Science and Spectacle in the European Enlightenment


Book Description

Air-pumps, electrical machines, colliding ivory balls, coloured sparks, mechanical planetariums, magic mirrors, hot-air balloons - these are just a sample of the devices displayed in public demonstrations of science in the eighteenth century. Public and private demonstrations of natural philosophy in Europe then differed vastly from today's unadorned and anonymous laboratory experiments. Science was cultivated for a variety of purposes in many different places; scientific instruments were built and used for investigative and didactic experiments as well as for entertainment and popular shows. Between the culture of curiosities which characterized the seventeenth century and the distinction between academic and popular science that gradually emerged in the nineteenth, the eighteenth century was a period when scientific activities took place in a variety of sites, ranging from academies, and learned societies to salons and popular fairs, shops and streets. This collection of case studies describing public demonstrations in Britain, Germany, Italy and France exemplifies the wide variety of settings for scientific activities in the European Enlightenment. Filled with sparks and smells, the essays raise broader issues about the ways in which modern science established its legitimacy and social acceptability. They point to two major features of the cultures of science in the eighteenth-century: entertainment and utility. Experimental demonstrations were attended by apothecaries and craftsmen for vocational purposes. At the same time, they had to fit in with the taste of both polite society and market culture. Public demonstrations were a favourite entertainment for ladies and gentlemen and a profitable activity for instrument makers and booksellers.




Sound Knowledge


Book Description

What does it mean to hear scientifically? What does it mean to see musically? This volume uncovers a new side to the long nineteenth century in London, a hidden history in which virtuosic musical entertainment and scientific discovery intersected in remarkable ways. Sound Knowledge examines how scientific truth was accrued by means of visual and aural experience, and, in turn, how musical knowledge was located in relation to empirical scientific practice. James Q. Davies and Ellen Lockhart gather work by leading scholars to explore a crucial sixty-year period, beginning with Charles Burney’s ambitious General History of Music, a four-volume study of music around the globe, and extending to the Great Exhibition of 1851, where musical instruments were assembled alongside the technologies of science and industry in the immense glass-encased collections of the Crystal Palace. Importantly, as the contributions show, both the power of science and the power of music relied on performance, spectacle, and experiment. Ultimately, this volume sets the stage for a new picture of modern disciplinarity, shining light on an era before the division of aural and visual knowledge.




Shelley and Vitality


Book Description

Shelley and Vitality reassesses Percy Shelley's engagement with early nineteenth-century science and medicine, specifically his knowledge and use of theories on the nature of life presented in the debate between surgeons John Abernethy and William Lawrence. Sharon Ruston offers new biographical information to link Shelley to a medical circle and explores the ways in which Shelley exploits the language and ideas of vitality. Major canonical works are reconsidered to address Shelley's politicised understanding of contemporary scientific discourse.




Literature and Science, 1660-1834, Part II vol 6


Book Description

This volume reproduces primary texts which embody the polymathic nature of the literature of science, and provides editorial overviews and extensive references, to provide a resource for specialized academics and researchers with a broad cultural interest in the long 18th century.




Discussing Chemistry and Steam


Book Description

This book contains an edition of the Minutes of the Coffee House Philosophical Society 1780-1787, as transcribed by William Nicholson, the secretary to the society. The 1780s were exciting years for science and for its applications, and experimental philosophy and industrial development wereclosely interwoven. This coffee house society provided a group of natural philosophers with the oppotunity to discuss the topics that most interested them. The minutes themselves, unique in their completeness, constitute a continuous record of the fortnightly meetings of a group of leading naturalphilosophers, instrument makers, physicians, and industrialist entrepreneurs. They are an important resource for historians of politics and society (including the industrial revolution), as well as for historians of science and technology.In addition to a fully edited edition of the Minute book, and brief biographies of all the members, the book includes essays by Jan Golinski on the members' discussion about phlogiston and other issues relating to the chemical revolution, and by Larry Stewart on the reforming, radical, andindustrial contexts of the networks to which the members belonged.One of the standard criticisms of English science in the late eighteenth century is its isolation from the rest of Europe. These minutes offer a very different picture.The members, the Irish chemist Richard Kirwan taking the most active role, discussed current issues in science and reported onscientific and industrial advances from all Europe, and even from Hudson's Bay, showing early English awareness of the latest developments. The Minute Book gives a sense of history at a particular period, and is invaluable to all historians, whatever their specialism.




Sweet Science


Book Description

Introduction: "sweet science" -- Blake's mundane egg: epigenesis and milieux -- Equivocal life: Goethe's journals on morphology -- Tender semiosis: reading Goethe with Lucretius and Paul de Man -- Growing old together: Lucretian materialism in Shelley's The triumph of life -- A natural history of violence: allegory and atomism in Shelley's The mask of anarchy -- Coda: old materialism, or romantic Marx




Catalogue


Book Description




Frankenstein's Science


Book Description

Frankenstein's Science contextualizes this widely taught novel in contemporary scientific and literary debates, providing new historical scholarship into areas of science and pseudo-science that generated fierce controversy in Mary Shelley's time: anatomy