Ancient Art from the Shumei Family Collection


Book Description

Published in conjunction with an exhibition held at The Metropolitan Museum of Art during 1996 and scheduled to travel to Los Angeles during 1997. The works are selected from the holdings of the Shumei Family, a religious organization based in Japan which holds to the belief that beautiful objects elevate the spirit and, therefore, that they were created to be shared (the group is currently constructing a new museum in Japan to house the collection). The works included here--antiquities from the Mediterranean, the Near East, and China--are beautifully presented in color photos, with text by a broad spectrum of curators, art historians, and conservators. Annotation copyright by Book News, Inc., Portland, OR










The Lie Became Great


Book Description

The Lie Became Great explores the closed society of international plunderers and forgers which thrives as a subculture of the Art World. These multi-cultural denizens include antiquity dealers, collectors, museum curators, forgers working in conjunction with auction houses, museums and galleries. Forgeries are made to be sold, and a great number pass into the Art World - collections, exhibitions, catalogues, and popular and scholarly journals - complete with their fabricated stories of excavation, and how they were found. The Lie Became Great documents the success and activities of one small corner of this vast network - artifacts form the Ancient Near East - with hundreds of detailed catalogue entries of forgeries. The participants in this society gain money, prestige, power, position as they distort and irretrievably damage the true story of our cultural heritage. STYX PUBLICATIONS




The Lie Became Great


Book Description

A thrilling analysis of the world of plunderers, forgers, antiquity dealers, collectors, museums, auction houses with one thing in common: a vivid interest in the Ancient Near East.




Art of the First Cities


Book Description

Catalog of an exhibition being held at the Metropolitan Museum of Art from May 8 to Aug. 17, 2003.




Art of the Hellenistic Kingdoms


Book Description

This handsome newly designed addition to The Metropolitan Museum of Art’s symposia series furthers the study of one of the most influential but less known periods of Greek art and culture. It is based on papers given at a two-day scholarly symposium held in conjunction with the award-winning exhibition “Pergamon and the Hellenistic Kingdoms of the Ancient World,” on view at the Metropolitan in 2016. The twenty diverse essays exemplify the international scope of the Hellenistic arts, which cover the three centuries between the death of Alexander the Great in 323 B.C. and the suicide of Cleopatra in 30 B.C. Subjects range from twenty-first century approaches to museum displays of archaeological material to the circulation of artists and works of art throughout the Mediterranean and the influence of Hellenistic art and its legacy in the ancient Roman world. Among the topics discussed are aspects of royal self-presentation and important elements of iconography and style in coins, gems, mosaics, sculpture, vessels, and wall paintings, in mediums including bronze, faience, glass, marble, silver, and terracotta. Authored by a number of internationally renowned scholars, the essays in this volume highlight the holdings of the Metropolitan and markedly demonstrate the artistic innovations and technical mastery of Hellenistic artists, offering new insights into the vitality and complexity of Hellenistic art. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana}




Gifts for the Gods


Book Description

Throughout their long history, the ancient Egyptians crafted exquisite statues of bronze, copper, silver and gold as offerings to their gods and for use in temples and shrines. This title focuses on the art and significance of Egyptian metal statuary, presenting insights and up-to-date information on this precious work.




Publications of the Metropolitan Museum of Art, 1964-2005


Book Description

The present volume, Publications of The Metropolitan Museum of Art, 1964-2005, is a successor to a volume published by the Museum in 1965 entitled Publications of The Metropolitan Museum of Art, 1870-1964. These two bibliographic volumes endeavor to list all the known books, pamphlets, and serial publications bearing the Museum's imprint, and issued by the institution during the first 135 years of its existence (through June 2005). The first volume was compiled by Albert TenEyck Gardner, at the time an Associate Curator of American Paintings and Sculpture, and the present volume has been compiled from the Annual Reports issued by the Museum during the relevant years. Together the two volumes testify to the tremendous contributions made to knowledge by the curators and conservators of the Metropolitan and by the many other experts who have contributed to the Museum's exhibition catalogues. Various issues of the Bulletin emphasize the great sweep of the Museum's acquisitions during these years, and the exhibition catalogues--a number of them Alfred H. Barr Jr., Award or the George Wittenborn Award--testify to the continuity of the institution's dedicated program to enrich people's lives through knowledge of art. (This title was originally published in 2006.)




The Year One


Book Description

"More than 150 works of art that exemplify all these societies at the Year One are illustrated in color and explained in this volume. Historical summaries accompanied by maps briefly describe the nature of each culture and the flow of power and peoples during the period centering around the Year One.