The Nuclear Industry


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Understanding the Atom


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Technical Data Digest


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Confidential Documents


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Containing the Atom


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The late 1960s saw an extraordinary growth in the American nuclear industry: dozens of plants of unprecedented size were ordered throughout the country. Yet at the same time, public concern about the natural environment and suspicion of both government and industry increased dramatically. Containing the Atom is the first scholarly history of nuclear power regulation during those tumultuous years. J. Samuel Walker focuses on the activities of the U.S. Atomic Energy Commission, the agency entrusted with the primary responsibility for the safety of nuclear power, and shows that from the beginning the AEC faced a paradox: it was charged with both promoting and controlling the nuclear power industry. Out of this paradox grew severe tensions, which Walker discusses in detail. His balanced evaluation of the issues and the positions taken by the AEC and others makes this study an invaluable resource for all those interested in the continuing controversies that surround nuclear energy. The late 1960s saw an extraordinary growth in the American nuclear industry: dozens of plants of unprecedented size were ordered throughout the country. Yet at the same time, public concern about the natural environment and suspicion of both government and industry increased dramatically. Containing the Atom is the first scholarly history of nuclear power regulation during those tumultuous years. J. Samuel Walker focuses on the activities of the U.S. Atomic Energy Commission, the agency entrusted with the primary responsibility for the safety of nuclear power, and shows that from the beginning the AEC faced a paradox: it was charged with both promoting and controlling the nuclear power industry. Out of this paradox grew severe tensions, which Walker discusses in detail. His balanced evaluation of the issues and the positions taken by the AEC and others makes this study an invaluable resource for all those interested in the continuing controversies that surround nuclear energy.




To the End of the Solar System


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Chemically propelled rockets can lift less than 5 percent of their take-off weight into orbit, a fact that could forever limit the space program. Nuclear-powered rockets, however, with their superior thrusting power and speed, are radically different. So argues James A. Dewar in the only comprehensive history ever written of the nuclear rocket project. It is a story of political battles over the space program's future, involving Presidents Eisenhower, Kennedy, Johnson and Nixon, and a readable account of its technical successes, a story perhaps more interesting and certainly more important, Dewar believes, than the history of atomic and H-bomb development. Dewar maintains that only by reestablishing a nuclear rocket project can the nation have a space program worthy of the 21st century, one that makes reality of the hopes and dreams of science fiction.




Country Music Goes to War


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"Listening to the Beat of the Bomb" UPK author Charles Wolfe discusses his work and his new book Country Music Goes to War in the NEW YORK TIMES. While Toby Keith suggests that Americans should unite in support of the president, the Dixie Chicks assert their right to criticize the current administration and its military pursuits. Country songs about war are nearly as old as the genre itself, and the first gold record in country music went to the 1942 war song "There's a Star Spangled Banner Waving Somewhere" by Elton Britt. The essays in Country Music Goes to War demonstrate that country musicians' engagement with significant political and military issues is not strictly a twenty-first-century phenomenon. The contributors examine the output of country musicians responding to America's large-scale confrontation in recent history: World War II, the Korean War, Vietnam, the cold war, September 11, and both conflicts in the Persian Gulf. They address the ways in which country songs and artists have energized public discourse, captured hearts, and inspired millions of minds. Charles K. Wolfe, professor of English and folklore at Middle Tennessee State University, is the author of numerous books and articles on music. James E. Akenson, professor of curriculum and instruction at Tennessee Technological University, is the founder of the International Country Music Conference. Together they have edited the collections The Women of Country Music, Country Music Annual 2000, Country Music Annual 2001, and Country Music Annual 2002.