The Baron and the Bear


Book Description

In the 1966 NCAA basketball championship game, an all-white University of Kentucky team was beaten by a team from Texas Western College (now UTEP) that fielded only black players. The game, played in the middle of the racially turbulent 1960s—part David and Goliath in short pants, part emancipation proclamation of college basketball—helped destroy stereotypes about black athletes. Filled with revealing anecdotes, The Baron and the Bear is the story of two intensely passionate coaches and the teams they led through the ups and downs of a college basketball season. In the twilight of his legendary career, Kentucky’s Adolph Rupp (“The Baron of the Bluegrass”) was seeking his fifth NCAA championship. Texas Western’s Don Haskins (“The Bear” to his players) had been coaching at a small West Texas high school just five years before the championship. After this history-making game, conventional wisdom that black players lacked the discipline to win without a white player to lead began to dissolve. Northern schools began to abandon unwritten quotas limiting the number of blacks on the court at one time. Southern schools, where athletics had always been a whites-only activity, began a gradual move toward integration. David Kingsley Snell brings the season to life, offering fresh insights on the teams, the coaches, and the impact of the game on race relations in America.




Baron of the Bluegrass


Book Description

About 200 of Rupp's best quotes, spanning nearly a half-century, are included here, as are remembrances of him by fellow coaches, former players, and other acquaintances.




Adolph Rupp and the Rise of Kentucky Basketball


Book Description

An in-depth look at the life of the influential University of Kentucky basketball coach and his legacy. Known as the “Man in the Brown Suit” and the “Baron of the Bluegrass,” Adolph Rupp (1901–1977) is a towering figure in the history of college athletics. In Adolph Rupp and the Rise of Kentucky Basketball, historian James Duane Bolin goes beyond the wins and losses to present the fullest account of Rupp’s life to date based on more than one-hundred interviews with Rupp, his assistant coaches, former players, University of Kentucky presidents and faculty members, and his admirers and critics, as well as court transcripts, newspaper accounts, and other archival materials. His teams won four NCAA championships (1948, 1949, 1951, and 1958), the 1946 National Invitation Tournament title, and twenty-seven Southeastern Conference regular season titles. Rupp’s influence on the game of college basketball and his impact on Kentucky culture are both much broader than his impressive record on the court. Bolin covers Rupp’s early years?from his rural upbringing in a German Mennonite family in Halstead, Kansas, through his undergraduate years at the University of Kansas playing on teams coached by Phog Allen and taking classes with James Naismith, the inventor of basketball?to his success at Kentucky. This revealing portrait of a pivotal figure in American sports also exposes how college basketball changed, for better or worse, in the twentieth century. Praise for Adolph Rupp and the Rise of Kentucky Basketball “This detailed and richly researched biography is written in a clear and engaging manner that reflects the work of a historian at the top of his game. Bolin is definitely fully engaged with Adolph Rupp’s multi-faceted life and has demonstrated his mastery of his wide-ranging sources. An excellent book!” —Richard O. Davies, Distinguished Profess or History, Emeritus, University of Nevada, Reno “An incisive analysis of Adolph Rupp’s role in creating the Big Blue Nation . . . . An unvarnished and well-sourced examination of a flawed human being . . . . A must-read for any true Kentucky fan.” —Roberta Schultz, WVXU Radio Cincinnati




The Winning Tradition


Book Description




The Banana Men


Book Description

Ambitious entrepreneurs, isthmian politicians, and mercenaries who dramatically altered Central America's political culture, economies, and even its traditional social values populate this lively story of a generation of North and Central Americans and their roles in the transformation of Central America from the late nineteenth century until the onset of the Depression. The Banana Men is a study of modernization, its benefits, and its often frightful costs. The colorful characters in this study are fascinating, if not always admirable. Sam "the Banana Man" Zemurray, a Bessarabian Jewish immigrant, made a fortune in Honduran bananas after he got into the business of "revolutin," and his exploits are now legendary. His hired mercenary Lee Christmas, a bellicose Mississippian, made a reputation in Honduras as a man who could use a weapon. The supporting cast includes Minor Keith, a railroad builder and banana baron; Manuel Bonilla, the Honduran mulatto whose cause Zemurray subsidized; and Jose Santos Zelaya, who ruled Nicaragua from 1893 to 1910. The political and social turmoil of the modern Central America cannot be understood without reference to the fifty-year epoch in which the United States imposed its political and economic influence on vulnerable Central American societies. The predicament of Central Americans today, as isthmian peoples know, is rooted in their past, and North Americans have had a great deal to do with the shaping of their history, for better or worse.




