A Brief History of Slavery


Book Description

A thought-provoking and important book that raises essential issues crucial not only for understanding our past but also the present day. In this panoramic history, Jeremy Black tells how slavery was first developed in the ancient world, and reaches all the way to the present in the form of contemporary crimes such as trafficking and bonded labour. He shows how slavery has taken many forms throughout history and across the world - from the uprising of Spartacus, the plantations of the West Indies, and the murderous forced labour of the gulags and concentration camps. Slavery helped to consolidate transoceanic empires and helped mould new world societies such as America and Brazil. Black charts the long fight for abolition in the nineteenth century, looking at both the campaigners as well as the harrowing accounts of the enslaved themselves. Slavery is still with us today, and coerced labour can be found closer to home than one might expect.




Europe and the World, 1650-1830


Book Description

Europe and the World, 1650-1830 is an important thematic study of the first age of globalisation. It surveys the interaction of Europe, Europe's growing colonies and other major global powers, such as the Ottoman Empire, China, India and Japan. Focusing on Europe's impact on the world, Jeremy Black analyses European attitudes, exploration, trade and acquisition of knowledge.




Fashioning Africa


Book Description

Everywhere in the world there is a close connection between the clothes we wear and our political expression. To date, few scholars have explored what clothing means in 20th-century Africa and the diaspora. In Fashioning Africa, an international group of anthropologists, historians, and art historians bring rich and diverse perspectives to this fascinating topic. From clothing as an expression of freedom in early colonial Zanzibar to Somali women's headcovering in inner-city Minneapolis, these essays explore the power of dress in African and pan-African settings. Nationalist and diasporic identities, as well as their histories and politics, are examined at the level of what is put on the body every day. Readers interested in fashion history, material and expressive cultures, understandings of nation-state styles, and expressions of a distinctive African modernity will be engaged by this interdisciplinary and broadly appealing volume. Contributors are Heather Marie Akou, Jean Allman, A. Boatema Boateng, Judith Byfield, Laura Fair, Karen Tranberg Hansen, Margaret Jean Hay, Andrew M. Ivaska, Phyllis M. Martin, Marissa Moorman, Elisha P. Renne, and Victoria L. Rovine.




The Art of Conversion


Book Description

Art of Conversion: Christian Visual Culture in the Kingdom of Kongo




Dutch and Portuguese in Western Africa


Book Description

By looking at Dutch and Portuguese systems of settlement and trade in Western Africa, this book sheds new light on the formation of Dutch and Portuguese imperial frames, forms of commercial organisation and their role on the seventeenth-century-Atlantic.




The Slavery Reader


Book Description

Brings together the most recent and essential writings on slavery. Spanning almost five centuries - the late fifteenth until the mid-nineteenth - the articles trace the range and impact of slavery on the modern western world.




A Scholar for All Seasons: Jill Dias


Book Description

The volume presents studies that range from slave trade in Benguela to European perceptions of colonial urban Luanda, nineteenth-century Portuguese colonial expeditions into the African interior, rubber colonialism in Garenganze/Katanga--Bié--Benguela, rubber trade in the Kongo, the dynamics of go-between societies in Portuguese Guinea, the rule of the Mozambique Company, urbanism in Lourenço Marques, the Angolan Declaration of Independence, UPA politics in northern Angola, and civilian casualties in Angola in 1975-2008. The featured contributions are by Luiz Felipe de Alencastro, Mariana P. Candido, David Birmingham, Beatrix Heintze, John K. Thornton, Jean-Luc Vellut, Jelmer Vos, William Gervase Clarence-Smith, Philip J. Havik, Rosemary E. Galli, Jeanne Marie Penvenne, Douglas L. Wheeler, Inge Brinkman, and Linda M. Heywood.




A Fistful of Shells


Book Description

By the time the “Scramble for Africa” among European colonial powers began in the late nineteenth century, Africa had already been globally connected for centuries. Its gold had fueled the economies of Europe and the Islamic world for nearly a millennium, and the sophisticated kingdoms spanning its west coast had traded with Europeans since the fifteenth century. Until at least 1650, this was a trade of equals, using a variety of currencies—most importantly, cowrie shells imported from the Maldives and nzimbu shells imported from Brazil. But, as the slave trade grew, African kingdoms began to lose prominence in the growing global economy. We have been living with the effects of this shift ever since. With A Fistful of Shells, Toby Green transforms our view of West and West-Central Africa by reconstructing the world of these kingdoms, which revolved around trade, diplomacy, complex religious beliefs, and the production of art. Green shows how the slave trade led to economic disparities that caused African kingdoms to lose relative political and economic power. The concentration of money in the hands of Atlantic elites in and outside these kingdoms brought about a revolutionary nineteenth century in Africa, parallel to the upheavals then taking place in Europe and America. Yet political fragmentation following the fall of African aristocracies produced radically different results as European colonization took hold. Drawing not just on written histories, but on archival research in nine countries, art, oral history, archaeology, and letters, Green lays bare the transformations that have shaped world politics and the global economy since the fifteenth century and paints a new and masterful portrait of West Africa, past and present.




Intonations


Book Description

Intonations tells the story of how Angola’s urban residents in the late colonial period (roughly 1945–74) used music to talk back to their colonial oppressors and, more importantly, to define what it meant to be Angolan and what they hoped to gain from independence. A compilation of Angolan music is included in CD format. Marissa J. Moorman presents a social and cultural history of the relationship between Angolan culture and politics. She argues that it was in and through popular urban music, produced mainly in the musseques (urban shantytowns) of the capital city, Luanda, that Angolans forged the nation and developed expectations about nationalism. Through careful archival work and extensive interviews with musicians and those who attended performances in bars, community centers, and cinemas, Moorman explores the ways in which the urban poor imagined the nation. The spread of radio technology and the establishment of a recording industry in the early 1970s reterritorialized an urban-produced sound and cultural ethos by transporting music throughout the country. When the formerly exiled independent movements returned to Angola in 1975, they found a population receptive to their nationalist message but with different expectations about the promises of independence. In producing and consuming music, Angolans formed a new image of independence and nationalist politics.