Afro-Latin Soul Music and the Rise of Black Power Cosmopolitanism


Book Description

Whereas research on the global impact of US African American culture and politics and transnational connections in the African Diaspora has increased significantly since the release of Gilroy ́s Black Atlantic, the hemispheric dialogues between black communities in the US and Latin America have remained somewhat understudied until now. Focusing on the role of Soul music for the popularization of the Black Power movement in Afro-Latin American contexts in the 1960s and 1970s, this book aims to contribute to a better understanding of the networks of solidarity that connected geographically and linguistically distant afro-diasporic communities in their struggles for emancipation and against the diverse manifestations of white supremacy that have shaped societies throughout the Americas in the 20th century. Drawing on field research and interviews with musicians, DJs, and activists in New York, Rio de Janeiro and Panama, this multi-sited study traces the inter-American flows of Soul music in diverse Afro-Latin American contexts. Crossing boundaries between African American and Latin American Studies this book opens new perspectives to scholars of Black Transnationalism, music and social movements in the African diaspora of the Americas.




Afro-Latin Soul Music and the Rise of Black Power Cosmopolitanism


Book Description

Whereas research on the global impact of US African American culture and politics and transnational connections in the African Diaspora has increased significantly since the release of Gilroy ́s Black Atlantic, the hemispheric dialogues between black communities in the US and Latin America have remained somewhat understudied until now. Focusing on the role of Soul music for the popularization of the Black Power movement in Afro-Latin American contexts in the 1960s and 1970s, this book aims to contribute to a better understanding of the networks of solidarity that connected geographically and linguistically distant afro-diasporic communities in their struggles for emancipation and against the diverse manifestations of white supremacy that have shaped societies throughout the Americas in the 20th century. Drawing on field research and interviews with musicians, DJs, and activists in New York, Rio de Janeiro and Panama, this multi-sited study traces the inter-American flows of Soul music in diverse Afro-Latin American contexts. Crossing boundaries between African American and Latin American Studies this book opens new perspectives to scholars of Black Transnationalism, music and social movements in the African diaspora of the Americas.




Afro-Latin American Studies


Book Description

Alejandro de la Fuente and George Reid Andrews offer the first systematic, book-length survey of humanities and social science scholarship on the exciting field of Afro-Latin American studies. Organized by topic, these essays synthesize and present the current state of knowledge on a broad variety of topics, including Afro-Latin American music, religions, literature, art history, political thought, social movements, legal history, environmental history, and ideologies of racial inclusion. This volume connects the region's long history of slavery to the major political, social, cultural, and economic developments of the last two centuries. Written by leading scholars in each of those topics, the volume provides an introduction to the field of Afro-Latin American studies that is not available from any other source and reflects the disciplinary and thematic richness of this emerging field.




Worldmaking After Empire


Book Description

Decolonization revolutionized the international order during the twentieth century. Yet standard histories that present the end of colonialism as an inevitable transition from a world of empires to one of nations—a world in which self-determination was synonymous with nation-building—obscure just how radical this change was. Drawing on the political thought of anticolonial intellectuals and statesmen such as Nnamdi Azikiwe, W.E.B Du Bois, George Padmore, Kwame Nkrumah, Eric Williams, Michael Manley, and Julius Nyerere, this important new account of decolonization reveals the full extent of their unprecedented ambition to remake not only nations but the world. Adom Getachew shows that African, African American, and Caribbean anticolonial nationalists were not solely or even primarily nation-builders. Responding to the experience of racialized sovereign inequality, dramatized by interwar Ethiopia and Liberia, Black Atlantic thinkers and politicians challenged international racial hierarchy and articulated alternative visions of worldmaking. Seeking to create an egalitarian postimperial world, they attempted to transcend legal, political, and economic hierarchies by securing a right to self-determination within the newly founded United Nations, constituting regional federations in Africa and the Caribbean, and creating the New International Economic Order. Using archival sources from Barbados, Trinidad, Ghana, Switzerland, and the United Kingdom, Worldmaking after Empire recasts the history of decolonization, reconsiders the failure of anticolonial nationalism, and offers a new perspective on debates about today’s international order.




