Hand in Hand


Book Description

For this collection, the prize-winning poet, Carol Ann Duffy, selected 40 of the best world poets writing today - 20 men and 20 women - and invited each of them to select a love poem written by the opposite sex, to appear opposite their own love poem. Poems from other centuries are included.













C.P. Cavafy Historical Poems


Book Description

Cavafy's Historical Poems is the first volume of a four-book set constituting a study of the life and opus of this fascinating poet. The secoCavafy's Historical Poems is the first volume of a four-book set constituting a study of the life and opus of this fascinating poet. The second volume is an anecdotal life detailing Cavafy's home and its atmosphere: the man, the poet, and his lifestyle; the odes of his compatriot partisans; the praises of his foreign admirers; the barbs and insults of his critics and revilers; the poet as a critical ironist; and the last part of his life. More than one hundred commentators are quoted, and just as many of his poems are used where it seemed appropriate. A third volume consists of erratic commentaries containing the author's evaluation and criticism of the main contributions to Cavafy's poetry. That is these of George Seferis, Sir Maurice Bowra, Robert Liddel, Edmund Keeley, Grigorios Xenopoulos, Timos Malanos, Stratis Tsirkas, John Sareyiannis, and others. These follow an opening chapter on Hellenization and a second chapter on the controversial subject of the dates of composition of Cavafy's poems. The fourth volume, The Canon, is a verse translation of the 150 poems Cavafy accepted as his mature opus, including the original Greek verses, accompanied by detailed examination of the poet's craft and style. That is to say the meter, length of verse, wedging, rhyme, enjambment, titles, organization, punctuation, the absences, lyricism, periphrasis, description, narrative, suggestive image, abstractions, transmission, maturity, content, language, irony, intellectuality, etc. nd volume is An Anectodal Life detailing Cavafy's home and its atmosphere: the man, the poet and his lifestyle; the odes of his compatriot partizans; the praises of his foreign admirers; the barbs and insults of his critics and revilers; the poet as a critical ironist, and the last part of his life. More than one hundred commentarors are quoted and just as many of his poems are used where it seemed appropriate. A third volume consists of Erratic Commentaries containing the author's evaluation and criticism of the main contributions to Cavafy's poetry. That is these of George Seferis, Sir Maurice Bowra, Robert Liddel, Edmund Keeley, Grigorios Xenopoulos, Timos Malanos, Stratis Tsirkas, John Sareyiannis, and others. These follow an opening chapter on Hellenization and an second chapter on the controversial subject of the dates of composition of Cavafy's poems. The fourth volume, The Canon, is a verse translation of the 150 poems Cavafy accepted as his mature opus, including the original Greek verses, accompanied by detailed examination of the poet's craft and style. That is to say, the meter, length of verse, wedging, rhyme, enjambment, titles, organization, punctuation, the absences, lyricism, periphrasis, description, narrative, suggestive image, abstractions, transmission, maturity, content, language, irony, intellectuality, etc.




A History of African American Poetry


Book Description

Offers a critical history of African American poetry from the transatlantic slave trade to present day hip-hop.







The Cambridge History of American Poetry


Book Description

The Cambridge History of American Poetry offers a comprehensive exploration of the development of American poetic traditions from their beginnings until the end of the twentieth century. Bringing together the insights of fifty distinguished scholars, this literary history emphasizes the complex roles that poetry has played in American cultural and intellectual life, detailing the variety of ways in which both public and private forms of poetry have met the needs of different communities at different times. The Cambridge History of American Poetry recognizes the existence of multiple traditions and a dramatically fluid canon, providing current perspectives on both major authors and a number of representative figures whose work embodies the diversity of America's democratic traditions.




The Oxford History of Poetry in English


Book Description

The Oxford History of Poetry in English is designed to offer a fresh, multi-voiced, and comprehensive analysis of 'poetry': from Anglo-Saxon culture through contemporary British, Irish, American, and Global culture, including English, Scottish, and Welsh poetry, Anglo-American colonial and post-colonial poetry, and poetry in Canada, Australia, New Zealand, the Caribbean, India, Africa, Asia, and other international locales. The series both synthesizes existing scholarship and presents cutting-edge research, employing a global team of expert contributors for each of the fourteen volumes. This volume explores the developing range of English verse in the century after the death of Chaucer in 1400, years that saw both change and consolidation in traditions of poetic writing in English in the regions of Britain. Chaucer himself was an important shaping presence in the poetry of this period, providing a stimulus to imitation and to creative expansion of the modes he had favoured. In addition to assessing his role, this volume considers a range of literary factors significant to the poetry of the century, including verse forms, literary language, translation, and the idea of the author. It also signals features of the century's history that were important for the production of English verse: responses to wars at home and abroad, dynastic uncertainty, and movements towards religious reform, as well as technological innovations such as the introduction of printing, which brought influential changes to the transmission and reception of verse writing. The volume is shaped to include chapters on the contexts and forms of poetry in English, on the important genres of verse produced in the period, on some of the fifteenth-century's major writers (Lydgate, Hoccleve, Dunbar, and Henryson), and a consideration of the influence of the verse of this century on what was to follow.