The Syntax of Imperatives in English and Germanic


Book Description

This volume examines several aspects of the syntax of imperative clauses in English and in a variety of other Germanic languages in the context of the challenge that apparent optional movement poses for the Minimalist Programme.




The Syntax of Imperatives


Book Description

The imperative clause is one of three major sentence types that have been found to be universal across the languages of the world. Compared to declaratives and interrogatives, the imperative type has received comparatively less attention. Using compelling empirical evidence, this cutting-edge study presents a new linguistic theory of imperatives.










The Structure and Interpretation of Imperatives


Book Description

The legendary Greek figure Orpheus was said to have possessed magical powers capable of moving all living and inanimate things through the sound of his lyre and voice. Over time, the Orphic theme has come to indicate the power of music to unsettle, subvert, and ultimately bring down oppressive realities in order to liberate the soul and expand human life without limits. The liberating effect of music has been a particularly important theme in twentieth-century African American literature. The nine original essays in Black Orpheus examines the Orphic theme in the fiction of such African American writers as Jean Toomer, Langston Hughes, Claude McKay, James Baldwin, Nathaniel Mackey, Sherley Anne Williams, Ann Petry, Ntozake Shange, Alice Walker, Gayl Jones, and Toni Morrison. The authors discussed in this volume depict music as a mystical, shamanistic, and spiritual power that can miraculously transform the realities of the soul and of the world. Here, the musician uses his or her music as a weapon to shield and protect his or her spirituality. Written by scholars of English, music, women's studies, American studies, cultural theory, and black and Africana studies, the essays in this interdisciplinary collection ultimately explore the thematic, linguistic structural presence of music in twentieth-century African American fiction.







The English Imperative


Book Description

In recent work the imperative seems to have attracted much less attention than the interrogative, perhaps because it appears to be a rather simple structure, easily accounted for in a page or two in manuals of English grammar, and probably also because in so many respects it seems to be a rather awkward exception to otherwise powerful generalisations. This has meant that quite general analyses sometimes find it necessary to relegate the imperative to a footnote or exclude it from the discussion altogether, and that even when linguists have addressed themselves specifically to an account of imperatives, they have sometimes concluded that the imperative is simply an inherently idiosyncratic construction where we should not expect to find the tidy regularities we look for elsewhere. However, this study demonstrates that there are many interesting regularities to be accounted for, and that useful generalisations can be made which relate the imperative to other constructions. Throughout the work the emphasis is on detailed description of present-day usage, with the aim of identifying patterns which have previously been ignored and seeking explanations for those which have previously been dismissed as arbitrary. As well as examining the syntactic behaviour of the imperative, the book proposes a semantic characterisation quite different from the types usually adopted, and links this to a pragmatic account of the wide range of ways in which imperatives may be used and interpreted. There is no attempt to formulate syntactic rules within a specific theoretical framework; rather, generalisations are stated which any descriptively adequate grammar, of whatever theoretical slant, should be able to capture.




Interpreting Imperatives


Book Description

Imperative clauses are recognized as one of the major clause types alongside those known as declarative and interrogative. Nevertheless, they are still an enigma in the study of meaning, which relies largely on either the concept of truth conditions or the concept of information growth—neither of which are easily applied to imperatives. This book puts forward a fresh perspective. It analyzes imperatives in terms of modalized propositions, and identifies an additional, presuppositional, meaning component that makes an assertive interpretation inappropriate. The author shows how these two elements can help explain the varied effects imperatives have, depending on their usage context. Imperatives have been viewed as elusive components of language because they have a range of functions that makes them difficult to unify theoretically. This fresh view of the semantics-pragmatics interface allows for a uniform semantic analysis while accounting for the pragmatic versatility of imperatives.




Imperative Clause Structure and Its Realization in Old English Syntax


Book Description

The nature of imperative syntax has remained an elusive, yet ever-present, subject in syntactic research, spanning several decades of linguistic inquiry and analysis, and it is therefore unsurprising that current views on the subject continue to be somewhat divided. This thesis examines the syntactic evidence from imperatives in Old English and ultimately seeks to develop a picture of the possibilities for imperative clauses in OE alongside an overall framework for imperative syntax within contemporary theoretical models of syntactic structure. The general, perceived pattern for OE imperative clauses (e.g. Millward 1971) is & ldquo;verb & minus;first, & rdquo; and statistical data from the corpora confirm this perception, with the majority of imperative clauses exhibiting the verb in clause & minus;initial position. Imperative constructions with post & minus; and preverbal overt subjects are also examined at length, and postverbal subjects are found to be the majority case. These results are further expanded by examinations of data from verb & minus;second and verb & minus;third contexts, which include possibilities for topicalized constituents and adverbs. Ultimately, the relative position of both the verb and the subject and the relationship between these and other elements in the totality of the data provide essential clues for constructing a clearer model of OE imperative syntax. Within a relatively rich cartographic framework (Rizzi 1997), I therefore argue that the imperative verb is standardly fronted to the head of ForceP, with the overt subject remaining in spec & minus;FinP, in parallel with other models for imperative syntax and OE syntax. Exceptions to this pattern for imperatives which suggest lower positions for the imperative verb (e.g. verb & minus;second and verb & minus;third constructions) are also accounted for, all with the central goal of demonstrating a consistent pattern underlying the realization of imperative syntax in Old English.