Art and Psyche


Book Description

In this provocative, closely argued book, Ellen Handler Spitz explores three principal psychoanalytic approaches to art. The first considers the relations between an artist's life and work; the second focuses on the work of art itself; and the third encompasses the intricate relations between a work of art and its audience or beholders. To illustrate her theoretical discussion, Spitz draws on a variety of art forms, including painting, sculpture, literature, music, and dance. "No one who is concerned with the psychoanalytic study of art can afford to neglect [this book]; no one who cares about the art of psychoanalysis should ignore it."--Aaron H. Esman, M.D., Journal of the American Psychoanalytic Association "This book ... should prove fascinating to all who are concerned with works of art as expressions of the human mind and heart."--Shehira Davezac, Hospital and Community Psychiatry "This book is highly recommended to all who enjoy the multiple applications of analytic thought to extend our senses."--Jay Lefer, Journal of the American Academy of Psychoanalysis Ellen Handler Spitz holds degrees in art history, aesthetics, and education from Barnard College, Harvard University, and Columbia University. She was trained as a special candidate at the Center for Psychoanalytic Training and Research, Columbia University.




Psyche and the Arts


Book Description

Psyche and the Arts challenges existing ideas about the relationship between Jung and art, and offers exciting new dimensions to key issues such as the role of image in popular culture, and the division of psyche and matter in art form.







Unfolding the Unconscious Psyche


Book Description

Unfolding the Unconscious Psyche is a study of the creative arts and depth psychology, and the threads that run between the two. Edward Applebaum begins with works of art, in media including painting, music, literature and film, and pursues aspects of each towards an understanding of the unconscious psyche of the creator. By combining a study of the artistic work with the insight of depth psychology, Applebaum opens a dialogue between studies of works of art and their creators and the individuals who form the work’s audience. Each discussion is dictated by the artwork itself and is viewed from a variety of perspectives. Throughout the book the reader is encouraged to develop their own analytical technique: to follow the clues available, link threads together and analyse what they can see. The result demonstrates the value of dialogue in blending depth psychology with the arts, through examination of work by artists including Georgia O’Keefe, Ingmar Bergman, Frida Kahlo, Gustav Mahler and Virginia Woolf. Applebaum also seeks to correct misconceptions about the arts that have filtered into the study and practice of depth psychology since the earliest writings of Freud and Jung. This uniquely creative and insightful work will be absorbing reading for analytical and depth psychologists, students of analytical psychology, academics and scholars of the arts and anyone with an interest in the application of Jungian ideas.




The Tale of Cupid and Psyche


Book Description

Il catalogo della mostra - pubblicato dalla nostra Casa Editrice - descrive attraverso affreschi, dipinti e suppellettili provenienti dai più importanti musei nazionali ed internazionali, insieme al grande affresco di Castel Sant'Angelo di Perin Del Vaga (metà XVI secolo) uno dei miti più affascinanti dell'antichità: la favola di Amore e Psiche narrata da Apuleio nell'Asino D'Oro (II sec. D.C). Il volume si compone di 11 saggi e 76 schede divise in quattro sezioni: le radici del mito, le personificazioni di Eros e Psiche, i patimenti dell'anima, la coppia divina e la Fabula di Apuleio; la favola di Amore e Psiche nel Rinascimento; la scena della lampada: il fascino irresistibile dell'amore misterioso ed in fine il revival romantico della favola in epoca neoclassica. Un percorso di grande valore artistico, ricco di significati simbolici che si sviluppano dall'antichità a Canova documentando questo straordinario mito.




