A "toxic Genre"


Book Description

Analyses the production and reception of recent Iraq war films, asking why they have become known as a 'Toxic Genre'.




Toxic


Book Description

Hana isn't supposed to exist. She's grown up hidden by her mother in a secret room of the bioship Cyclo until the day her mother is simply gone—along with the entire crew. Cyclo tells her she was abandoned, but she's certain her mother wouldn't leave her there to die. And Hana isn't ready to die yet. She's never really had a chance to live. Fenn is supposed to die. He and a crew of hired mercenaries are there to monitor Cyclo as she expires, and the payment for the suicide mission will mean Fenn's sister is able to live. But when he meets Hana, he's not sure how to save them both. As Cyclo grows sicker by the day, they unearth more secrets about the ship and the crew. But the more time they spend together, the more Hana and Fenn realize that falling for each other is what could ultimately kill them both.




Toxic


Book Description

Prison nurse Tessa Emerson falls in love with an inmate and helps him to escape. He helps her to escape her abusive husband.




Toxic Desire


Book Description

A scifi alien romance with fated mates on an aphrodisiac planet I’ve crash landed on a sex planet with my worst enemy. He’s a brooding, gold alien—a commander who destroyed my ship and half my crew. I should want to kill him. But everything on this planet is an aphrodisiac. So I just want to have him. Now. "Revenge--that's all he wants with me. He’s hated humans for more than a century, ever since we tried to destroy his kind." I’m the last person he should want, but the desire the sex planet stokes in both of us is eating us alive. Resisting his hands, his mouth, and his vampiric fangs proves impossible. I can’t help begging him to touch me. I have no idea what endless sex with his kind will do to me, but there are rumors. I have to get off this planet before I find out if it’s true—before he makes me his mate. For life. The Planet of Desire is a series of scifi alien romance standalones that can be read in any order. Toxic Desire Captive Desire Stolen Desire Forbidden Desire




Healing from Toxic Relationships


Book Description

From the psychologist and author of Gaslighting comes a practical recovery plan outlining ten foundational steps to true healing. Surviving and escaping a toxic or abusive relationship can often only be part of the struggle. Long after, survivors often struggle to heal; your self‑esteem may be damaged, you may feel rage and betrayal, and you may punish and/or blame yourself. The author of Gaslighting and specialist in toxic behavior, narcissistic abuse, and personality disorders, Dr. Stephanie Sarkis has seen it all--and she is here to help you understand how to move forward. In Healing from Toxic Relationships, Dr. Sarkis extends compassion and knowledge to survivors, helping you understand the underpinnings of toxic behavior and how to find peace. Highlighting ten essential steps, Dr. Sarkis provides survivors with an accessible framework that can be applied to anyone preparing to heal: 1. Block or Limit Contact 2. Create Your Own Closure 3. Forgive Yourself 4. Establish Boundaries 5. Talk to a Professional 6. Practice Self‑Care 7. Reconnect 8. Grieve 9. Look Outward 10. Prevent: Keeping Toxic People Away Anyone who is in a toxic relationship—whether it's with a romantic partner, colleague, family member, or friend—deserves a way out and a path forward. Dr. Sarkis offers help and hope.




Plastic


Book Description

“This eloquent, elegant book thoughtfully plumbs the . . . consequences of our dependence on plastics” (The Boston Globe, A Best Nonfiction Book of 2011). From pacemakers to disposable bags, plastic built the modern world. But a century into our love affair, we’re starting to realize it’s not such a healthy relationship. As journalist Susan Freinkel points out in this eye-opening book, we’re at a crisis point. Plastics draw on dwindling fossil fuels, leach harmful chemicals, litter landscapes, and destroy marine life. We’re drowning in the stuff, and we need to start making some hard choices. Freinkel tells her story through eight familiar plastic objects: a comb, a chair, a Frisbee, an IV bag, a disposable lighter, a grocery bag, a soda bottle, and a credit card. With a blend of lively anecdotes and analysis, she sifts through scientific studies and economic data, reporting from China and across the United States to assess the real impact of plastic on our lives. Her conclusion is severe, but not without hope. Plastic points the way toward a new creative partnership with the material we love, hate, and can’t seem to live without. “When you write about something so ubiquitous as plastic, you must be prepared to write in several modes, and Freinkel rises to this task. . . . She manages to render the most dull chemical reaction into vigorous, breathless sentences.” —SF Gate “Freinkel’s smart, well-written analysis of this love-hate relationship is likely to make plastic lovers take pause, plastic haters reluctantly realize its value, and all of us understand the importance of individual action, political will, and technological innovation in weaning us off our addiction to synthetics.” —Publishers Weekly “A compulsively interesting story. Buy it (with cash).” —Bill McKibben, author of The End of Nature “What a great read—rigorous, smart, inspiring, and as seductive as plastic itself.” —Karim Rashid, designer




