Arthurian Literature XVIII


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Epitomises what is best in Arthurian scholarship today. ZEITSCHRIFT FÜR ROMANISCHE PHILOLOGIE This latest issue of Arthurian Literaturecontinues the tradition of the journal, combining critical studies with editions of primary Arthurian texts. Varied in their linguistic and chronological coverage, the articles dealwith major areas of Arthurian studies, from early French romance through late medieval English chronicle to contemporary fiction. Topics include Béroul's Tristan, Tristan de Nanteuil, the Anglo-Norman Brut, and the Morte, while an edition of the text of an extrait of Chrétien's Erec et Enide prepared by the eighteenth-century scholar La Curne de Sainte-Palaye offers important insights into both scholarship on Chretien, and our understanding of the Enlightenment. The volume is completed with an encyclopaedic treatment of Arthurian literature, art and film produced between 1995 and 1995, acting as an update to The New Arthurian Encyclopedia.Contributors: RICHARD ILLINGWORTH, JANE TAYLOR, CARLETON CARROLL, MARIA COLOMBO TIMELLI, RALUCA RADULESCU, JULIA MARVIN, NORRIS LACY, RAYMOND THOMPSON.




Arthurian Literature


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Arthurian Literature XII


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Latest work on Arthur by respected scholars.




Camelot Regained


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Roger Simpson 's] finds are crisp, detailed, and convincing.' MODERN LANGUAGE REVIEW The revival of interest in Arthurian literature in the early part of the 19th century has been largely unremarked until now. Roger Simpson's wide-ranging study of this period, in which he traces the dominant forms adopted by the Arthurian revival and presents a wealth of new material, shows it to have been of critical importance in the development of the legend and to have been a powerful early influence on Tennyson, whose role within the Arthurian revival is accordingly reassessed. His book also contains a complete bibliography of early 19th-century Arthurian poetry, drama and prose fiction, together with catalogues of paintings and illustrated books. ROGER SIMPSON is Director, Centre for Overseas Student Programmes, at the University of East Anglia




Arthurian Literature XVI


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`An indispensable component of any historical or Arthurian library.' NOTES AND QUERIES




The Flower of Kings


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The Vitality of the Arthurian Legend


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Proceedings of the Twelfth International Symposium organised by the Centre for the Study of Vernacular Literature in the Middle Ages held at the Odense University on 16-17 November 1987.




Arthurian Literature XXII


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Selection of the latest research in Arthurian studies. The essays in this volume present the most recent fruits of Arthurian scholarship, on texts from Perlesvaus to Albrecht's Jüngerer Titurel and the Prose BrutChronicle, together with a detailed examination of the role of Micheau Gonnot's Arthuriad in the evolution of Arthurian romance. The volume also includes an investigation of Arthurian prophecy and the deposition of Richard II. It is completed with an encyclopaedic treatment of Arthurian literature, art and film produced between 1999 and 2004, acting as a continuing update to The New Arthurian Encyclopedia. Contributors: BEN RAMM, FANNI BOGDANOW, ANNETTE VOLFING, HELEN FULTON, JULIA MARVIN, RAYMOND H. THOMPSON, NORRIS J. LACY




Myth and National Identity in Nineteenth-Century Britain


Book Description

Scholars have become increasingly interested in how modern national consciousness comes into being through fictional narratives. Literature is of particular importance to this process, for it is responsible for tracing the nations evolution through glorious tales of its history. In nineteenth-century Britain, the legends of King Arthur and Robin Hood played an important role in construction of contemporary national identity. These two legends provide excellent windows through which to view British culture, because they provide very different perspectives. King Arthur and Robin Hood have traditionally been diametrically opposed in terms of their ideological orientation. The former is a king, a man at the pinnacle of the social and political hierarchy, whereas the latter is an outlaw, and is therefore completely outside conventional hierarchical structures. The fact that two such different figures could simultaneously function as British national heroes suggests that nineteenth-century British nationalism did not represent a single set of values and ideas, but rather that it was forced to assimilate a variety of competing points of view.