Alien Albion


Book Description

Using both canonical and underappreciated texts, Alien Albion argues that early modern England was far less unified and xenophobic than literary critics have previously suggested. Juxtaposing literary texts from the period with legal, religious, and economic documents, Scott Oldenburg uncovers how immigrants to England forged ties with their English hosts and how those relationships were reflected in literature that imagined inclusive, multicultural communities. Through discussions of civic pageantry, the plays of dramatists including William Shakespeare, Thomas Dekker, and Thomas Middleton, the poetry of Anne Dowriche, and the prose of Thomas Deloney, Alien Albion challenges assumptions about the origins of English national identity and the importance of religious, class, and local identities in the early modern era.




Albion's Seed


Book Description

This fascinating book is the first volume in a projected cultural history of the United States, from the earliest English settlements to our own time. It is a history of American folkways as they have changed through time, and it argues a thesis about the importance for the United States of having been British in its cultural origins. While most people in the United States today have no British ancestors, they have assimilated regional cultures which were created by British colonists, even while preserving ethnic identities at the same time. In this sense, nearly all Americans are "Albion's Seed," no matter what their ethnicity may be. The concluding section of this remarkable book explores the ways that regional cultures have continued to dominate national politics from 1789 to 1988, and still help to shape attitudes toward education, government, gender, and violence, on which differences between American regions are greater than between European nations.




Albion Lost


Book Description

For centuries, the Daegon waited. They plotted. And now they are ready to strike. The core worlds of settled space enjoy a tenuous peace, unaware and ill prepared for the threat building beyond the furthest reaches of humanity. The star kingdom of Albion stands as a shining light of justice and mercy in a harsh galaxy, and they will be the first to suffer the Daegon's fury. Defying his low born status, and despite his self-doubt, Commodore Thomas Gage has risen through the ranks by sheer grit and determination, defending Albion from brutal pirate clans. And when the onslaught comes, Gage and his fleet may be Albion's last hope for freedom. A new military science-fiction series for fans of Honor Harrington, Earth Alone and Old Man's War from the author of the best-selling Ember War Saga.




The Paradise War


Book Description

Experience the dazzling brilliance of a world like ours—yet infinitely bolder and brighter: a place of kings and warriors, bards and battles, feats of glory and honour. It is a place you will forever wish to be. It is Albion. "When I opened my eyes, I was no longer in the world I knew." Lewis Gillies is an American graduate student in Oxford who should be getting on with his life. Yet for some reason, he finds himself speeding north with his roommate Simon on a lark—half-heartedly searching for a long-extinct creature allegedly spotted in a misty glen in Scotland. Expecting little more than a weekend diversion, Lewis accidently crosses through a mystical gateway where two worlds meet: into the time-between-times, as the ancient Celts called it. And into the heart of a collision between good and evil that's been raging since long before Lewis was born. First published more than twenty years ago, The Song of Albion Trilogy has become a modern classic that continues to attract passionate new readers. Part of The Song of Albion trilogy: Book One: The Paradise War Book Two: The Silver Hand Book Three: The Endless Knot Epic historical fantasy Book length: 138,000 words Includes additional insights from the author in “Albion Forever!” and an interview




Albion's Secret History


Book Description

Albion's Secret History compiles snapshots of English pop culture’s rebels and outsiders, from Evelyn Waugh to PJ Harvey via The Long Blondes and The Libertines. By focusing on cultural figures who served to define England, Guy Mankowski looks at those who have really shaped Albion’s secret history, not just its oft-quoted official cultural history. He departs from the narrative that dutifully follows the Beatles, The Sex Pistols and Oasis, and, by instead penetrating the surface of England’s pop history (including the venues it was shaped in), throws new light on ideas of Englishness. As well as music, Mankowski draws from art, film, architecture and politics, showing the moments at which artists like Tricky and Goldfrapp altered our sense of a sometimes green but sometimes unpleasant land. 'The most illuminating odyssey through lost, hidden or forgotten English pop culture since Michael Bracewell's England Is Mine.' Rhian E. Jones, author of Clampdown: Pop-Cultural Wars on Class and Gender