Globalizing Literary Genres


Book Description

Focused on the relation between processes of globalization and literary genres, this volume intervenes in the prevalent notions of globalization, literary history, genre, and the novel. Using both close reading and world history, both literary criticism and political theory, the book is a timely intervention in the debates about world, postcolonial, and transnational literature as they have been intensified by critical globalization studies, world-systems analysis, Bourdieuan sociology, and cosmopolitanism studies. It contends that globalization, far from starting in recent decades, has a long and complex history, not unlike the history of literature itself, meaning that when we speak of globalization and literature, we in effect invoke the entire history of literature. Essays examine literary genres in relation to broader historical processes, connecting the present state of globalization to such key world-historic events as the early modern geographical and scientific explorations, the Enlightenment, the expansions of modernity in the long nineteenth and twentieth centuries, postmodernity and postcoloniality, and contemporary counter-hegemonic movements. The book offers innovative readings of the pastoral from Saint-Pierre to Carpentier; the novel in Kant and Wieland, and in Diderot and Marx; travel writing from Verne to Cortázar; sports writing in James and Kahn; entrelacement in Bolaño, Ghosh, and Soderbergh; and also the Mozambican ghost story, Indian genre fiction, "fake" autobiographies, Sephardic "language memoirs," the postcolonial Gothic, Irish "chick lit," and counter-hegemonic novels. Making important theoretical contributions to a renewed discussion about genre, especially genres of narrative fiction, this volume addresses global studies, the history of the novel, and debates over periodization and nationalism in literary history.




Crime Fiction in the Age of #MeToo


Book Description

Informed by fourth-wave feminism, Crime Fiction in the Age of #MeToo presents a compelling and timely reading of crime fiction in the age of #MeToo. The book explores five major fourth-wave feminist topics, #MeToo, rape culture, toxic masculinity, LBGTQ+ perspectives, and transgender. These topics have been the subject of intense feminist scrutiny and campaigning, and the book demonstrates how this attention is reflected in contemporary crime fiction and its generic and thematic preoccupations. The book opens with a chapter presenting an overview of existing critical perspectives and feminist debates, demonstrating how fourth-wave feminist ideas and debates are inspiring innovations in the genre, as well as generating fresh ways of reading past and present crime fictions. Providing an overview and context for both fourth-wave feminism and the #MeToo movement, the chapter establishes the critical and cultural framework for its analysis. The chapter also outlines the book’s methodology and approach, detailing the contents of the chapters. Each of the five subsequent chapters uses critical vocabulary and concepts from feminism and the #MeToo movement to reassess canonical works and present new readings of contemporary crime fiction, producing compelling analyses of gender and genre. Canonical authors whose works are discussed include Agatha Christie, Raymond Chandler, Josephine Tey, Maj Sjöwall and Per Wahlöö, and Val McDermid. Examining selected contemporary novels and short stories, the chapters in Crime Fiction in the Age of #MeToo provide fresh readings of both well-known and lesser-known crime authors. The contemporary authors whose work is examined are Lauren Henderson, Susan White, Jennifer Haigh, Allison Leotta, Y.A. Erskine, Heather Fitt, John Harvey, Dorothy Koomson, Pekka Hiltunen, Nekesa Afia, Michael Nava, Stella Duffy, Alex Reeve, V.T. Davy, and Dharma Kelleher. Through its critical examination of crime fiction, Crime Fiction in the Age of #MeToo offers a powerful feminist analysis of the genre which draws links between literature and ongoing urgent social and cultural debates such as the #Metoo movement and fourth-wave feminism.




Body Genre


Book Description

In this groundbreaking work, author David Scott Diffrient explores largely understudied facets of cinematic horror, from the various odors permeating classic and contemporary films to the wetness, sliminess, and stickiness of these productions, which, he argues, practically scream out for a tactile mode of textural analysis as much as they call for more traditional forms of textual analysis. Dating back to Carol Clover’s and Linda Williams’s pioneering work on horror cinema, film scholars have long conceptualized this once-disreputable category of cultural production as a “body genre.” However, despite the growing recognition that horror serves important biological and social functions in our lives, scholars have only scratched the surface of this genre with regard to its affective, corporeal, and sensorial appeals. Diffrient anatomizes horror films in much the same way that a mad scientist might handle the body, separating and recombining constitutive parts into a new analytical whole. Further, he challenges the tendency of scholars to privilege human over nonhuman beings and calls into question ableist assumptions about the centrality to horror films of sight and sound to the near exclusion of other forms of sense experience. In addition to examining the role that animals—living or dead, real or fake—play in human-centered fictions, this volume asks what it means for audiences to consume motion pictures in which actors, stunt performers, and other creative personnel have put their own bodies and lives at risk for our amusement. Historically grounded and theoretically expansive, Body Genre: Anatomy of the Horror Film moves the study of cinematic horror into previously unchartered waters and breathes life into a subject that, not coincidentally, is intimately connected to breathing as our most cherished dividing line between life and death.




Reaper's Legacy


Book Description

Heroes and monsters clash with government forces in an apocalyptic London. Two years after London is struck by a devastating terrorist attack, it is cut off from the world, protected by a large force of soldiers (known as Choppers), while those in the rest of Britain believe that their ex-capital is now a toxic, uninhabited wasteland. Jack and his friends know that the truth is very different. The handful of survivors in London are developing strange, fantastic powers. Evolving. Meanwhile, the Choppers treat the ruined city as their own experimental playground. Jack's own developing powers are startling and frightening, though he is determined to save his father, the brutal man with a horrific power who calls himself Reaper. Jack must also find their friend Lucy-Anne, who went north to find her brother. What Lucy-Anne discovers is terrifying--people evolving into monstrous things and the knowledge that a nuclear bomb has been set to destroy what's left of London. And the clock is ticking. From the Hardcover edition.




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