Apollinaire in the Great War (1914-18)


Book Description

A major literary figure in pre-war Paris, Guillaume Apollinaire volunteered for war in 1914, trained as an artilleryman and was posted in April 1915 to the Champagne front in northern France, participating in the bloody but little-known offensive that September and then moving into the front line as an infantry officer, before being wounded in March 1916 and invalided out of active service. Back in Paris, Apollinaire plunged back into the activities of the capital's artistic avant-garde, meanwhile publishing poetry, prose and plays that were deeply influenced by his involvement in the conflict. He died on 9 November 1918, two days before the Armistice, a victim of the influenza pandemic, but with a literary reputation secured, as well as a certain fame for coining the term 'Surrealism'. This book draws heavily on Apollinaire's writings to tell the story of his war years, within the wider context of the French experience of the Great War. In this period, Apollinaire also wrote hundreds of letters, the bulk of them to two women: Louise de Coligny, a flighty socialite of aristocratic origin, and Madeleine Pagès, a young schoolteacher. In these letters he poured out his passionate feelings for both in often highly erotic poetry and prose, as well as giving detailed descriptions of his life as a front-line soldier.







Apollinaire in the Great War, 1914-1918


Book Description

Apollinaire in The Great War draws heavily on Apollinaire’s writings to tell the story of his war years, within the wider context of the French experience of the Great War. In this period, Apollinaire also wrote hundreds of letters, the bulk of them to two women: Louise de Coligny, a flighty socialite of aristocratic origin, and Madeleine Pagès, a young schoolteacher. In these letters he poured out his passionate feelings for both in often highly erotic poetry and prose, as well as giving detailed descriptions of his life as a front-line soldier. An unusual combination of intimate biography, military history and literary analysis, this major new work on Apollinaire is a vivid portrait of the artist – in the epicentre of Parisian Bohemia, in love and in the cauldron of war. -- From publisher's website.




1913: The year of French modernism


Book Description

This book takes its cue from the annus miabilis for French culture to outline French modernism and to situate it on the map of global modernism. Essays on specific works in various media present the first narrative of French modernism as a critical category and establish its position in the thriving field of modernist studies.




Selected Poems


Book Description

Apollinaire is the most significant French poet of early modernism and the only great First World War poet from France. He coined the word 'surrealism' and was at the forefront of literary and artistic experimentalism. This new selection covers the full range of his career in facing-page translations, with some pictorial calligrams.




The Great Class War 1914-1918


Book Description

Historian Jacques Pauwels applies a critical, revisionist lens to the First World War, offering readers a fresh interpretation that challenges mainstream thinking. As Pauwels sees it, war offered benefits to everyone, across class and national borders. For European statesmen, a large-scale war could give their countries new colonial territories, important to growing capitalist economies. For the wealthy and ruling classes, war served as an antidote to social revolution, encouraging workers to exchange socialism's focus on international solidarity for nationalism's intense militarism. And for the working classes themselves, war provided an outlet for years of systemic militarization -- quite simply, they were hardwired to pick up arms, and to do so eagerly. To Pauwels, the assassination of Archduke Franz Ferdinand in June 1914 -- traditionally upheld by historians as the spark that lit the powder keg -- was not a sufficient cause for war but rather a pretext seized upon by European powers to unleash the kind of war they had desired. But what Europe's elite did not expect or predict was some of the war's outcomes: social revolution and Communist Party rule in Russia, plus a wave of political and social democratic reforms in Western Europe that would have far-reaching consequences. Reflecting his broad research in the voluminous recent literature about the First World War by historians in the leading countries involved in the conflict, Jacques Pauwels has produced an account that challenges readers to rethink their understanding of this key event of twentieth century world history.




Subject Catalog


Book Description




Reading and the First World War


Book Description

Ranging from soldiers reading newspapers at the front to authors' responses to the war, this book sheds new light on the reading habits and preferences of men and women, combatants and civilians, during the First World War. This is the first study of the conflict from the perspective of readers.




Handbook of British Literature and Culture of the First World War


Book Description

The First World War has given rise to a multifaceted cultural production like no other historical event. This handbook surveys British literature and film about the war from 1914 until today. The continuing interest in World War I highlights the interdependence of war experience, the imaginative re-creation of that experience in writing, and individual as well as collective memory. In the first part of the handbook, the major genres of war writing and film are addressed, including of course poetry and the novel, but also the short story; furthermore, it is shown how our conception of the Great War is broadened when looked at from the perspective of gender studies and post-colonial criticism. The chapters in the second part present close readings of important contributions to the literary and filmic representation of World War I in Great Britain. All in all, the contributions demonstrate how the opposing forces of focusing and canon-formation on the one hand, and broadening and revision of the canon on the other, have characterised British literature and culture of the First World War.




14-Aug


Book Description

An intimate portrait of a nation in the grip of war