War is Beautiful - The New York Times Pictorial Guide to the Glamour of Armed Conflict


Book Description

Bestselling author David Shields analyzed over a decade's worth of front-page war photographs fromTheNew York Timesand came to a shocking conclusion: the photo-editing process ofthe "paper of record,"by way of pretty, heroic, and lavishly aesthetic image selection, pullsthe woolover the eyes of its readers; Shields forces us to face not only the the media's complicity in dubious and catastrophic military campaigns but our own as well.This powerful media mouthpiece, the mightyTimes, far from being a check on governmental power, is in reality a massive amplifier for its dark forces by virtue of the way it aestheticizeswarfare. Anyone baffled by the willful American involvement in Iraq and Afghanistan can't help but see in this book how eagerly and invariably theTimesled the way in making the case for these wars through the manipulation of its visuals. Shields forces the reader to weigh the consequences of our own passivity in the face of these images' opiatic numbing. The photographs gathered inWar Is Beautiful, often beautiful and always artful, are filters of reality rather than the documentary journalism they purport to be.




Beautiful War


Book Description

Beautiful War explores the interdependent political, linguistic, and erotic registers of lesbian feminism in Monique Wittig's novels, querying in particular how they function collectively to destabilize male hegemony and heterosexism. Beginning with the assertion that Wittig expressly dismantles the Classical veneration of la belle femme in order to create an agent more capable of social change (la femme belliqueuse), the author traces the permutations of violence through her four novels, L'Opoponax, Les Guérillères, Le Corps Lesbien, and Virgile, Non and examines the relevance of brutality to Wittig's feminist agenda. Drawing on literary criticism, intellectual and political history, queer theory, and feminist theory in his readings of the primary texts, the author argues that Wittig's oeuvre constitutes a progressive textual actualization of paradigm shifts toward gender parity and a permanent banishment of the primacy of male and heterosexist political and sexual discourse.




Beautiful War


Book Description

"A study of war and its myriad representations in art, history, and memory, from the early modern era to the present." ... Provided by publisher.




Lovely War


Book Description

A New York Times bestseller! Perfect for fans of Divine Rivals, a critically acclaimed, multi-layered romance set in the perilous days of World Wars I and II, where gods hold the fates--and the hearts--of four mortals in their hands. They are Hazel, James, Aubrey, and Colette. A classical pianist from London, a British would-be architect-turned-soldier, a Harlem-born ragtime genius in the U.S. Army, and a Belgian orphan with a gorgeous voice and a devastating past. Their story, as told by goddess Aphrodite, who must spin the tale or face judgment on Mount Olympus, is filled with hope and heartbreak, prejudice and passion, and reveals that, though War is a formidable force, it's no match for the transcendent power of Love. Hailed by critics, Lovely War has received seven starred reviews and is an indie bestseller. Author Julie Berry has been called "a modern master of historical fiction" by Bookpage and "a celestially inspired storyteller" by the New York Times, and Lovely War is truly her masterwork.




Beautiful War


Book Description




War is Beautiful


Book Description

"In 1937 James Neugass, a promising thirty-two-year-old poet and novelist who had already been praised in the New York Times and The Nation, joined 2,800 other passionate and idealistic young Americans who traveled to Spain as part of the Abraham Lincoln Brigade - an unlikely mix of students, artists, journalists, industrial workers, and intellectuals united in their desire to combat European fascism. Working as an ambulance driver for Dr. Edward Barsky, the legendary American surgeon, Neugass volunteered in Spain during a critical turning point in the war, as Republicans and Fascists battled for control over the strategic ally important city of Teruel." "Ever the writer, Neugass seized any quiet, candlelit moment in a frontline hospital or the driver's seat of his ambulance to work on the powerfully honest and insightful chronicle of his service that would become War Is Beautiful. The memoir combines fast-paced accounts of darting onto battlefields to rescue the wounded and the dead with elegiscal renderings of days spent "on alert" in an ever-changing series of sharply observed Spanish towns, enduring that most difficult of wartime activities: waiting." "Nuanced and deeply lyrical, War Is Beautiful offers a rare, authentic glimpse into one of history's most tragic military conflicts. Although Neugass survived several shrapnel wounds and eventually left Spain, he died soon after his return to New York, leaving behind a widow and two young sons. His manuscript remained lost for the next sixty years until it turned up in a used bookshop in Vermont Published now for the first time, and including some of Neugass's own photos of the war in Spain, War Is Beautiful is poised to take its place alongside works by Erich Maria Remarque, Irene Nemkovsky, Wilfred Owen, and George Orwell as a transcendent contemporaneous rendering of wartime life."--BOOK JACKET.




