Author : Edmund Burke Feldman
Publisher :
Page : 544 pages
File Size : 28,75 MB
Release : 1967
Category : Art
ISBN :
A book on the functions, styles and structure of the major visual art forms, this text is reputed to have the best treatment available on the theory and practice of art criticism. It examines the connection between the visual, social, and physical dimensions of everyday life in which the arts perform essential roles, while illustrating clearly the common features of theme and style in works of art separated by time and culture.
Author : John Dixon Hunt
Publisher : Reaktion Books
Page : 410 pages
File Size : 48,29 MB
Release : 2010
Category : Art
ISBN : 9781861895202
A highly illustrated survey of the use of words (or language) in art. Art, Word and Image asks what it means when a painting is 'invaded' by language - how do the two forms converse and combine, and what messages are intended for the viewer?
Author : David J. Roxburgh
Publisher : Yale University Press
Page : 193 pages
File Size : 33,52 MB
Release : 2017-01-01
Category : Art
ISBN : 0300229194
-This catalogue accompanies the exhibition Technologies of the Image: Art in 19th-Century Iran, on view at the Harvard Art Museums, Cambridge, Massachusetts, from August 26, 2017 through January 7, 2018.-
Author : Michael Camille
Publisher : Reaktion Books
Page : 178 pages
File Size : 33,49 MB
Release : 2013-06-01
Category : Art
ISBN : 1780232500
What do they all mean – the lascivious ape, autophagic dragons, pot-bellied heads, harp-playing asses, arse-kissing priests and somersaulting jongleurs to be found protruding from the edges of medieval buildings and in the margins of illuminated manuscripts? Michael Camille explores that riotous realm of marginal art, so often explained away as mere decoration or zany doodles, where resistance to social constraints flourished. Medieval image-makers focused attention on the underside of society, the excluded and the ejected. Peasants, servants, prostitutes and beggars all found their place, along with knights and clerics, engaged in impudent antics in the margins of prayer-books or, as gargoyles, on the outsides of churches. Camille brings us to an understanding of how marginality functioned in medieval culture and shows us just how scandalous, subversive, and amazing the art of the time could be.
Author : Kathleen Walsh-Piper
Publisher : Scarecrow Press
Page : 164 pages
File Size : 47,20 MB
Release : 2002
Category : Education
ISBN : 9780810843073
CD-ROM contains the digitized images found in the book.
Author : David Bindman
Publisher : Belknap Press
Page : 0 pages
File Size : 17,8 MB
Release : 2010
Category : Art
ISBN : 9780674052635
Presents a collection of art that showcases visual tropes of masters with their adoring slaves and Africans as victims and individuals.
Author : Nancy Perloff
Publisher : Getty Publications
Page : 210 pages
File Size : 48,71 MB
Release : 2017-01-21
Category : Art
ISBN : 1606065084
The artists’ books made in Russia between 1910 and 1915 are like no others. Unique in their fusion of the verbal, visual, and sonic, these books are meant to be read, looked at, and listened to. Painters and poets—including Natalia Goncharova, Velimir Khlebnikov, Mikhail Larionov, Kazimir Malevich, and Vladimir Mayakovsky— collaborated to fabricate hand-lithographed books, for which they invented a new language called zaum (a neologism meaning “beyond the mind”), which was distinctive in its emphasis on “sound as such” and its rejection of definite logical meaning. At the heart of this volume are close analyses of two of the most significant and experimental futurist books: Mirskontsa (Worldbackwards) and Vzorval’ (Explodity). In addition, Nancy Perloff examines the profound differences between the Russian avant-garde and Western art movements, including futurism, and she uncovers a wide-ranging legacy in the midcentury global movement of sound and concrete poetry (the Brazilian Noigandres group, Ian Hamilton Finlay, and Henri Chopin), contemporary Western conceptual art, and the artist’s book. Sound recordings of zaum poems featured in the book are available at www.getty.edu.
Author : Hans Belting
Publisher : University of Chicago Press
Page : 692 pages
File Size : 11,71 MB
Release : 1994
Category : Art
ISBN : 9780226042152
Before the Renaissance and Reformation, holy images were treated not as "art" but as objects of veneration which possessed the tangible presence of the Holy. the faithful believed that these images served as relics and were able to work miracles, deliver oracles, and bring victory to the battlefield. In this magisterial book, Hans Belting traces the long history of the sacral image and its changing role--from surrogate for the represented image to an original work of art--in European culture. Likeness and Presence looks at the beliefs, superstitions, hopes, and fears that come into play as people handle and respond to sacred images, and presents a compelling interpretation of the place of the image in Western history. -- Back cover
Author : Marvin Heiferman
Publisher : Conran Octopus
Page : 228 pages
File Size : 14,38 MB
Release : 1989
Category : Art
ISBN :
Author : Brigitte Peucker
Publisher : Stanford University Press
Page : 276 pages
File Size : 38,76 MB
Release : 2007
Category : Literary Criticism
ISBN : 9780804754316
Focusing on intermediality, The Material Image situates film within questions of representation familiar from the other arts: What is meant by figuring the real? How is the real suggested by visual metaphors, and what is its relation to illusion? How is the spectator figured as entering the text, and how does the image enter our world? The film's spectator is integral to these concerns. Cognitive and phenomenological approaches to perception alike claim that spectatorial affect is "real" even when it is film that produces it. Central to the staging of intermediality in film, tableaux moments in film also figure prominently in the book. Films by Scorsese, Greenaway, Wenders, and Kubrick are seen to address painterly, photographic, and digital images in relation to effects of the real. Hitchcock's films are examined with regard to modernist and realist effects in painting. Chapters on Fassbinder and Haneke analyze the significance of tableau for the body in pain, while a final chapter on horror film explores the literalism of psychopathic tableau. Here, too, art and the bodyimages and the realare juxtaposed and entwined in a set of relations.
