Abandoned Women and Boudoir Resentment


Book Description

The image and voice of abandoned women are a familiar topic to students of classical Chinese poetry. This book explores the formation of the conventional, male-constructed voice of women, characterized by the expression of loneliness and resentment by a lady longing for an absent lover.




Abandoned Women and Boudoir Resentment


Book Description

This book studies the formation of the male-constructed conventional voice of women in Chinese literature from the 3rd to 6th century. It highlights specific moments during which the feminine voice became recognized, accepted, and stabilized, including the shift of focus from the performative to the textual in female representations; the formation of a male literary community; the popularity of romanticized historical narratives; and the emerging sense of literary history. This study emphasizes the historicity of the feminine voice and strives to question and challenge established notions about textual stability, authorship, the literary canon, and literary history.




Gendered Persona and Poetic Voice


Book Description

Gendered Persona and Poetic Voice considers the effects on poetic voice of a conventional feminine persona, the abandoned woman, in early Chinese song lyric (ci) poems. The author reads the literary cross-dressing and ventriloquism of these mostly male-authored poems in light of the highly indeterminate Chinese poetic language, resulting in a consideration of persona and poetic voice of interest to scholars of lyric poetry in any language.




Queering Modernist Translation


Book Description

Queering Modernist Translation explores translations by Ezra Pound, Langston Hughes, and H.D. through the concept of queering translation. As Bancroft argues, queering translation is an intersectional lens for gleaning identity and socio-cultural issues in translation, such as gender, sexuality, diaspora, and race. Using theories espoused by Jack Halberstam, José Esteban Muñoz, Elizabeth Grosz, Sara Ahmed, and Rinaldo Walcott as foundations for his arguments, Bancroft demonstrates that queering translation offers more expansive ways of imagining the relationship between translation and the identities, cultures, and societies that produce them. Intervening in new Modernist studies and translation studies, Queering Modernist Translation furthers contemporary conversations regarding Modernism and its lasting importance in the twenty-first century.




Engendering the Woman Question: Men, Women, and Writing in China’s Early Periodical Press


Book Description

In Engendering the Woman Question, Zhang Yun examines the early Chinese women’s periodical press as a mixed-gender public space to explore men’s and women’s gender-specific approaches to a series of prominent topics central to the Chinese “woman question.”




Gender, Continuity, and the Shaping of Modernity in the Arts of East Asia, 16th–20th Centuries


Book Description

Gender, Continuity, and the Shaping of Modernity in the Arts of East Asia, 16th–20th Centuries explores women’s and men’s contributions to the arts and gendered visual representations in China, Korea, and Japan from the premodern through modern eras. A critical introduction and nine essays consider how threads of continuity and exchanges between the cultures of East Asia, Europe, and the United States helped to shape modernity in this region, in the process revealing East Asia as a vital component of the trans-Pacific world. The essays are organized into three themes: representations of femininity, women as makers, and constructions of gender, and they consider examples of architecture, painting, woodblock prints and illustrated books, photography, and textiles. Contributors are: Lara C. W. Blanchard, Kristen L. Chiem, Charlotte Horlyck, Ikumi Kaminishi, Nayeon Kim, Sunglim Kim, Radu Leca, Elizabeth Lillehoj, Ying-chen Peng, and Christina M. Spiker. Gender, Continuity, and the Shaping of Modernity in the Arts of East Asia, 16th–20th Centuries is now available in paperback for individual customers.




Crafting a Collection


Book Description

"Compiled in 940 at the court of the kingdom of Shu, the Huajian ji is the earliest extant collection of song lyrics by literati poets. The collection has traditionally been studied as the precursor to the lyrics of the Song dynasty, or in terms of what it contributed to the later development of the genre. But scholars have rarely examined the work as an anthology, and have more often focused on the work of individual poets and their respective contributions to the genre.In this book, Anna Shields examines the influence of court culture on the creation of the anthology and the significance of imitation and convention in its lyrics. Shields suggests that by considering the Huajian ji only in terms of its contributions to a later “model,” we unnecessarily limit ourselves to a single literary form, and risk overlooking the broader influence of Tang culture on the Huajian ji. By illuminating the historical and literary contexts of the anthology, the author aims to situate the Huajian ji within larger questions of Chinese literary history, particularly the influence of cultural forces on the emergence of genres and the development of romantic literature."




Harper's New Monthly Magazine


Book Description

Harper's informs a diverse body of readers of cultural, business, political, literary and scientific affairs.




The Independent Woman


Book Description

“Like man, woman is a human being.” When The Second Sex was first published in Paris in 1949—groundbreaking, risqué, brilliantly written and strikingly modern—it provoked both outrage and inspiration. The Independent Woman contains three key chapters of Beauvoir’s masterwork, which illuminate the feminine condition and identify practical social reforms for gender equality. It captures the essence of the spirited manifesto that switched on light bulbs in the heads of a generation of women and continues to exert profound influence on feminists today.




Kiyama


Book Description

Spectral eyes watched from the timelessness of the vast tank chamber. Imprisoned in their liquid-filled tombs, the souls of the ancient Omoro kept vigil on the wondrous spectacle of their creation. They whispered like the gentlest of breezes, their thoughts commingling. Below, in a mist-enshrouded chrysalis, their progeny slumbered, a precious creation of flesh and blood, a vital link to the past and the future. The time of awakening was drawing near. A surge of anticipation and excitement rippled through the tanks as the blue mist gradually began to clear within the chrysalis. A shape emerged, a shape that brought joy to the phantom audience. In the tank of one whose essence inhabited a lower level, long-forgotten emotions sprang from the shadow of time. As he observed the awakening, memories of his world, his people and the love he held for his children filled his spirit with elation. His jubilant voice joined the welcoming chant of his kindred. Sparks of energy flickered in the tanks like legions of phantasmic butterflies. The millennia of waiting, the grinding tribulations of the past, were quickly forgotten as a vision of hope and the shining promise of resurrection stirred before him.