Pan-Protestant Heroism in Early Modern Europe


Book Description

This book offers the first full study of the challenges posed to an emerging English nationalism that stemmed from the powerful appeal exerted by the leaders of the international Protestant cause. By considering a range of texts, including poetry, plays, pamphlets, and religious writing, the study reads this heroic tradition as a 'connected literary history,' a project shared by Protestants throughout Northern Europe, which opened up both collaboration among writers from these different regions and new possibilities for communal identification. The work’s central claim is that a pan-Protestant literary field existed in the period, which was multilingual, transnational, and ideologically charged. Celebrated leaders such as William of Orange posed a series of questions, especially for English Protestants, over the relationship between English and Protestant identity. In formulating their role as co-religionists, writers often undercut notions of alterity, rendering early modern conceptions of foreignness especially fluid and erasing national borders.




English National Identity and the Image of the Dutch


Book Description

This book makes newly visible the sustained engagement of the English and the Dutch throughout a critical century in their cultural and national development. It reads a broad selection of early modern literary texts, some never before treated in Anglophone scholarship, in which the Dutch and the English wrote about each other and themselves. This interdisciplinary study brings to light the key affinities of these two nations: their embrace of liberty, turn toward Protestantism, and pursuit of commerce. It shows that as Catholic, colonial powers worked to prevent the rise of early modern Europe’s two great Protestant states, those similarities—as well as a combination of English admiration, envy, and distrust of the Dutch—produced an emulous rivalry that remade the two nations and their literature.




Shakespeare's Englishes


Book Description

Claims that Shakespeare resists an emergent, exclusionary post-reformation ideology of 'true' Englishness in his early plays.




Representations of Flemish Immigrants on the Early Modern Stage


Book Description

Immigrants from the Low Countries constituted the largest population of resident aliens in early modern England. Possessing superior technology in a number of fields and enjoying governmental protection, the Flemish were charged by many native artisans with unfair economic competition. With xenophobic sentiments running so high that riots and disorders occurred throughout the sixteenth century, Elizabeth I directed her dramatic censor to suppress material that might incite further disorder, forcing playwrights to develop strategies to address the alien problem indirectly. Representations of Flemish Immigrants on the Early Modern Stage describes the immigrant community during this period and explores the consistently negative representations of Flemish immigrants in Tudor interludes, the impact of censorship, the playwrighting strategies that eluded it, and the continuation of these methods until the closing of the theatres in 1642.




Shakespeare's Strangers and English Law


Book Description

Through analysis of 5 plays by Shakespeare, Paul Raffield examines what it meant to be a 'stranger' to English law in the late Elizabethan and early Jacobean period. The numbers of strangers increased dramatically in the late sixteenth century, as refugees fled religious persecution in continental Europe and sought sanctuary in Protestant England. In the context of this book, strangers are not only persons ethnically or racially different from their English counterparts, be they immigrants, refugees, or visitors. The term also includes those who transgress or are simply excluded by their status from established legal norms by virtue of their faith, sexuality, or mode of employment. Each chapter investigates a particular category of 'stranger'. Topics include the treatment of actors in late Elizabethan England and the punishment of 'counterfeits' (Measure for Measure); the standing of refugees under English law and the reception of these people by the indigenous population (The Comedy of Errors); the establishment of 'Troynovant' as an international trading centre on the banks of the Thames (Troilus and Cressida); the role of law and the state in determining the rights of citizens and aliens (The Merchant of Venice); and the disenfranchised, estranged position of the citizen in a dysfunctional society and an acephalous realm (King Lear). This is the third sole-authored book by Paul Raffield on the subject of Shakespeare and the Law. The others are Shakespeare's Imaginary Constitution: Late Elizabethan Politics and the Theatre of Law (2010) and The Art of Law in Shakespeare (2017), both published by Hart/Bloomsbury.