Bluegrass in Baltimore


Book Description

With an influx of Appalachian migrants who came looking for work in the 1940s and 1950s, Baltimore found itself populated by some extraordinary mountain musicians and was for a brief time the center of the bluegrass world. Life in Baltimore for these musicians was not easy. There were missed opportunities, personal demons and always the up-hill battle with prejudice against their hillbilly origins. Based upon interviews with legendary players from the golden age of Baltimore bluegrass, this book provides the first in-depth coverage of this transplanted-roots music and its broader influence, detailing the struggles Appalachian musicians faced in a big city that viewed the music they made as the "poorest example of poor man's music."




Public Folklore


Book Description

A landmark volume exploring the public presentation and application of folk culture in collaboration with communities, Public Folklore is available again with a new introduction discussing recent trends and scholarship. Editors Robert Baron and Nick Spitzer provide theoretical framing to contributions from leaders of major American folklife programs and preeminent folklore scholars, including Roger D. Abrahams, Robert Cantwell, Gerald L. Davis, Archie Green, Bess Lomax Hawes, Richard Kurin, Daniel Sheehy, and Barbara Kirshenblatt-Gimblett. Their essays present vivid accounts of public folklore practice in a wide range of settings—nineteenth-century world's fairs and minstrel shows, festivals, museums, international cultural exchange programs, concert stages, universities, and hospitals. Drawing from case studies, historical analyses, and their own experiences as advocates, field researchers, and presenters, the essayists recast the history of folklore in terms of public practice, while discussing standards for presentation to new audiences. They approach engagement with tradition bearers as requiring collaboration and dialogue. They critically examine who has the authority to represent folk culture, the ideologies informing these representations, and the effect upon folk artists of encountering revived and new audiences within and beyond their own communities. In discussions of the relationship between public practice and the academy, this volume also offers new models for integrating public folklore training within graduate studies.




100 Things Wildcats Fans Should Know and Do Before They Die


Book Description

The University of Kentucky men's basketball program is the winningest in the history of the sport, and this lively guide explores those victories along with the personalities, events, and facts that any and every Wildcats fan should know. Influential players from more than a century of success are highlighted, including Louie Dampier, Jamal Mashburn, John Wall, Anthony Davis, and Karl-Anthony Towns. The team's colorful coaches are also profiled. Covering important dates, behind-the-scenes tales, memorable moments, and must-do activities, this is the ultimate resource guide for all Kentucky faithful.




Bach Perspectives, Volume 5


Book Description

In this work, nine scholars track Johann Sebastian Bach's reputation in America from an artist of relative obscurity to a cultural mainstay whose music has spread to all parts of the population, inspired a wealth of scholarship, captivated listeners, and inspired musicians.




Creolization as Cultural Creativity


Book Description

Global in scope and multidisciplinary in approach, Creolization as Cultural Creativity explores the expressive forms and performances that come into being when cultures encounter one another. Creolization is presented as a powerful marker of identity in the postcolonial creole societies of Latin America, the Caribbean, and the southwest Indian Ocean region, as well as a universal process that can occur anywhere cultures come into contact. An extraordinary number of cultures from Haiti, Martinique, Guadeloupe, the southern United States, Trinidad and Tobago, Madagascar, Mauritius, Seychelles, Réunion, Puerto Rico, Argentina, Suriname, Jamaica, and Sierra Leone are discussed in these essays. Drawing from the disciplines of folklore, anthropology, ethnomusicology, literary studies, history, and material culture studies, essayists address theoretical dimensions of creolization and present in-depth field studies. Topics include adaptations of the Gombe drum over the course of its migration from Jamaica to West Africa; uses of “ritual piracy” involved in the appropriation of Catholic symbols by Puerto Rican brujos; the subversion of official culture and authority through playful and combative use of “creole talk” in Argentine literature and verbal arts; the mislabeling and trivialization (“toy blindness”) of objects appropriated by African Americans in the American South; the strategic use of creole techniques among storytellers within the islands of the Indian Ocean; and the creolized character of New Orleans and its music. In the introductory essay the editors address both local and universal dimensions of creolization and argue for the centrality of its expressive manifestations for creolization scholarship.