Baphomet's Requiem Season 1


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Survive 2012




A Requiem for Evolution


Book Description

Does God really exist? How can we be scientifically, mathematically, logically, theologically and personally sure of His existence? Why did God create the universe? Why is there evil in the world, and if there is a God, why did He let that happen? Do you suffer from HEXAKOSIOIHEXEKONTAHEXAPHOBIA? When was Jesus Christ really born? How old was He when He was crucified? What does the number 666 mean? Who is the Antichrist? What is Heaven Like? Is Hell real? What is the most difficult passage of the Bible? What are the four verses in the Bible no one can possibly understand? What can the 70 Weeks of Daniel have to say about the end of the World? Is the Bible really the word of God? Are the biblical verses the words of God in the words of men, or simply the words of men? What sets the Bible apart from any ordinary book? How can anyone study the Bible? Is the clergy the only entity with the mental and spiritual fortitude to understand the Holy Scriptures? What are some of the patterns of the Holy Scriptures? Are the biblical markers reliable? What is Salvation arguably the most misunderstood word in the entire Bible? How can anyone be sure of His salvation? Who do you think are the top 100 most important people of all time? Does your list match the author's (Please, use the "MY TOP 100 INDIVIDUALS OF ALL TIME" form at the end of the book and start ranking your top 100 most important individuals of all time! Then post your list on as many social media platforms as possible, and e-mail it to [email protected]). A Requiem for Evolution provides refreshing answers to those very important questions.




Requiem for the Devil


Book Description

Set in modern-day Washington, D.C., Requiem for the Devil depicts the end of the Devil's ten-billion-year career. For the first time in his existence, Lucifer falls in love, and this event threatens to transform his identity and perhaps even his destiny. Gianna O'Keefe is the woman who drags him out of his ancient despair and points him toward possible salvation. Yet Lucifer's path from evil is neither straight nor smooth. Pursuing love means betraying his fellow fallen angels, the loyal friends who once followed him to damnation. Divine and infernal forces seem to conspire against his and Gianna's union. Lucifer's empire crumbles around him as he dares to defy the natural order and question his fate.




Masks of Satan


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The Works of William Perkins, Volume 1


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The present volume contains three of Perkins’s treatises. The first is A Digest or Harmony of the Books of the Old and New Testament , which offers a synopsis of the Bible that relates sacred history to the chronology of the world. Dating God’s creation of the universe in 3967 BC, Perkins develops his overview of redemptive history that culminates in the final judgment. The second treatise is The Combat between Christ and the Devil Displayed . Expounding Matthew 4:1–11, Perkins shows how Christ’s temptation in the wilderness (1) set Jesus up to serve as the second Adam, overcoming Satan’s temptation in a way the first Adam did not; (2) reveals how the devil assaults the church so that we might be better prepared to resist his temptations; and (3) equipped Christ to be a sympathetic high priest to those who are tempted. The third and most significant treatise is A Godly and Learned Exposition upon Christ’s Sermon in the Mount . “Hereof I have chosen to entreat,” says Perkins, “because it is a most divine and learned sermon, and may not unfitly be called the ‘Key to the whole Bible’; for here Christ opens the sum of the Old and New Testaments.” The fact that Perkins saw the Sermon on the Mount as unlocking the meaning of Scripture in its entirety suggests that his understanding of what Christ declares in Matthew 5–7 was pivotal to the development of his theology and piety. Series Description The Works of William Perkins fills a major gap in Reformed and Puritan theology. Though Perkins is best known today for his writings on predestination, he also wrote prolifically on many subjects. His works filled over two thousand large pages of small print in three folio volumes and were reprinted several times in the decades after his death. However, his complete works have not been in print since the mid-seventeenth century. This modern typeset edition of the Works includes four volumes of Perkins’s expositions of Scripture, three volumes of his doctrinal and polemical treatises, and three volumes of his practical writings.




Requiem Infernal


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Great new novel featuring the battle sisters of the Adepta Sororitas. On a distant world, an obscure order of the Adepta Sororitas study their founder's visions. They live in solitude… which is about to be broken as danger approaches. The Adepta Sororitas of the Last Candle have stood vigil over their sanctuary world for centuries, striving to decipher their founder's tormented visions. Outsiders are unwelcome, yet still they come. Decimated by an encounter with a lethal xenos entity, the survivors of an elite Astra Militarum company have journeyed to the Candleworld in search of healing, escorted by a woman who is no stranger there – Sister Hospitaller Asenath Hyades, who turned her back on the order decades ago. As the seekers near the sect's bastion, malign forces begin to stir among the planet's storm-wracked spires, but the most insidious shadows lie in their own souls.




Satan


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Based upon a volume of the series Collection de psychologie religieuse, Etudes carmelitaines.







We Don't Go Back


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Secret, strange, dark, impure and dissonant...Enter the haunted landscapes of folk horror, a world of ­pagan ­village conspiracies, witch finders, and teenagers awakening to evil; of dark fairy tales, backwoods cults and obsolete technologies. Beginning with the classics Night of the Demon, Witchfinder General, The Wicker Man and Blood on Satan's Claw, We Don't Go Back surveys the genre of screen folk horror from across the world. Travelling from Watership Down to The Texas Chain Saw Massacre, with every stop inbetween, We Don't Go Back is a thoughtful, funny and essential overview of folk horror in TV and cinema."A beautiful rumination on the dark films and television that shaped me and a generation of odd children, for good or ill, worth a year of your time, because you won't just read the book, you'll feel a burning desire to watch everything mentioned within." - Robin Ince"A comprehensive, accessible and often riotously funny tome weaving together folk horror in all its forms, from British television to the American backwoods, from Eastern European fairytales to the vengeful ghosts of East Asia. Ingham explores uncanny landscapes haunted by things buried, old cultures converging with the reluctance of contemporary reason, that very tension that gives his book its name. He attempts to both define folk horror and free it from definition, creating the ultimate guide to the genre's manifestations on film and offering a convincing argument as to why the genre resonates so compellingly with people today." - Kier-La Janisse, author of House of Psychotic Women




In a Shattered Mirror


Book Description

The Russian Revolution and its grim aftermath transformed the world into which Anna Akhmatova (1889-1966) had been born, radically altering the poet's life and art. At the time of the Revolution, Akhmatova's exquisite love lyrics had made her one of Russia's leading poets, but the mass social forces unleashed by the Revolution were inimical to her lyric genius. In the 1920's her work was subjected to vicious ideological attacks in the press and was officially barred from. publication. Akhmatova fell silent. When she began writing again in the late 1930s, her poetry was much changed—formally, thematically, and technically. In contrast to the relative simplicity of the early erotic miniatures, the later poetry speaks in riddles, flaunting its own opacity. The author places the later work in its socio-cultural context through close readings of the major texts. The dominant metapoetic themes of the later poetry are taken as a point of. departure: they speak both to the poet's plight in society (repression, silencing) and to the array of means employed to transcend that plight (indirection, concealment, obfuscation). The theme of concealment highlights one of the most salient aspects of the later poetry—its saturation with allusions and quotations drawn from Russian and Western European literature. These allusions are interpreted through analyses of the complex relations between the source text and. Akhmatova's poems. In contrast to the relatively unified image of the lyrical persona in the early verse, the poet's self-representation in the later poetry features a multiplicity of masks and guises. Throughout, the author traces the genesis and transfigurations of these images of self. Quoted texts are given in Russian and in English translation.