A Survivor's Guide to the Dinosaur Apocalypse, Episode Six: "The Low Rumble of Distant Thunder"


Book Description

Scenes & Interludes ... From an Improbable End | A New Series in the Flashback Universe ... “And here they go! They’re on their way down the stretch. The break was good; every animal got a clean shot out of the gate. And as they come down here to the eighth pole, it is Mesozoic Nights and Caligula …” I peered at the announcer’s booth, wondering once again what they were using for power, and so much of it—the stadium lights alone would have overwhelmed most generators. But then Maria nudged me and I focused on the action—seeing, to my horror, that Bromtide had already fallen behind; Bromtide, whom we had unanimously voted to support. “Caligula is trying to force his way to the front and doing a good job of it as they pass the stands. Here on the outside comes Lovely Bones, in a good position. And as they go by me it is Caligula on the lead by one length. Caligula has the lead and then comes Mesozoic Nights in second place right along beside him. Going into the first turn is Caligula by a length. Mesozoic Nights is second and on the outside of him is Lovely Bones. Far back in the crowd, on the inside, in about fourth place, is Bromtide. They’re going into the stretch; they’ve gone about half a mile …” “Jesus,” I said, even as something like thunder rumbled and a flash of light illuminated the stadium. “What’s wrong with him, you think?” “Might be the T. rex piss,” said Luther, leaning in, and chuckled. “Had to spray him down with it—otherwise the allos would be all over him. Guess we forgot to tell you that.” I glared at him before shifting my gaze to Maria and Caleb and finally to De Santo, at the very end, who looked like a kid on Christmas. “Oh, Caligula!” he cried, and clasped his hands above his head. “Beautiful! Beautiful!”




A Survivor's Guide to the Dinosaur Apocalypse


Book Description

Scenes and Interludes ... from an Improbable End | A new series in the Flashback/Dinosaur Apocalypse Universe I looked to see Nigel and Ewan entering the shop from the left, the latter seeming like an utterly new man—his hair no longer mussed; his clothes no longer a catastrophic mess. “Apologies, apologies, a thousand apologies,” he said, before pausing to admire Gargantua. “But a maiden voyage such as this requires a fresh change of clothes.” He looked on a moment longer and then dropped to one knee—began ruffling through his over-packed bags. “Ah, yes, here it is. It’s—I opened it with Nigel.” He withdrew a corked bottle—which glinted darkly in the light from a high window. “Voila! One of eight bottles of Dom Perignon Rose champagne, Vintage 1959, served in Persepolis in 1971 by the then-Shaw of Iran.” He looked at us with a face flushed with excitement, and we looked back. “To—to celebrate the 2500th anniversary of the founding of the Persian Empire ... by Cyrus the Great.” Disappointment stole over his face like a shadow. “It’s—it’s to break over the bow, as it were. To christen Gargantua.” Nobody said anything. “Yeah—well. Waste of liquor, anyway. Especially when I’ve got so much celebrating to do. I’ll, ah—I’ll just get the door. Over there.” He moved up the ramp toward the garage door. That’s when I thought of Lazaro’s admonition, I don’t know why: You heard Roman—carnotauruses, heading this way. “Wait, Ewan,” I said. But he was already there, triggering the great door with his fist, turning to look at us as it rattled upward, pulling the cork from the champagne. “Life is for the living,” he said, and toasted us with the bottle. “And this stuff …” He poured champagne into his mouth and down the sides, soaking his clean, white shirt, splattering the floor with foam. “This is for howl—” But then the door was open and they were there, the carnotauruses, and one closed its jaws about his scalp while another laid wide his abdomen (and another took up his legs) so that, howling, he was opened like a pizza being groped by eager hands. And then they themselves howled and piled over his body, and all we could do was to run—everyone save Nigel, who had his trimmer, which he started with a sputter—because our weapons were already in the rover.