Black Cuban, Black American


Book Description

Arte Público Presss landmark series "Recovering the U.S. Hispanic Literary Heritage" has traditionally been devoted to long-lost and historic works by Hispanics of decades and even centuries past. The publications of Black Cuban, Black American mark the first original work by a living author to become part of this notable series. The reason for this unprecedented honor can be seen in Evilio Grillos path-breaking life. Ybor City was once a thriving factory town populated by cigar-makers, mostly emigrants from Cuba. Growing up in Ybor City (now part of Tampa) in the early twentieth century, the young Evilio experienced the complexities and sometimes the difficulties of life in a horse-and-buggy society demarcated by both racial and linguistic lines. Life was different depending on whether you were Spanish- or English-speaking, a white or black Cuban, a Cuban American or a native-born U.S. citizen, well off or poor. (Even U.S.-born blacks did not always get along with their Hispanic counterparts.) Grillo captures the joys and sorrows of this unique world that slowly faded away as he grew to adulthood and was absorbed into the African-American community during the Depression. He then tells of his eye-opening experiences as a soldier in an all-black unit serving in the China-Burma-India theatre of operations during World War II. Booklovers may have read of Ybor City in the novels of Jose Yglesias, but never before has the colorful locale been portrayed from this perspective. The book also contains a fascinating eight-page photo insert.




Nationalists, Cosmopolitans, and Popular Music in Zimbabwe


Book Description

Hailed as a national hero and musical revolutionary, Thomas Mapfumo, along with other Zimbabwean artists, burst onto the music scene in the 1980s with a unique style that combined electric guitar with indigenous Shona music and instruments. The development of this music from its roots in the early Rhodesian era to the present and the ways this and other styles articulated with Zimbabwean nationalism is the focus of Thomas Turino's new study. Turino examines the emergence of cosmopolitan culture among the black middle class and how this gave rise to a variety of urban-popular styles modeled on influences ranging from the Mills Brothers to Elvis. He also shows how cosmopolitanism gave rise to the nationalist movement itself, explaining the combination of "foreign" and indigenous elements that so often define nationalist art and cultural projects. The first book-length look at the role of music in African nationalism, Turino's work delves deeper than most books about popular music and challenges the reader to think about the lives and struggles of the people behind the surface appeal of world music.




Afro-Latin American Studies


Book Description

Alejandro de la Fuente and George Reid Andrews offer the first systematic, book-length survey of humanities and social science scholarship on the exciting field of Afro-Latin American studies. Organized by topic, these essays synthesize and present the current state of knowledge on a broad variety of topics, including Afro-Latin American music, religions, literature, art history, political thought, social movements, legal history, environmental history, and ideologies of racial inclusion. This volume connects the region's long history of slavery to the major political, social, cultural, and economic developments of the last two centuries. Written by leading scholars in each of those topics, the volume provides an introduction to the field of Afro-Latin American studies that is not available from any other source and reflects the disciplinary and thematic richness of this emerging field.




Rites, Rights and Rhythms


Book Description

Colombia has the largest black population in the Spanish-speaking world, but Afro-Colombians have long remained at the nation's margins. Their recent irruption into the political, social, and cultural spheres is tied to appeals to cultural difference, dramatized by the traditional music of Colombia's majority-black Southern Pacific region, often called currulao. Yet that music remains largely unknown and unstudied despite its complexity, aesthetic appeal, and social importance. Rites, Rights & Rhythms: A Genealogy of Musical Meaning in Colombia's Black Pacific is the first book-length academic study of currulao, inquiring into the numerous ways it has been used: to praise the saints, to grapple with modernization, to dramatize black politics, to perform the nation, to generate economic development and to provide social amelioration in a context of war. Author Michael Birenbaum Quintero draws on both archival and ethnographic research to trace these and other understandings of how currulao has been understood, illuminating a history of struggles over the meanings of currulao that are also struggles over the meanings of blackness in Colombia. Moving from the eighteenth century to the present, Rites, Rights & Rhythms asks how musical meaning is made, maintained, and sometimes abandoned across historical contexts as varied as colonial slavery, twentieth-century national populism, and neoliberal multiculturalism. What emerges is both a rich portrait of one of the hemisphere's most important and understudied black cultures and a theory of history traced through the performative practice of currulao.




Black Cosmopolitans


Book Description

This book examines the life and intellectual contributions of three extraordinary black men--Jacobus Capitein, Jean-Baptiste Belley, and John Marrant--whose experiences and writing helped shape racial, social, and political thought throughout the eighteenth-century Atlantic world.




Soul Babies


Book Description

In Soul Babies, Mark Anthony Neal explains the complexities and contradictions of black life and culture after the end of the Civil Rights era. He traces the emergence of what he calls a "post-soul aesthetic," a transformation of values that marked a profound change in African American thought and experience. Lively and provocative, Soul Babies offers a valuable new way of thinking about black popular culture and the legacy of the sixties.