At this Evening's Performance


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THE STORY: On tour in rural Dunsk (recently annexed by the hated socialist state of Strevia) a theatrical troupe is obliged to present corny melodramas and creaky verse plays as modern drama has been banned by their new masters. Led by a hammy egom




Bulletin[s]


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The Cast


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Shouting in the Evenings


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In 1963, a young man from Limerick took his £25 savings and journeyed to London to become an actor. To pay his way through drama school he worked as a security guard (once for The Beatles) and served drinks to Miss World contestants at the Lyceum Theatre, then a Mecca Ballroom. While still a student, he was picked to play a small role in Andorra in the inaugural season of the National Theatre at the Old Vic... Fifty years later, while appearing in his fifty-sixth NT production – Pirandello’s Liolà – he was invited by Director Nicholas Hytner to take part in 50 Years on Stage, the NT’s anniversary celebration. Four days on, he is on stage in New York for the Press Night of Trevor Nunn’s production of Beckett’s All That Fall with Michael Gambon. James Hayes has worked with most of the leading actors in the country from Laurence Olivier, Maggie Smith, Anthony Hopkins and Paul Scofield to Michael Gambon, Ian McKellen, Penelope Wilton and Anne-Marie Duff. Touring the world, he has played in Greece, Poland, the USA, Japan, India, Hong Kong, South Korea and China. And, of course, Milton Keynes, Sunderland and Truro! Shouting in the Evenings covers many of the famous (Amadeus) and infamous (The Romans in Britain) productions Hayes has appeared in, and records with affection and humour the changes along the way. It will appeal to seasoned and amateur actors alike, as well as those with an interest in all things theatrical.




Erotic Performance and Spectatorship


Book Description

Erotic dance is one of the most contentious issues in feminist debates today and a source of fascination in media and popular cultural representations. Yet, why is it that we currently know so little about those who perform erotic dance for female customers, or the experiences of these spectators themselves? The result of a unique investigation within two of the UK’s leisure venues, Erotic Performance and Spectatorship seeks to rectify the aforementioned lack of insight. Through vivid ethnographies of a lesbian leisure venue and a male strip show, Pilcher’s research advances key debates about the gender and sexual politics of erotic dance, whilst simultaneously relating these to debates about the sex industry more widely. This book also subverts previous assumptions that only women perform erotic dance and only men spectate. Thus, this book stands out amongst other academic accounts, developing the debate beyond the established focus on erotic dance as either empowering or degrading. This new contribution to the study of erotic dance – which provides a fresh theoretical perspective combining queer and feminist theorising, in addition to rich empirical evidence – will appeal to academic researchers and both undergraduate and postgraduate students within the fields of sociology, gender studies, sexuality studies, gay & lesbian studies, feminism and other neighbouring disciplines. It will also be of interest to feminist and sex work activists, policy makers, and practitioners.







Enchanted Evenings


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This second edition offers theater lovers an illuminating behind-the-scenes tour of some of America's best musicals. Geoffrey Block provides a documentary history of each of the eighteen musicals he discusses. He reveals how the American musical evolved from the 1920s to today, both on stage and on screen, and how librettist, lyricist, composer, and director work together to shape pieces.--[book cover].




Musical Standard


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