Arthur's Inheritance: How He Conquered


Book Description

"WELL, I've done it, and if there should be a row, you girls must help me to get out of it with the Mater." The speaker was a tall, well-grown lad about fifteen. His two sisters might have been a year older and a year younger, judging by their looks. They were both sewing, but dropped their work as the lad seated himself at the opposite side of the table. "Oh, Arthur! What have you been doing now?" asked the elder sister, with something like a sigh. "What's this latest scrape, you bad boy?" said the other, shaking her head and yet looking affectionately at her brother. "Humph! Bad boy!" repeated Arthur. "That has to be proved, Miss Molly." "Well, tell us what you have done, that we may judge," she said. "I hope you have not forgotten that Mamma has already as much trouble as she can bear," said the elder sister gravely. "That's just it, Annie," said the lad in a changed tone. "I know that Papa's death has changed everything for all of us, and that a lad like me ought to be doing something to help." "Well, of course that was settled, dear, and we are only waiting—" "For something to turn up, like Mr. Micawber," interrupted her brother. "No, Arthur, it isn't exactly like that," said Molly quickly, "for old Mr. Best is looking out for you, besides some other friends." "Yes! He has been looking out for the past six months; but as nobody has been to him to ask if he can get them a boy, why, of course, he hasn't heard of anything that will suit me; and so I've suited myself without troubling him." "Oh, Arthur! We cannot afford to offend old friends like that," protested his elder sister. "Tell us what you have done, and don't beat about the bush any longer," said Molly impatiently. "Well, I've got a place, a situation, an appointment, anything you like to call it, at a shop in the town." "At a shop!" almost gasped his elder sister, while Molly sat with half-opened mouth, looking at Arthur in silence for a minute. At last she managed to say, "What shop is it?" "Oh! A fal-lal shop and a tailor's shop, where they sell everything from a reel of cotton to a steam-engine." "Oh! And are you going to be among your beloved steam-engines after all?" said Molly, in a tone of relief. "Oh, no! Reels of cotton will be more likely, I expect," said her brother, trying to speak defiantly, but failing in the attempt. "Now, just tell us straight out what you have done?" said Molly. "Well, I am going as cashier to the Grand Emporium in London Road." "Arthur, Mamma won't like that!" said the elder sister. "I can't help it, Annie; there seems nothing else to be had. I have waited six months for Mr. Best and the others to stir themselves, and I can't wait any longer." "But Mamma said a year longer at school would not hurt you," put in Molly eagerly. "Hurt me! Of course it wouldn't hurt me," said Arthur, "and I've swatted as hard as any fellow since I've known about things. But the fact is, we can't afford it. You two and Mamma are doing everything to save money, why should I be the only one who is not to put his shoulder to the wheel and make things move up a bit?" "But a shop, Arthur! What will people say when they hear that one of the Murrays has come down to a shop?" said Molly in a deprecating tone. "Not much more than they say about us coming to live in a cottage with one servant, and a shoe-boy to keep the garden tidy. Oh, don't you make any mistake about it! Everybody has heard that we hardly know how to make ends meet, and so I may as well go and earn ten shillings a week to help as go to school and do the same sort of sums, for which Mamma has to pay money she can ill afford. I don't believe the bill for my last term has been paid yet," broke off Arthur, looking keenly at his sister as he spoke. "But it will be paid some day, and it can't make much difference to Dr. Robinson whether you are there or not." "Dr. Robinson makes his living by keeping school, of course, and so it is little better than robbing him for me to keep on with my classes there when I know that we cannot afford to pay the fees. Don't you see that, Tabby?" he added, seeing that his little sister looked hurt. "Has Dr. Robinson been saying anything about this to you?" said Annie quickly. "Humph! Dr. Robinson is a gentleman," replied Arthur. "Now let me tell you what I have done to-day. You know, young Brading is one of the fellows in my class, and he is not a bad sort either, though his father does keep a shop. We two have been pretty chummy ever since he first came, for I liked Jack, and I didn't care whether his father kept a shop or a bank. I don't see where the difference comes in."




