Writing the Mind


Book Description

Novels are often said to help us understand how others think—especially when those others are profoundly different from us. When interpreting a character's behavior, readers are believed to make use of "Theory of Mind," the general human capacity to attribute mental states to other people. In many well-known nineteenth-century American novels, however, characters behave in ways that are opaque to readers, other characters, and even themselves, undermining efforts to explain their actions in terms of mental states like beliefs and intentions. Writing the Mind dives into these unintelligible moments to map the weaknesses of Theory of Mind and explore alternative frameworks for interpreting behavior. Through readings of authors such as Charles Brockden Brown, Herman Melville, Martin Delany, Harriet Beecher Stowe, Charles Chesnutt, and Mark Twain, Hannah Walser explains how experimental models of cognition lead to some of the strangest formal features of canonical American texts. These authors' attempts to found social life on something other than mental states not only invite us to revise our assumptions about the centrality of mind reading and empathy to the novel as a form; they can also help us understand more contemporary concepts in social cognition, including gaslighting and learned helplessness, with more conceptual rigor and historical depth.




The Atlantic Monthly


Book Description




Playing the Changes


Book Description

A final sequence highlights the centrality of black music to African American writing, arguing that recognizing blues, gospel, and jazz as theoretically suggestive cultural practices rather than specific musical forms points to what is most distinctive in twentieth-century African American writing: its ability to subvert attempts to limit its engagement with psychological, historical, political, or aesthetic realities.




Tales of Conjure and The Color Line


Book Description

Ten wonderful stories by pioneer of African-American fiction: "The Goophered Grapevine," "Po' Sandy," "Sis' Becky's Pickaninny," "The Wife of His Youth," "Dave's Neckliss," "The Passing of Grandison," more. Witty, charming, insightful.




The Northern Stories of Charles W. Chesnutt


Book Description

Charles W. Chestnutt's Northern writings describe the ways in which America was reshaping itself at the turn of the 19th century. This collection of Chestnutt's Northern stories portray life in the North in the period between the Civil War and World War I.




Black Voices


Book Description

“If you don’t know my name, you don’t know your own.”—James Baldwin An anthology of African-American literature featuring contributions from some of the most prominent Black and African-American authors of our time, including James Baldwin, Arna Bontemps, Gwendolyn Brooks, W. E. B. Du Bois, Ralph Ellison, Langston Hughes, Leroi Jones, Margaret Walker, Richard Wright, Malcom X, and many more. Featuring fiction, poetry, autobiography, and literary criticism, Black Voices captures the diverse and powerful words of a literary explosion, the ramifications of which can be seen and heard in the works of today’s African-American artists. A comprehensive and impressive primer, this anthology presents some of the greatest and most enduring work born out of the African-American experience in the United States. Contributors Also Include: Sterling A. Brown Charles W. Chesnutt John Henrik Clarke Countee Cullen Frederick Douglass Paul Laurence Dunbar James Weldon Johnson Naomi Long Madgett Paule Marshall Clarence Major Claude McKay Ann Petry Dudley Randall J. Saunders Redding Jean Toomer Darwin T. Turner Lerone Bennett, Jr. Frank London Brown Arthur P. Davis Frank Marshall Davis Owen Dodson Mari Evans Rudolph Fisher Dan Georgakas Robert Hayden Frank Horne Blyden Jackson Lance Jeffers Fenton Johnson George E. Kent Alain Locke Diane Oliver Stanley Sanders Richard G. Stern Sterling Stuckey Melvin B. Tolson




The Martin Luther King Jr


Book Description

Purchase one of 1st World Library's Classic Books and help support our free internet library of downloadable eBooks. Visit us online at www.1stWorldLibrary.ORG - - Many years ago, the few readers of radical Abolitionist papers must often have seen the singular name of Sojourner Truth, announced as a frequent speaker at Anti-Slavery meetings, and as travelling on a sort of self-appointed agency through the country. I had my-self often remarked the name, but never met the individual. On one occasion, when our house was filled with company, several eminent clergymen being our guests, notice was brought up to me that Sojourner Truth was below, and requested an interview. Knowing nothing of her but her singular name, I went down, prepared to make the interview short, as the pressure of many other engagements demanded. When I went into the room, a tall, spare form arose to meet me. She was evidently a full-blooded African, and though now aged and worn with many hardships, still gave the impression of a physical development which in early youth must have been as fine a specimen of the torrid zone as Cumberworth's celebrated statuette of the Negro Woman at the Fountain. Indeed, she so strongly reminded me of that figure, that, when I recall the events of her life, as she narrated them to me, I imagine her as a living, breathing impersonation of that work of art.




The Portable Charles W. Chesnutt


Book Description

A collection from one of our most influential African American writers An icon of nineteenth-century American fiction, Charles W. Chesnutt, an incisive storyteller of the aftermath of slavery in the South, is widely credited with almost single-handedly inaugurating the African American short story tradition and was the first African American novelist to achieve national critical acclaim. This major addition to Penguin Classics features an ideal sampling of his work: twelve short stories (including conjure tales and protest fiction), three essays, and the novel The Marrow of Tradition. Published here for the 150th anniversary of Chesnutt's birth, The Portable Charles W. Chesnutt will bring to a new audience the genius of a man whose legacy underlies key trends in modern Black fiction. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.




