Artists of Nigeria


Book Description

Charts the development of modern Nigerian art, analyzing the achievements of leading artists while exploring arts movements within and surrounding the country throughout the past century, in a volume that includes coverage of the works of Olowere and Uche Okeke.







Nigerian Artists


Book Description




Nigeria: The Cover Art of Nigerian Music


Book Description

An incredible collection of vibrant Nigerian record cover designs from the second half of the 20th century, most of which have never been seen outside of Africa This unique large-format book features hundreds and hundreds of unique and stunning record sleeve designs from Nigeria that span a period from the country's independence in 1960 through much of the second half of the 20th century--a time in which Nigerian artists and the Nigerian music industry thrived both at home and abroad. During this period, high-profile Nigerian artists such as Fela Kuti, King Sunny Ade, Sonny Okosun, Haruna Ishola, Oriental Brothers International Band, Tony Allen, Blo and Chief Ebenezer Obey became national and international stars. Many more Nigerian artists established successful careers at home and yet remain virtually unknown outside of Nigeria to this day. This book features the most important Nigerian artists both at home and abroad (as well as many of those that have remained unknown outside of the country), bringing together a vast array of rare, classic and stunning visual sleeve designs that document more than 50 years of the amazing musical, graphic art and social history of Nigeria.










Prince Twins Seven-Seven


Book Description

This lavishly illustrated book, part biography and part artist's catalog, addresses tradition and innovation in Prince's art, the development of his personal style, the force of the supernatural in Nigerian life, and the hard times of the immigrant artist in the United States.




The Nsukka Artists and Nigerian Contemporary Art


Book Description

The Nsukka artists, a loosely affiliated group associated with the University of Nigeria, demonstrate the rich and sensitive face of creativity under the rapidly changing conditions of present-day Africa. This collection is weighted toward writings by African artists and art historians and is informed by an African perspective on contemporary art. In a major addition to the literature on contemporary African art, contributors explore the questions of identity faced by African artists, in both Africa and the West; broach the topic of the sometimes conflicting theories about art and the art market; and examine the tensions between traditional and postmodern approaches to making and viewing art. The Nsukka Artists and Nigerian Contemporary Art offers pioneering and insightful material for the emergent field of contemporary African art and aesthetics. The Nsukka experience is of broad significance, not only for Africa in general, but as one aspect of a major third world contemporary art movement embracing Native American, Australian Aboriginal, and Oceanic cultures.




Contemporary Art from Nigeria in the Global Markets


Book Description

This book brings together from four years of study on Nigerian contemporary art's internationalization. The monograph integrates voices of African (Nigerian) artists and art market players into the growing discourse on the emerging art markets in the global South. It explores the logic of competition and dynamics of power relations in the global markets, focusing on the internationalization of contemporary art forms from peripheral regions. The book confirms that the internationalization of contemporary art form from Nigeria is limited due to systematic marginalization in the artistic field, which in this case based on postcolonialism, and debilitating socio-economic factors such as outmoded art education, unstructured support system and weak mechanism for local validation, and an inefficient political framework for art governance. It will therefore be useful to students and researchers in the sociology of art, art market studies, art history and culture polity.




Postcolonial Modernism


Book Description

Written by one of the foremost scholars of African art and featuring 129 color images, Postcolonial Modernism chronicles the emergence of artistic modernism in Nigeria in the heady years surrounding political independence in 1960, before the outbreak of civil war in 1967. Chika Okeke-Agulu traces the artistic, intellectual, and critical networks in several Nigerian cities. Zaria is particularly important, because it was there, at the Nigerian College of Arts, Science and Technology, that a group of students formed the Art Society and inaugurated postcolonial modernism in Nigeria. As Okeke-Agulu explains, their works show both a deep connection with local artistic traditions and the stylistic sophistication that we have come to associate with twentieth-century modernist practices. He explores how these young Nigerian artists were inspired by the rhetoric and ideologies of decolonization and nationalism in the early- and mid-twentieth century and, later, by advocates of negritude and pan-Africanism. They translated the experiences of decolonization into a distinctive "postcolonial modernism" that has continued to inform the work of major Nigerian artists.