Kingship, Conquest, and Patria


Book Description

First Published in 2005. Distinctly interdisciplinary, Kingship, Conquest, and Patria brings together French and Welsh studies with literary and historical analysis, genre study with questions of medieval colonialisms and national writing. It treats eight centuries' worth of insular and continental literature, placing the 12th- and 13th-century development of Arthurian romance in a history of fraught, ambiguous relations between Capetian France, Angevin England, and native Wales. Overall, the book aims to contextualize how French Arthurian romance and Welsh rhamant, despite being products of opposing cultures in an age of conquest, collectively revise the figure of King Arthur created by earlier insular tradition. At a time when contemporary monarchies sought to curtail the autonomy of both northern French and Welsh principalities, the literary image of kingship pointedly declines in romance and rhamant, replaced by an ideal of knightly independence. A focus on the romance portrait of King Arthur is the culmination of this study: Part I provides a survey of early British Arthurian material written in Latin and Welsh; Part II presents the historical contexts in northern France and Wales out of which the genre of Arthurian romance emerged; Part III turns to literary and sociopolitical analyses of Chrétien's five romances and the three Welsh rhamantau.










Arthurian Literature XXXVIII


Book Description

Arthurian Literature has established its position as the home for a great diversity of new research into Arthurian matters. It delivers fascinating material across genres, periods, and theoretical issues. TIMES LITERARY SUPPLEMENT This issue offers stimulating studies of a wide range of Arthurian texts and authors, from the Middle Ages to the nineteenth century, among which is the first winner of the Derek Brewer Essay Prize, awarded to a fascinating exploration of Ragnelle's strangeness in The Weddyng of Syr Gawen and Dame Ragnelle. It includes an exploration of Irish and Welsh cognates and possible sources for Merlin; Bakhtinian analysis of Geoffrey of Monmouth's playful discourse; and an account of the transmission of Geoffrey's text into Old Icelandic. In the Middle English tradition, there is an investigation of material Arthuriana in Sir Gawain and the Green Knight, followed by explorations of shame in Malory's Morte Darthur. The post-medieval articles see one paper devoted to the paratexts of sixteenth-century French Arthurian publishers; one to eighteenth-century Arthuriana; and one to a range of nineteenth-century rewritings of the virginity of Galahad and Percival's Sister. Two Notes close this volume: one on Geoffrey's Vita Merlini and a possible Irish source, and one on a likely source for Malory's linking of Trystram with the Book of Hunting and Hawking in an early form of The Book of St Albans.













The Broadview Anthology of British Literature Volume 1: The Medieval Period - Third Edition


Book Description

In all six of its volumes The Broadview Anthology of British Literature presents British literature in a truly distinctive light. Fully grounded in sound literary and historical scholarship, the anthology takes a fresh approach to many canonical authors, and includes a wide selection of work by lesser-known writers. The anthology also provides wide-ranging coverage of the worldwide connections of British literature, and it pays attention throughout to issues of race, gender, class, and sexual orientation. It includes comprehensive introductions to each period, providing in each case an overview of the historical and cultural as well as the literary background. It features accessible and engaging headnotes for all authors, extensive explanatory annotations, and an unparalleled number of illustrations and contextual materials. Innovative, authoritative and comprehensive, The Broadview Anthology of British Literature has established itself as a leader in the field. The full anthology comprises six bound volumes, together with an extensive website component; the latter has been edited, annotated, and designed according to the same high standards as the bound book component of the anthology, and is accessible by using the passcode obtained with the purchase of one or more of the bound volumes. For the third edition of this volume a number of changes have been made. The Old English material has been substantially revised and expanded, including new translations by Roy Liuzza of “Deor,” “Wulf and Eadwacer,” and “The Battle of Brunanburh.” A selection from Adrienne Williams Boyarin’s new translation of “The Miracles of the Virgin” will be included, along with Sian Echard’s translation of selections from Y Gododdin. Matthieu Boyd’s translation of the first two branches of the Mabinogi is also new to this edition, together with several Early Irish lyrics. The “Love and Marriage” Contexts section has been expanded to include additional material by Christine de Pizan and excerpts from Holy Maidenhood, and the “Religious and Spiritual Life” Contexts section now includes excerpts from Wycliffite writings. The selection of material by Sir Thomas Malory has also been substantially revised and expanded. In addition, the online component of the anthology includes several new selections, including “The Gifts of Men,” “The Fortunes of Men,” “The Feast of Bricriu,” material by Robert Henryson, and a broader selection of medieval drama.