The Literary Career of Charles W. Chesnutt


Book Description

The career of any black writer in nineteenth-century American was fraught with difficulties, and William Andrews undertakes to explain how and why Charles Waddell Chesnutt (1858-1932) became the first Negro novelist of importance: “Steering a difficult course between becoming co-opted by his white literary supporters and becoming alienated from then and their access to the publishing medium, Chesnutt became the first Afro-American writer to use the white-controlled mass media in the service of serious fiction on behalf of the black community.” Awarded the Spingarn Medal in 1928 by the National Association for the Advancement of Colored People, Chesnutt admitted without apologies that because of his own experiences, most of his writings concentrated on issue about racial identity. Only one-eighth Negro and able to pass for Caucasian, Chesnutt dramatized the dilemma of others like him. The House Behind the Cedars (1900), Chesnutt’s most autobiographical novel, evokes the world of “bright mulatto” caste in post-Civil War North Carolina and pictures the punitive consequences of being of mixed heritage. Chesnutt not only made a crucial break with many literary conventions regarding Afro-American life, crafting his authentic material with artistic distinction, he also broached the moral issue of the racial caste system and dared to suggest that a gradual blending of the races would alleviate a pernicious blight on the nation’s moral progress. Andrews argues that “along with Cable in The Grandissimes and Mark Twain in Pudd’nhead Wilson, Chesnutt anticipated Faulkner in focusing on miscegenation, even more than slavery, as the repressed myth of the American past and a powerful metaphor of southern post-Civil War history.” Although Chesnutt’s career suffered setback and though he was faced with compromises he consistently saw America’s race problem as intrinsically moral rather than social or political. In his fiction he pictures the strengths of Afro-Americans and affirms their human dignity and heroic will. William L. Andrews provides an account of essentially all that Chesnutt wrote, covering the unpublished manuscripts as well as the more successful efforts and viewing these materials in he context of the author’s times and of his total career. Though the scope of this book extends beyond textual criticism, the thoughtful discussions of Chesnutt’s works afford us a vivid and gratifying acquaintance with the fiction and also account for an important episode in American letters and history.




The Anthology. African American literature. Illustrated


Book Description

African American literature is the body of literature produced in the United States by writers of African descent. It begins with the works of such late 18th-century writers as Phillis Wheatley. Before the high point of enslaved people narratives, African-American literature was dominated by autobiographical spiritual narratives. The genre known as slave narratives in the 19th century were accounts by people who had generally escaped from slavery, about their journeys to freedom and ways they claimed their lives. The Harlem Renaissance of the 1920s was a great period of flowering in literature and the arts, influenced both by writers who came North in the Great Migration and those who were immigrants from Jamaica and other Caribbean islands. Novels and short stories William Wells Brown CLOTEL; OR, THE PRESIDENT'S DAUGHTER Frederick Douglass THE HEROIC SLAVE Harriet E. Wilson OUR NIG; OR, SKETCHES FROM THE LIFE OF A FREE BLACK Nella Larsen QUICKSAND PASSING THE WRONG MAN FREEDOM SANTUARY Alice Dunbar-Nelson A CARNIVAL JANGLE VIOLETS THE WOMAN TEN MINUTES MUSING TITIEE Charles W. Chesnutt THE GOOPHERED GRAPEVINE PO' SANDY SIS' BECKY'S PICKANINNY THE DOLL THE WIFE OF HIS YOUTH DAVE'S NECKLISS THE PASSING OF GRANDISON A MATTER OF PRINCIPLE THE SHERIFF'S CHILDREN BAXTER'S PROCRUSTES Paul Laurence Dunbar THE SCAPEGOAT Jean Toomer BECKY Poetry Phillis Wheatley POEMS ON VARIOUS SUBJECTS, RELIGIOUS AND MORAL Frances E. W. Harper POEMS Langston Hughes THE WEARY BLUES Countee Cullen COLOR COPPER SUN THE BALLAD OF THE BROWN GIRL Non-fiction Olaudah Equiano THE INTERESTING NARRATIVE OF THE LIFE OF OLAUDAH EQUIANO, OR GUSTAVUS VASSA, THE AFRICAN Mary Prince THE HISTORY OF MARY PRINCE, A WEST INDIAN SLAVE Charles Ball A NARRATIVE OF THE LIFE AND ADVENTURES OF CHARLES BALL Frederick Douglass NARRATIVE OF THE LIFE Josiah Henson THE LIFE OF JOSIAH HENSON Solomon Northup TWELVE YEARS A SLAVE Harriet Ann Jacobs INCIDENTS IN THE LIFE OF A SLAVE GIRL Elizabeth Keckley BEHIND THE SCENES Louis Hughes THIRTY YEARS A SLAVE Booker T. Washington UP FROM SLAVERY William Still THE UNDERGROUND RAILROAD Henry Box Brown James Hambleton Christian Theophilus Collins Seth Concklin William And Ellen Craft Abram Galloway And Richard Eden Charles Gilbert Samuel Green Jamie Griffin Harry Grimes James Hamlet And Others John Henry Hill Ann Maria Jackson And Her Seven Children Jane Johnson Matilda Mahoney Mary Frances Melvin Aunt Hannah Moore Alfred S. Thornton Essays W. E. B. Du Bois THE SOULS OF BLACK FOLK Charles W. Chesnutt THE DISFRANCHISEMENT OF THE NEGRO Paul Laurence Dunbar REPRESENTATIVE AMERICAN NEGROES