The Hitchhiker's Guide to the Galaxy


Book Description

'One of the greatest achievements in comedy. A work of staggering genius' - David Walliams An international phenomenon and pop-culture classic, The Hitchhiker's Guide to the Galaxy has been a radio show, TV series, novel, stage play, comic book and film. Following the galactic (mis)adventures of Arthur Dent, Hitchhiker’s in its various incarnations has captured the imaginations of curious minds around the world . . . It's an ordinary Thursday lunchtime for Arthur Dent until his house gets demolished. The Earth follows shortly afterwards to make way for a new hyperspace express route, and his best friend has just announced that he's an alien. At this moment, they're hurtling through space with nothing but their towels and an innocuous-looking book inscribed, in large friendly letters, with the words: DON'T PANIC. The weekend has only just begun . . . This 42nd Anniversary Edition includes exclusive bonus material from the Douglas Adams archives, and an introduction by former Doctor Who showrunner, Russell T Davies. Continue Arthur Dent's intergalactic adventures in the rest of the trilogy with five parts: The Restaurant at the End of the Universe, Life, the Universe and Everything, So Long, and Thanks for All the Fish, and Mostly Harmless.




The End of the World


Book Description

Our fear of the world ending, like our fear of the dark, is ancient, deep-seated and perennial. It crosses boundaries of space and time, recurs in all human communities and finds expression in every aspect of cultural production - from pre-historic cave paintings to high-tech computer games. This volume examines historical and imaginary scenarios of apocalypse, the depiction of its likely triggers, and imagined landscapes in the aftermath of global destruction. Its discussion moves effortlessly from classic novels including Aldous Huxley's Brave New World, George Orwell's Nineteen Eighty-Four and Margaret Atwood's Oryx and Crake, to blockbuster films such as Blade Runner, Armageddon and Invasion of the Body Snatchers. Lisboa also takes into account religious doctrine, scientific research and the visual arts to create a penetrating, multi-disciplinary study that provides profound insight into one of Western culture's most fascinating and enduring preoccupations.




Mostly Harmless


Book Description

Now celebrating the 42nd anniversary of The Hitchhiker’s Guide to the Galaxy, soon to be a Hulu original series! “Hitchhiker fans rejoice! . . . [Here’s] more of the same zany nonsensical mayhem.”—The New York Times Book Review It’s easy to get disheartened when your planet has been blown up and the woman you love has vanished due to a misunderstanding about space/time. However, instead of being disheartened, Arthur Dent makes the terrible mistake of starting to enjoy life a bit—and immediately all hell breaks loose. Hell takes a number of forms: there’s the standard Ford Prefect version, in the shape of an all-new edition of The Hitchhiker’s Guide to the Galaxy, and a totally unexpected manifestation in the form of a teenage girl who startles Arthur Dent by being his daughter when he didn’t even know he had one. Can Arthur save the Earth from total multidimensional obliteration? Can he save the Guide from a hostile alien takeover? Can he save his daughter, Random, from herself? Of course not. He never works out exactly what is going on. Will you? “Douglas Adams is a terrific satirist. . . . He is anything but harmless.”—The Washington Post Book World




Fires of Dis


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Out Of Control


Book Description

Out of Control chronicles the dawn of a new era in which the machines and systems that drive our economy are so complex and autonomous as to be indistinguishable from living things.




Shark Girl


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A teenager struggles through physical loss to the start of acceptance in an absorbing, artful novel at once honest and insightful, wrenching and redemptive. (Age 12 and up) On a sunny day in June, at the beach with her mom and brother, fifteen-year-old Jane Arrowood went for a swim. And then everything -- absolutely everything -- changed. Now she’s counting down the days until she returns to school with her fake arm, where she knows kids will whisper, "That’s her -- that’s Shark Girl," as she passes. In the meantime there are only questions: Why did this happen? Why her? What about her art? What about her life? In this striking first novel, Kelly Bingham uses poems, letters, telephone conversations, and newspaper clippings to look unflinchingly at what it’s like to lose part of yourself - and to summon the courage it takes to find yourself again.




