Art and Polemic in Pakistan


Book Description

'[This book] has originality and insight and throws fresh light on an important aspect of the art world. By letting the categories of artistic production, nationalist identity and subterfuge speak to, inform, and challenge one another, Virginia Whiles has created a rich text which gives both historical depth and contemporary significance on questions of art, commodification and identity.'-Parvathi Raman, Senior Lecturer in Social Anthropology, Department of Anthropology and Sociology, School of Oriental and African Studies, University of London --




Contemporary Painting in Pakistan


Book Description

Nutidige pakistansk malerkunst sat i en historisk og kunstnerisk perspektiv. Forfatteren, der er amerikaner har taget doktorgrad i asiatisk kunsthistorie. Emnet for hendes afhandling var den berømte pakistanske maler Muhammad ʻAbdurrahmān Cughtai




A Thousand and One Days


Book Description

This publication presents 50 selected works in this beautifully illustrated volume to showcase the art of the 'new' miniature which has emerged and evolved in the last decade.




Modern Art in Pakistan


Book Description

Modern Art in Pakistan examines interaction of space, tradition, and history to analyse artistic production in Pakistan from the 1950s to recent times. It traces the evolution of modernism in Pakistan and frames it in a global context in the aftermath of Partition. A masterful insight into South Asian art, this book will interest researchers, scholars, and students of South Asian art and art history, and Pakistan in particular. Further, it will be useful to those engaged in the fields of Islamic studies, museum studies, and modern South Asian history.




Deconstructing the Myths of Islamic Art


Book Description

Deconstructing the Myths of Islamic Art addresses how researchers can challenge stereotypical notions of Islam and Islamic art while avoiding the creation of new myths and the encouragement of nationalistic and ethnic attitudes. Despite its Orientalist origins, the field of Islamic art has continued to evolve and shape our understanding of the various civilizations of Europe, Africa, Asia, and the Middle East. Situated in this field, this book addresses how universities, museums, and other educational institutions can continue to challenge stereotypical or homogeneous notions of Islam and Islamic art. It reviews subtle and overt mythologies through scholarly research, museum collections and exhibitions, classroom perspectives, and artists’ initiatives. This collaborative volume addresses a conspicuous and persistent gap in the literature, which can only be filled by recognizing and resolving persistent myths regarding Islamic art from diverse academic and professional perspectives. The book will be of interest to scholars working in art history, museum studies, visual culture, and Middle Eastern studies.




Art for Education


Book Description

The Citizens Foundation (TCF) is a professionally managed, non-profit organization set up in 1995 in Karachi by a group of citizens who wanted to bring about positive social change through education. Twenty two years on, TCF is one of Pakistan's leading and award-winning organizations for the education of less privileged communities. The Italian Friends of The Citizens Foundation (IFTCF) in Milan presents this first ever group exhibition "Art for Education" showcasing 60 Pakistani artists, internationally acclaimed and talented emerging, who have all donated their artworks in support of quality secular education for disadvantaged children in Pakistan. Held at a prestigious museum in Milan, this groundbreaking show is curated by two renowned South Asian art writers and specialists Salima Hashmi and Rosa Maria Falvo. Few intitiatives in the contemporary art world engage the direct relationship between art and education. And fewer still celebrate the status and power of both fields to address and stimulate positive change for global issues such as gender, geopolitics, ethnicity and social responsibility. In this exhibition art is truly at the service of education, and education is the tool used by art, through artists and their audiences, to cultivate the hearts and minds of two very different realities.




Impassioned Play


Book Description

Today, a growing number of Pakistani artists have embraced the nation's perceived visual languages and political, social, and cultural history to interrogate and unpack Pakistan's contemporary society and identity. The fruits of this shifting and mixing are works of art that turn artistic and societal traditions, from miniature painting to matrimonial rites, on their sides even as they uphold their significance. In these works, artists present their views on life in the country and their experiences as Pakistanis. Their paintings, videos, sculptures, installations, mixed media works, prints, and drawings are not soapboxes from which they shout out their messages. Instead they present issues and concerns in a manner that means to define them uniquely as Pakistani. Unpredictable social developments and current events that require in-depth investigation appear in imagery without any direct answers to these debates. Rather, Pakistani artists offer them to incite further investigation. Through their works, artists express and examine the complicated nature of Pakistani national and cultural identities by looking at the society's most volatile concerns. Yet they address these issues in an unexpected fashion. They examine serious concerns like the India/Pakistan divide in a humorous fashion; they explore bloody, murderous acts like "honor killings" in pristine paintings. In this multifaceted treatment, the intense issues affecting Pakistan are interrogated with ambiguity. These artists do not simply present critical issues related to society in Pakistan; they play with them. And in this way raise questions about their meanings. And they do not only look to Pakistani society for subject matter. They also turn to it for methods of approaching art by exhibiting sensitivity to traditional materials, techniques, and styles. I analyze this artwork within a context of art practices in Pakistan, pedagogical methods at art schools in the nation, and the impact of larger historical events and social processes: colonialism, the partition of India and Pakistan, and globalization.




Beyond the Page


Book Description




The Eye Still Seeks


Book Description

A superb art book of one of the most arresting art movements in the world today Pakistan’s contemporary art scene is arguably the most exciting in South Asia. Wellknown curator, artist and teacher Salima Hashmi gives us a superb overview in this lavishly designed book, which includes interviews with artists such as Rashid Rana and pieces by writers like Kamila Shamsie and Mohsin Hamid.




Intersections of Contemporary Art, Anthropology and Art History in South Asia


Book Description

Taking South Asia as its focus, this wide-ranging collection probes the general reluctance of the cultural anthropology to engage with contemporary visual art and artists, including painting, sculpture, performance art and installation. Through case studies engaged equally in anthropology and visual studies, contributors examine art and artistic production in India, Sri Lanka, Pakistan, Bangladesh, and Nepal to bring the social and political complexities of artistic practice to the fore. Demonstrating the potential of the visual as a means to understand a society, its values, and its politics, this volume ranges across discourses of anthropology, sociology, biography, memory, art history, and contemporary practices of visual art. Ultimately, Intersections of Contemporary Art, Anthropology and Art History in South Asia simultaneously expands and challenges the disciplinary foci of two fields: it demonstrates to art criticism and art history the necessity of anthropological and sociological methodologies and theories, while at the same time challenging the “iconophobia” of social sciences.