Interpretation in Jungian Analysis


Book Description

An American Board & Academy of Psychoanalysis Book Prize Finalist 2019! Analytic interpretation is fundamental to the process of psychoanalysis, Jungian analysis, and psychoanalytic psychotherapy. Interpretation is the medium by which the psychoanalytic art form is transmitted. What one chooses to say in analysis, why one chooses it, how one says it, when one says it; these are the building blocks of the interpretive process and the focus of Interpretation in Jungian Analysis: Art and Technique. This volume is the first of its kind in the literature of analytical psychology. Until now, the process of interpretation has been addressed only briefly in general Jungian texts. Interpretation in Jungian Analysis provides an in-depth exploration of the process, including the history of analytic technique, the role of language in analytic therapy, the poetics and metaphor of interpretation, and the relationship between interpretation and the analytic attitude. In addition, the steps involved with the creation of clear, meaningful, and transformative interpretations are plainly outlined. Throughout the book, clinical examples and reader exercises are provided to deepen the learning experience. The influence of the Jungian perspective on the interpretative process is outlined, as are the use of analytic reverie and confrontation during the analytic process. In addition to the historical, technical, and theoretic aspects of interpretation, this book also focuses on the artistic and creative elements that are often overlooked in the interpretive process. Ultimately, cultivating fluidity within the interpretive process is essential to engaging the depth and complexity of the psyche. Interpretation in Jungian Analysis will be of great interest to psychoanalysts and psychotherapists of all theoretical orientations and will be essential reading for students of analytical psychology.




The Psyche's Gifts


Book Description

Artist Corinne Lightweaver features a series of artworks that reflect her personal experience while living with mental illness. Working from her unconscious, she uses techniques of paper collage to access, reveal, and artistically document her journey. Through her work, she hopes to spark personal and public conversations about mental illness, reduce stigma, and encourage those who suffer from it to find treatment.




Cupid and Psyche


Book Description

Psyche is the most beautiful woman in the world, yet the oracle at Delphi foresees she will fall in love with a creature feared even by the gods themselves. Magically, Psyche finds herself in a magnificent castle fitted with sweet music, attentive servants, and a charming but invisible host. Soon she falls in love with this man she has never seen, but in a moment of doubt she betrays his trust. To win back his love, Psyche must show that she is as brave as she is beautiful by performing three impossible tasks. Perhaps the greatest love story of all, Cupid and Psyche is unsurpassed in its richness and drama. Marie Craft's lively, suspenseful retelling of this classic Greek myth will appeal to young and old alike. And these legendary lovers have inspired forty lush luminous paintings by award-winning artist Kinuko Craft. Lavishly illustrated and thrillingly told, here is a book to be treasured forever.




Edvard Munch


Book Description

"My art is rooted in a single reflection: why am I not as others are?"—Edvard Munch Published in conjunction with a major exhibit at the McMullen Museum of Art at Boston College, Edvard Munch: Psyche, Symbol and Expression includes nine essays from scholars representing a variety of disciplines. From themes of love, sexuality, gender and anxiety to comparisons with Ibsen and Kierkegaard, the catalog explores the meanings of Munch's imagery, his sources in Symbolist art, and his legacy for German Expressionism within the context of his contemporaries' developments in psychology, literature, and philosophy. The volume of over 200 pages includes more than 60 color plates and 130 black and white illustrations, many from rarely seen private collections and some never exhibited before.




Occult Scientific Mentalities


Book Description

The essays in this volume present a collective study of one of the major problems in the recent history of science: To what extent did the occult 'sciences' (alchemy, astrology, numerology, and natural magic) contribute to the scientific revolution of the late Renaissance? These studies of major scientists (Kepler, Bacon, Mersenne, and Newton) and of occultists (Dee, Fludd, and Cardano), complemented by analyses of contemporary official and unofficial studies at Cambridge and Oxford and discussions of the language of science, combine to suggest that hitherto the relationship has been too crudely stated as a movement 'from magic to science'. In fact, two separate mentalities can be traced, the occult and the scientific, each having different assumptions, goals, and methodologies. The contributors call into question many of the received ideas on this topic, showing that the issue has been wrongly defined and based on inadequate historical evidence. They outline new ways of approaching and understanding a situation in which two radically different and, to modern eyes, incompatible ways of describing reality persisted side-by-side until the demise of the occult in the late seventeenth century. Their work, accordingly, sets the whole issue in a new light.