The Arnhold Collection of Meissen Porcelain, 1710-50


Book Description

The Arnhold porcelain collection is the most important of the great pre-war Meissen collections to have survived intact, remaining with the descendants of the original collectors Heinrich and Lisa Arnhold. Most of the pieces date from the first decades of the royal factory established by August II, elector of Saxony and king of Poland, in 1710, featuring a broad range of early works, much of it experimental. Brought to America in the 1940's ahead of the family's move from Dresden, Henry Arnhold has continued to expand its depth and range, resulting in a rich and personal collection. This volume contains essays by Sebastian Kuhn and Heike Biedermann, and is introduced by Henry's Arnhold's personal recollection of his family as collectors and art patrons in Dresden and of how the porcelain collection was created.




Early Meissen Porcelain


Book Description

Represents the most recent and significant scholarship on the Wark Collection, one of the finest Meissen collections in the world.




Meissen Porcelain


Book Description

Once worth more than its weight in gold, Meissen Porcelain has graced the households of royalty and artistocracy for hundreds of years. Famed ceramic expert and Antiques Roadshow stalwart John Sandon explores the history of this precious commodity: from its mysterious discovery by an imprisoned alchemist held captive in the King of Saxony's castle, to its reputation as the most beautiful of all porcelains. Providing further insight into the beautiful world of chinaware, Meissen Porcelain is an essential topic for the growing Shire list, and a welcome volume to join Sandon's carefully detailed titles in the Shire collection: British Porcelain and Worcester Porcelain.




A Royal Menagerie


Book Description

"Augustus the Strong (1670-1733) had long been a collector of Japanese and Chinese porcelain, and it was to house his collection that the Japanese Palace in Dresden was purchased. In 1729 Augustus enlarged the building to nearly double its original size in order to create a "porcelain palace." One gallery was to be entirely devoted to Meissen porcelain, including the exceptional animal figures that are the subject of this book and the exhibition it accompanies."--BOOK JACKET.




Early Meissen Porcelain


Book Description




Meissen


Book Description

In 1911, Meissen produced a now extremely rare catalogue of the porcelain figures manufactured in the latter part of the nineteenth century and the early years of the twentieth century. The catalogue contained around 1800 photographic images with model numbers but no descriptions or other information and was used by Meissen salesmen to show to retailers and to gain orders. This book reproduces the catalogue in its entirety, with the addition of descriptions for the models, with information on size, modeller, and series. Many of the figures from the catalogue are also illustrated in colour, showing the intricate and beautiful work of Meissen at its best. To aid collectors wishing to identify models, a comprehensive index lists models by classification, e.g. Birds, Boxes, Cats, Chandeliers, Clocks, Cupids, Dancers, Dogs, Gardeners, Hunters, Lovers, Music, and more. This reference book is designed for collectors and dealers and for all those who are captivated by this unique porcelain.




A Princely Pursuit


Book Description

Among the key pieces are a significant number of objects from Augustus II's royal collection intended for the Japanisches Palais, his pleasure palace in Dresden, either commissioned from Meissen or imported from China and Japan. Other rare and important objects include many examples of early red stoneware (Böttgersteinzeug) as well as numerous pieces created under the direction of Johann Höroldt (1696-1775). Curator of decorative arts Maria Santangelo provides a comprehensive history about this important collection and its key pieces while delineating the early development of the manufactory. "A Princely Pursuit" also features a general history about Meissen collecting by Meissen specialist Sebastian Kuhn, as well as an introductory text and stories about individual pieces by the collector himself.




Fragile Diplomacy


Book Description

While imported Chinese porcelain had become a valuable commodity in Europe in the seventeenth century, local attempts to produce porcelain long remained unsuccessful. At last the secret of hard-paste porcelain was uncovered, and in 1710 the first European porcelain was manufactured in Saxony. Meissen porcelain, still manufactured today, soon ranked in value with silver and gold. This thorough and lavishly illustrated volume explores the early years of Meissen porcelain and how the princes of Saxony came to use highly prized porcelain pieces as diplomatic gifts for presentation to foreign courts. An eminent team of international contributors examines the trade of Meissen with other nations, from England to Russia. They also investigate the cultural ambience of the Dresden Court, varying tastes of the markets, the wide range of porcelain objects, and their designers and makers. Individual chapters are devoted to gifts to Denmark, other German courts, the Holy Roman Empire, Italy, France, and other nations. For every Meissen collector or enthusiast, this book will be not only a treasured handbook but also a source of visual delight.




Porcelain


Book Description

"This is the book on porcelain we have been waiting for. . . . A remarkable achievement."—Edmund de Waal, author of The Hare with Amber Eyes A sweeping cultural and economic history of porcelain, from the eighteenth century to the present Porcelain was invented in medieval China—but its secret recipe was first reproduced in Europe by an alchemist in the employ of the Saxon king Augustus the Strong. Saxony’s revered Meissen factory could not keep porcelain’s ingredients secret for long, however, and scores of Holy Roman princes quickly founded their own mercantile manufactories, soon to be rivaled by private entrepreneurs, eager to make not art but profits. As porcelain’s uses multiplied and its price plummeted, it lost much of its identity as aristocratic ornament, instead taking on a vast number of banal, yet even more culturally significant, roles. By the nineteenth and twentieth centuries, it became essential to bourgeois dining, and also acquired new functions in insulator tubes, shell casings, and teeth. Weaving together the experiences of entrepreneurs and artisans, state bureaucrats and female consumers, chemists and peddlers, Porcelain traces the remarkable story of “white gold” from its origins as a princely luxury item to its fate in Germany’s cataclysmic twentieth century. For three hundred years, porcelain firms have come and gone, but the industry itself, at least until very recently, has endured. After Augustus, porcelain became a quintessentially German commodity, integral to provincial pride, artisanal industrial production, and a familial sense of home. Telling the story of porcelain’s transformation from coveted luxury to household necessity and flea market staple, Porcelain offers a fascinating alternative history of art, business, taste, and consumption in Central Europe.




A Book of Porcelain


Book Description

It is the experience probably of most Western amateurs of porcelain to pass through three successive stages of development in their appreciation of an art which, even for the uninitiated, --for those who have no knowledge of its history and little understanding of its technical aspects, --is not lacking in charm and fascination.--pg. xiii.