Cookie's Week


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An American Bookseller Pick of the Lists! "This is a perfect choice for very young children, and extra-large print makes it even more accessible." —Publisher's Weekly One of Tomie's most popular young picture books, this charming story about Cookie the cat makes a perfect read along. With its bright watercolor illustrations and one sentence of text per page, toddlers will love following Cookie through the days of the week—and seeing all the trouble he causes around the house!




Calendar


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Bulletin


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Register


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Special Announcements


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The Lady Nurse of Ward "E" 1863-1864 (Annotated, New Intro)


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President Abraham Lincoln wanted a complete and comfortable hospital as possible built near the steamboat landing in Washington, D.C. After Armory Square Hospital was constructed, Lincoln kept a constant interest in the care of sick and wounded soldiers. Lincoln often visited Armory Square Hospital and Amanda Akin saw him there as he made the rounds of beds, warmly shaking hands and inquiring about wounds. She also shook Lincoln's hand on more than one occasion in the White House. Another frequent visitor to Armory Square with whom she was less impressed was Walt Whitman. She thought him odd and that his writings on things such as "free love" queer. Nevertheless, she quotes from Whitman in this book, as he had also worked in the hospitals during the war. Front-line letters and diaries of the Civil War bring an immediacy to a long-ago event and connect us to these everyday men and women who lived it. Included in this volume are letters to Akin's sisters and excerpts from her diary. Her great warmth and caring for the boys coming through her ward comes through in her writing and she includes many interesting notes about wartime Washington. For the first time, this long-out-of-print book is available as an affordable, well-formatted book for e-readers and smartphones. Be sure to LOOK INSIDE or download a sample.




Lynd Ward: Prelude to a Million Years, Song Without Words, Vertigo (LOA #211)


Book Description

In this, the second of two volumes collecting all his woodcut novels, The Library of America brings together Lynd Ward’s three later books, two of them brief, the visual equivalent of chamber music, the other his longest, a symphony in three movements. Prelude to a Million Years (1933) is a dark meditation on art, inspiration, and the disparity between the ideal and the real. Song Without Words (1936), a protest against the rise of European fascism, asks if ours is a world still fit for the human soul. Vertigo (1937), Ward’s undisputed masterpiece, is an epic novel on the theme of the individual caught in the downward spiral of a sinking American economy. Its characters include a young violinist, her luckless fiancé, and an elderly business magnate who—movingly, and without ever becoming a political caricature—embodies the social forces determining their fate. The images reproduced in this volume are taken from prints pulled from the original woodblocks or first-generation electrotypes. Ward’s novels are presented, for the first time since the 1930s, in the format that the artist intended, one image per right-hand page, and are followed by four essays in which he discusses the technical challenges of his craft. Art Spiegelman contributes an introductory essay, “Reading Pictures,” that defines Ward’s towering achievement in that most demanding of graphic-story forms, the wordless novel in woodcuts.




City Record


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