The Beauty and the Sorrow


Book Description

An intimate narrative history of World War I told through the stories of twenty men and women from around the globe--a powerful, illuminating, heart-rending picture of what the war was really like. In this masterful book, renowned historian Peter Englund describes this epoch-defining event by weaving together accounts of the average man or woman who experienced it. Drawing on the diaries, journals, and letters of twenty individuals from Belgium, Denmark, France, Great Britain, Germany, Austria, Hungary, Italy, Australia, New Zealand, Russia, Venezuela, and the United States, Englund’s collection of these varied perspectives describes not a course of events but "a world of feeling." Composed in short chapters that move between the home front and the front lines, The Beauty and Sorrow brings to life these twenty particular people and lets them speak for all who were shaped in some way by the War, but whose voices have remained unheard.




Lovely War


Book Description

NEW YORK TIMES BESTSELLER • Perfect for fans of Divine Rivals, a critically acclaimed, multi-layered romance set in the perilous days of World Wars I and II, where gods hold the fates--and the hearts--of four mortals in their hands. "Pick an adjective—sweeping, sprawling, epic, Olympian—and yet none quite conveys the emotional width and depth of Julie Berry’s brilliant novel."—The Washington Post They are Hazel, James, Aubrey, and Colette. A classical pianist from London, a British would-be architect-turned-soldier, a Harlem-born ragtime genius in the U.S. Army, and a Belgian orphan with a gorgeous voice and a devastating past. Their story, as told by goddess Aphrodite, who must spin the tale or face judgment on Mount Olympus, is filled with hope and heartbreak, prejudice and passion, and reveals that, though War is a formidable force, it's no match for the transcendent power of Love. Hailed by critics, Lovely War has received seven starred reviews and is an indie bestseller. Author Julie Berry has been called "a modern master of historical fiction" by Bookpage and "a celestially inspired storyteller" by the New York Times, and Lovely War is truly her masterwork.




Theatre Is More Beautiful Than War


Book Description

In almost every area of production, German theatre of the past forty years has achieved a level of distinction unique in the international community. This flourishing theatrical culture has encouraged a large number of outstanding actors, directors, and designers as well as video and film artists. The dominant figure throughout these years, however, has remained the director. In this stimulating and informative book, noted theatre historian Marvin Carlson presents an in-depth study of the artistic careers, working methods, and most important productions of ten of the leading directors of this great period of German staging. Beginning with the leaders of the new generation that emerged in the turbulent late 1960s—Peter Stein, Peter Zadek, and Claus Peymann, all still major figures today—Carlson continues with the generation that appeared in the 1980s, particularly after reunification—Frank Castorf, Anna Viebrock, Andrea Breth, and Christoph Marthaler—and concludes with the leading directors to emerge after the turn of the century, Stefan Pucher, Thomas Ostermeier, and Michael Thalheimer. He also provides information not readily available elsewhere in English on many of the leading actors and dramatists as well as the designers whose work, much of it for productions of these directors, has made this last half century a golden age of German scenic design. During the late twentieth century, no country produced so many major theatre directors or placed them so high in national cultural esteem as Germany. Drawing on his years of regular visits to the Theatertreffen in Berlin and other German productions, Carlson will captivate students of theatre and modern German history and culture with his provocative, well-illustrated study of the most productive and innovative theatre tradition in Europe.




Oh What A Lovely War


Book Description

Oh What a Lovely War is a theatrical chronicle of the First World War, told through the songs and documents of the period. First performed by Joan Littlewood's Theatre Workshop at the Theatre Royal, Stratford East, London in 1963, it received the acclaim of London audiences and critics. It won the Grand Prix of the Théâtre des Nations festival in Paris that year and has gone on to become a classic of the modern theatre. In 1969 a film version was made which extended the play's popular success. The play is now on the standard reading list of schools and universities around the UK and was revived by the Royal National Theatre in 1998. This new version of the play, as edited by Joan Littlewood, returns the script to its original version. Includes a new photo section of the original production, and an Afterword by Victor Spinetti.