tight to his vision of the way “all day / life itself is bending, / weaving, changing, / adapting, failing, / succeeding.” This new selection covering the whole range of Ammons’s career offers a superb introduction to the pleasures and surprises of his work. His uncanny ability to balance wide-ranging abstract speculation with meticulous observation of natural phenomena, in poetry that encompasses moods of tragic pathos, low comedy, and seemingly casual profundity marks him as one of the preeminent figures in our recent literature. About the American Poets Project Elegantly designed in compact editions, printed on acid-free paper, and textually authoritative, the American Poets Project makes available the full range of the American poetic accomplishment, selected and introduced by today’s most discerning poets and critics.




He Held Radical Light


Book Description

A moving meditation on memory, oblivion, and eternity by one of our most celebrated poets What is it we want when we can’t stop wanting? And how do we make that hunger productive and vital rather than corrosive and destructive? These are the questions that animate Christian Wiman as he explores the relationships between art and faith, death and fame, heaven and oblivion. Above all, He Held Radical Light is a love letter to poetry, filled with moving, surprising, and sometimes funny encounters with the poets Wiman has known. Seamus Heaney opens a suddenly intimate conversation about faith; Mary Oliver puts half of a dead pigeon in her pocket; A. R. Ammons stands up in front of an audience and refuses to read. He Held Radical Light is as urgent and intense as it is lively and entertaining—a sharp sequel to Wiman’s earlier memoir, My Bright Abyss.




Collected Poems, 1930-83


Book Description

Winner of the 1984 Lenore Marshall Poetry Prize. Originally published in 1983, Miles's Collected Poems received seven awards, including the Lenore Marshall/Nation Poetry Prize, and was one of three finalists for the 1983 Pulitzer Prize in Poetry. A striking consistency -- of tone, of diction, of purpose -- characterizes Miles's life work. It has been a life well spent. --Publisher's Weekly. Miles is a poet of the first rank whose work might well be compared to that of Williams or Moore ... Collected Poems is a treasury of poetic wit and human understanding that belongs in all poetry collections. --Library Journal. Miles's work is one of the finest and most solid bodies of poetry to be found in this country. --A.R. Ammons.




White Tears


Book Description

A PEN/JEAN STEIN BOOK AWARD FINALIST ONE OF THE BEST BOOKS OF THE YEAR: The Washington Post • San Francisco Chronicle • NPR • GQ • Time • The Economist • Slate • HuffPost • Book Riot Ghost story, murder mystery, love letter to American music--White Tears is all of this and more, a thrilling investigation of race and appropriation in society today. Seth is a shy, awkward twentysomething. Carter is more glamorous, the heir to a great American fortune. But they share an obsession with music--especially the blues. One day, Seth discovers that he's accidentally recorded an unknown blues singer in a park. Carter puts the file online, claiming it's a 1920s recording by a made-up musician named Charlie Shaw. But when a music collector tells them that their recording is genuine--that there really was a singer named Charlie Shaw--the two white boys, along with Carter's sister, find themselves in over their heads, delving deeper and deeper into America's dark, vengeful heart. White Tears is a literary thriller and a meditation on art--who owns it, who can consume it, and who profits from it.




Rock | Water | Life


Book Description

In Rock | Water | Life Lesley Green examines the interwoven realities of inequality, racism, colonialism, and environmental destruction in South Africa, calling for environmental research and governance to transition to an ecopolitical approach that could address South Africa's history of racial oppression and environmental exploitation. Green analyzes conflicting accounts of nature in environmental sciences that claim neutrality amid ongoing struggles for land restitution and environmental justice. Offering in-depth studies of environmental conflict in contemporary South Africa, Green addresses the history of contested water access in Cape Town; struggles over natural gas fracking in the Karoo; debates about decolonizing science; the potential for a politics of soil in the call for land restitution; urban baboon management; and the consequences of sending sewage to urban oceans.




Considering the Radiance


Book Description

"A. R. Ammons has exploded into the company of American poets that includes Whitman and Emerson and articulates the major impulse of the national expression: the paradox of poetry as process and yet impediment to process."




Merciful Days


Book Description

In language both plainspoken and lyrical, East Tennessee poet Jesse Graves examines the connections that hold people together across generations and against the breaches of time and distance. The landscapes of his native region possess a mythic beauty and Graves writes of the animating force it can become in a poet's imagination. Graves's poems are haunted by the lost futures of lives cut short and by speculative narrations of omens and portents. For all the darkness visible in the world, Graves elevates the great joy of feeding birds, walking in the woods, and sharing a life, sometimes only in memory, with the people we love. Those who have passed on are remembered here and their stories become a source of light. The new work in MERCIFUL DAYS will remind readers why Ron Rash has said, These poems have the music, wisdom, and singular voice of a talent fully realized, and make abundantly clear that Jesse Graves is one of America's finest young poets.