Adaptive Strategies for Small-handed Pianists


Book Description

This comprehensive study offers practical strategies for overcoming the unique challenges of practicing and performing as a small-handed pianist. Informed by established scientific and pedagogical principles and illustrated by hundreds of examples, it is an incomparable resource for pianists and teachers.




Adaptive Strategies for Small-Handed Pianists


Book Description

Adaptive Strategies for Small-Handed Pianists brings together information from biomechanics, ergonomics, physics, anatomy, medicine, and piano pedagogy to focus on the subject of small-handedness. The first comprehensive study of its kind, the book opens with an overview of historical, anatomical, and pedagogical perspectives and redresses long-held biases concerning those who struggle at the piano because of issues with hand size. A discussion of work efficiency, the human anatomy, and the constraints of physics serves as the theoretical basis for a focused analysis of healthy movement and piano technique as they relate to small-handedness. Separate chapters deal with specific alternative approaches: redistribution, refingering, strategies to maximize reach and power, and musical solutions for technical problems. Richly illustrated with hundreds of examples from a wide range of piano repertoire, the book is an incomparable resource for piano teachers and students, written in language that is accessible to a broad audience. It balances scholastic rigor with practical experience in the field to demonstrate that the unique physical and musical needs of the small-handed can be addressed in sensitive and appropriate ways.




Mind the Gap


Book Description

The aim of this research is not only to investigate strategies to enhance playability for small-handed pianists in virtuoso nineteenth-century repertoire but also to review the gap in piano pedagogical literature in discussing those pianistic skills. Two qualitative performance-based methods for collecting data were used in this study: practice-led and action research. The combination of these methods gave this study the possibility to gather and validate information from sections of piano practice and reflection of these sections of piano practice to understand underlying causes enabling virtuoso nineteenth-century repertoire to be played by a pianist with small hands. The findings of this research fill a gap in the piano literature and demonstrate that improving and discussing playability helps to prevent from many musculoskeletal playingassociated disorders with simple strategies such as redistribution of notes, closing the hand between octaves, special fingering, omitting notes, and rearranging notes.




Muscular Forces and Joint Angles in Small-handed Pianists


Book Description

This pilot study examined whether the use of a 7/8 keyboard contributed to the physical ease of small-handed pianists in comparison with the conventional piano keyboard. A secondary research question focused on the transition from one keyboard to the other. For the purposes of this study, we adopted David Steinbuhler's postulated hand span of 8 inches or less as defining a "small-handed" pianist. The goal was to measure muscle loading and hand span during performance of the excerpt. Data collection included each participant being monitored using electromyography via surface electrodes, which were attached to the upper back/shoulder, parts of the hand and arm, and the masseter muscle of the jaw. Subjects were also fitted with electrogoniometers to capture how the span from the first metacarpophalangeal (MCP) joint to the fifth MCP joint moved according to performance demands, as well as recording wrist flexion and extension, radial and ulnar deviation. The findings were that small-handed pianists preferred the smaller keyboard and were able to transition smoothly between it and the conventional keyboard. The maximal angle of hand span while playing a difficult piece averaged about 5o smaller on the radial side and 10o smaller on the ulnar side for the 7/8 keyboard, leading to perceived comfort (ease) and better performance as rated by the subjects.




The Complete Collaborator


Book Description

Martin Katz puts his long career as partner to celebrated soloists to good use in order to provide the knowledge and tools for any pianist to accompany beautifully. Every subject relating to collaboration is discussed, with recorded examples by the author to serve as audible demonstrations of his ideas. For the interested beginner as well as the working professional, everything to promote artistic and practical collaboration is here.




Rethinking Music Education and Social Change


Book Description

Introduction -- The arts and social change -- The power of utopian thinking -- Transforming society -- Music education and utopia -- Conclusion.




Teacher Evaluation in Music


Book Description

Teacher Evaluation in Music: A Guide for Music Teachers in the U. S. aims to help music teachers navigate the controversial terrain of teacher evaluation. Rather than entering the debate on policy divorced from practice, this book is intended as a pragmatic approach to help music teachers to thrive within teacher evaluation systems and as a way to improve practice. Using Shulman's concept of content knowledge, general pedagogical knowledge, and pedagogical content knowledge, this book strives to help music teachers find a balance between advocating for themselves and their programs and for using teacher evaluation to improve their teaching. The book covers history of policy and law of teacher evaluation and the competing uses of teacher evaluation to rate teachers or as a professional development tool. The descriptions of policies, laws, and competing uses are approached in a way to help music teachers use teacher evaluation for their benefit to grow as professionals. This book has chapters devoted to giving detailed and specific strategies in key areas that research has suggested music teachers struggle to implement: questioning, literacy, differentiated instruction, and assessment. Complimenting these key areas are sample lesson plans which apply the strategies of questioning, differentiation, literacy, and assessment discussed in each chapter. These lessons serve as a resource and guide for teachers to develop their own lessons and improve their practice. The final chapter gives guidance on how music teachers may talk to administrators and evaluators to make teacher evaluation productive. Through these detailed descriptions of understanding teacher evaluation, talking to evaluators, and improving practice, music teachers may not just survive but thrive in these systems of accountability.




After the Golden Age


Book Description

Hamilton dissects the oft invoked myth of a 'Great Tradition', or Golden Age of pianism. He then goes on to discuss the performance style great pianists, from Liszt to Paderewski, and delves into the far from inevitable development of the piano recital.




Functional Skills for Pianists


Book Description

Functional Skills for Pianists addresses the need for a comprehensive anthology of musical examples in a wide variety of styles (Baroque through Modern) for keyboard majors (performance, pedagogy, collaborative pianists), keyboard principals (music education, music therapy, music business,church music, liberal arts majors), and composition/theory students. Its Topical structure allows teachers the freedom to design lessons that meet varied abilities and needs of students. It is Comprehensive on two levels: 1) it includes introductory guidelines on fundamentals followed by numerousexamples that are sequenced from beginning through advanced levels and 2) while it covers the development of skills found in beginning texts, it extends to more demanding sight reading material and substantive sections on figured bass realization and jazz/popular music harmonization. Currently,there is not a book on the market that covers such a wide variety and range of functional keyboard skills.




Teaching Music to Students with Autism


Book Description

This book is a comprehensive practical guide for music eductors who work with students with autism. This second edition offers fully up-to-date information on diagnosis, advocacy, and a collegial team-approach, as well as communication, cognition, behavior, sensory, and socialization challenges. Many 'real-life' vignettes and classroom snapshots are included to transfer theory to practice.