Hackers & Painters


Book Description

The author examines issues such as the rightness of web-based applications, the programming language renaissance, spam filtering, the Open Source Movement, Internet startups and more. He also tells important stories about the kinds of people behind technical innovations, revealing their character and their craft.




The Painter Of Battles


Book Description

A compelling tale of art, love and war... A man lives alone in a watchtower by the sea. On the circular walls of the tower he is painting a grand mural - the timeless landscape of a battle. He is a former war photographer, and the painting is his attempt to capture the photo he was never able to take; to encapsulate, in an instant, the meaning of war. But one day a stranger knocks on his door and announces that he has come to kill him. The man is a shadow from his past, one of the myriad faces of war, and now the consequences of his actions are brought home to him. As the novel progresses, the story of both the soldier and the artist emerge, entwined with a doomed love affair, and the progress of a painting that is infused with the history of art. Intense and turbulent this is a book about art, war, love and the human capacity for both violence and empathy. It asks very profound questions about human nature and the role of the artist, but it is also has the intensity of a psychological thriller as the painter trades stories with the man who has come to kill him - like the Knight playing chess with Death in the Seventh Seal....










Lives of the Most Excellent Painters, Sculptors and Architects


Book Description

Giorgio Vasari's 'Lives of the Most Excellent Painters, Sculptors and Architects' is a pivotal work in the history of art criticism and biography. Written in a fluid and engaging style, Vasari provides detailed accounts of the lives and works of renowned artists such as Leonardo da Vinci, Michelangelo, and Raphael. The book not only serves as a valuable historical document, but also as a source of inspiration for aspiring artists and art enthusiasts alike. Vasari's emphasis on the personal lives and artistic achievements of these masters sheds light on the Renaissance art world and its cultural significance. His vivid descriptions and insightful commentary make this a must-read for anyone interested in art history.




The Lives of the Most Excellent Painters, Sculptors, and Architects V3


Book Description

The Lives of the Most Excellent Painters, Sculptors, and Architects Often called "the first art historian", Vasari invented the genre of the encyclopedia of artistic biographies with his Le Vite de' più eccellenti pittori, scultori, ed architettori (Lives of the Most Eminent Painters, Sculptors, and Architects), dedicated to Grand Duke Cosimo I de' Medici, which was first published in 1550. He was the first to use the term "Renaissance" (rinascita) in print, though an awareness of the ongoing "rebirth" in the arts had been in the air since the time of Alberti, and he was responsible for our use of the term Gothic Art, though he only used the word Goth which he associated with the "barbaric" German style. The Lives also included a novel treatise on the technical methods employed in the arts. The book was partly rewritten and enlarged in 1568, with the addition of woodcut portraits of artists (some conjectural). The work has a consistent and notorious bias in favour of Florentines, and tends to attribute to them all the developments in Renaissance art — for example, the invention of engraving. Venetian art in particular (along with arts from other parts of Europe), is systematically ignored in the first edition. Between the first and second editions, Vasari visited Venice and while the second edition gave more attention to Venetian art (finally including Titian) it did so without achieving a neutral point of view. Vasari's biographies are interspersed with amusing gossip. Many of his anecdotes have the ring of truth, while others are inventions or generic fictions, such as the tale of young Giotto painting a fly on the surface of a painting by Cimabue that the older master repeatedly tried to brush away, a genre tale that echoes anecdotes told of the Greek painter Apelles. With a few exceptions, however, Vasari's aesthetic judgement was acute and unbiased. He did not research archives for exact dates, as modern art historians do, and naturally his biographies are most dependable for the painters of his own generation and those of the immediate past. Modern criticism – with new materials opened up by research – has corrected many of his traditional dates and attributions. Vasari includes a sketch of his own biography at the end of the Lives, and adds further details about himself and his family in his lives of Lazzaro Vasari and Francesco Salviati. According to the historian Richard Goldthwaite, Vasari was one of the earliest authors to use the term "competition" (or "concorrenza" in Italian) in its economic sense. He used it repeatedly, and stressed the concept in his introduction to the life of Pietro Perugino, in explaining the reasons for Florentine artistic preeminence. In Vasari's view, Florentine artists excelled because they were hungry, and they were hungry because their fierce competition amongst themselves for commissions kept them so. Competition, he said, is "one of the nourishments that maintain them."
















Recent Books