A Survivor's Guide to the Dinosaur Apocalypse, Episode Five: "Elegy"


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That’s when I heard the strange sound: a kind of forlorn mewing, like the note of a horn being drug out too long, coming from just around the corner, just beyond the liquor store—and paused, holding up my hand. “What? What’s going on?” I waved her into silence, dropping the rein, then hustled to the edge of the building—where, after peeking around the corner, I saw a juvenile sauropod of the Diplodocus family (meaning it was the size of a typical school bus) collapsed in the middle of the street—its right front leg stuck in a manhole. “What is it? What do you see?” I looked from the sauropod to the corner of a nearby building, where something had moved, then across the street to an overgrown alley. Yes, I thought. There. And there. Between the tattoo parlor and the marijuana dispensary … “Allosaurs,” I said, gravely. “An entire pack of them. In desert camouflage. They—they’ve got something trapped.” “Omigod. It—it’s not your dog, is it?” I returned and picked up the rein, began leading Blucifer forward, into the intersection. “No.” “Wait … what are you—” “We’re going through,” I said. “But what if those things—” “They don’t care about us; they want the bigger game. For now. Just hold on.” The horse’s hooves went clip-clop, clip-clop as we passed, the bluish-gray sauropod coming into full view ... A moment later she said, “It—it’s stuck. In the manhole. Do you see that?” I eyed the predators warily, continuing to lead. “There’s nothing we can do about it.” “But she’ll be helpless against—” “That is the way of it,” I insisted. “The way of the—” “Look, would you stop with the Indian clap-trap? I’m not even sure—" There was a thwomp as the allosaur by the building leapt into the road—not by us but about fifty feet away, near the sauropod. “Jesus, can’t you do anything? What about your bow?” “And risk bringing them down on us?” I intensified our pace, sprinting toward the Stratosphere. “No!” And then they were coming—the allosaurs from across the street—passing so close we could smell the meat on their breath; closing in on the frightened herbivore … until we passed the scene completely and sought refuge in a nearby gas station (its storefront had long since collapsed) and gathered there trembling as the sauropod cried out—for it wouldn’t be long now until they fell upon her. “Jesus,” said Essie, listening. “What a world.” “Yes,” I said, remembering. “My father used to say it had a demonic sublime; every tree and every rock, every animal, including man, down to the lowest insect.” I listened as the sauropod moaned, seeming already to give up, to resign its fate. “And yet.” “What do you mean?” “What?” “You said, ‘and yet.’ What did you mean?” I un-shouldered the compound bow—rubbing my aching deltoid, stretching my arm. “Nothing. It’s just that … maybe it doesn’t have to be this way.” When she didn’t respond I looked at her—found her already looking at me: calmly, meditatively, her eyes seeming to glimmer. “I’m sure I don’t know what you mean.” “I mean … that I could end it. Her confusion and terror. That I—could prevent her from suffering.” I looked at the bow and the dark, poisoned bolts attached to it. “That it’s in my hands to do so.”




Dictionary of the British English Spelling System


Book Description

This book will tell all you need to know about British English spelling. It's a reference work intended for anyone interested in the English language, especially those who teach it, whatever the age or mother tongue of their students. It will be particularly useful to those wishing to produce well-designed materials for teaching initial literacy via phonics, for teaching English as a foreign or second language, and for teacher training. English spelling is notoriously complicated and difficult to learn; it is correctly described as much less regular and predictable than any other alphabetic orthography. However, there is more regularity in the English spelling system than is generally appreciated. This book provides, for the first time, a thorough account of the whole complex system. It does so by describing how phonemes relate to graphemes and vice versa. It enables searches for particular words, so that one can easily find, not the meanings or pronunciations of words, but the other words with which those with unusual phoneme-grapheme/grapheme-phoneme correspondences keep company. Other unique features of this book include teacher-friendly lists of correspondences and various regularities not described by previous authorities, for example the strong tendency for the letter-name vowel phonemes (the names of the letters ) to be spelt with those single letters in non-final syllables.