Beguiled by Beauty


Book Description

Contemplative disciplines, such as centering prayer and meditation, have been part of Christian life for centuries. They seem hard to practice now, not simply because our distracted and hyperstimulated age makes them difficult but also because they can appear irrelevant to the needs of a fractured and ugly historical moment. Yet these practices are more essential now than ever, claims Wendy Farley. These practices essentially awaken and attune us to the beauty both of the created order and of human relationships. Farley helps readers discover being made for both kinds of beauty, with contemplative disciplines immersing us in it. Tying these disciplines with contemplation allows us to engage with the struggle for justice in an unjust society. Beguiled by Beauty includes practical advice for readers to learn several contemplative-meditation practices.




Beguiling the Beauty


Book Description

When the Duke of Lexington meets the mysterious Baroness von Seidlitz-Hardenberg on a transatlantic liner, he is fascinated. She’s exactly what he’s been searching for—a beautiful woman who interests and entices him. He falls hard and fast—and soon proposes marriage. And then she disappears without a trace… For in reality, the “baroness” is Venetia Easterbrook—a proper young widow who had her own vengeful reasons for instigating an affair with the duke. But the plan has backfired. Venetia has fallen in love with the man she despised—and there’s no telling what might happen when she is finally unmasked…




The Way of Beauty


Book Description

In The Way of Beauty, David Clayton describes how a true Catholic education is both a program of liturgical catechesis and an inculturation that aims for the supernatural transformation of the person so that he can in turn transfigure the whole culture through the divine beauty of his daily action. There is no human activity, no matter how mundane, that cannot be enhanced by this formation in beauty. Such enhanced activity then resonates in harmony with the common good and, through its beauty, draws all people to the Church--and ultimately to the worship of God in the Sacred Liturgy. The Way of Beauty will be of profound interest not only to artists, architects, and composers, but also to educators, who can apply its principles in home and classroom for the formation and education of children and students of all ages and at all levels--family, homeschooling, high school, college, and university. "Since the good, the true, and the beautiful are a manifestation of the Trinity, it is always a grievous fault to leave beauty out of any discussion of the relationship between faith and reason. This being so, I am thrilled at the way David Clayton illustrates how beauty stands in eternal communion with the good and the true."--JOSEPH PEARCE, Aquinas College "In spite of the great proclamation that the sacred liturgy is the font and apex of all we are about as Catholics, fifty years after the Council we still seem far from seeing and living this truth in all its fullness. Drawing upon years of experience as artist and teacher, David Clayton thoroughly unpacks this truth and shows, with an impressive range of examples, how it can and should play out every day in our schools, academic curricula, cultural endeavors, and practice of the fine arts. His treatment of the ways in which architecture, liturgy, and music reflect the mathematical ordering of the cosmos and the hierarchy of created being is illuminating and exciting. The Way of Beauty is a manifesto for the re-integration of the truth laid hold of in intellectual disciplines, the beauty aspired to in art and worship, and the good embodied in morals and manners. Ambitiously integrative yet highly practical, this book ought to be in the hands of every Catholic educator, pastor, and artist."--PETER KWASNIEWSKI, Wyoming Catholic College "In The Way of Beauty, David Clayton offers us a mini-liberal arts education. The book is a counter-offensive against a culture that so often seems to have capitulated to a 'will to ugliness.' He shows us the power in beauty not just where we might expect it--in the visual arts and music--but in domains as diverse as math, theology, morality, physics, astronomy, cosmology, and liturgy. But more than that, his study of beauty makes clear the connection between liturgy, culture, and evangelization, and offers a way to reinvigorate our commitment to the Good, the True, and the Beautiful in the twenty-first century. I am grateful for this book and hope many will take its lessons to heart."--JAY W. RICHARDS, Catholic University of America "Every pope who has promoted the new evangelization has spoken about how essential 'the way of beauty' is in engaging the modern world with the Gospel. What is it about the experience of beauty that can arrest the heart, crack it open, and stir its deepest longings, leading us on a pilgrimage to God? David Clayton's book provides compelling answers."--CHRISTOPHER WEST, Founder and President of The Cor Project DAVID CLAYTON is an internationally acclaimed Catholic artist, teacher, and published writer on sacred art, liturgy, and culture. He was Fellow and Artist in Residence at Thomas More College of Liberal Arts in New Hampshire from 2009 until May 2015 and is the founder of the Way of Beauty program, which has been taught for college credit, featured on television, and is now presented in this book.




Beguiled


Book Description

Newly indoctrinated witch, Defiance Dayne discovers there's more to life after forty than she'd ever imagined possible. Especially if one is a charmling, one of only three in the world, with enough magics to make her a target for every power-hungry warlock out there. When one of them sends a hunter to town, she knows it's time to take her talents seriously before the hunter takes her life. She decides she has three things to do before she can die. Find out who killed her beloved grandmother, teach her BFF the finer points of spellcasting before she blows up the world, and figure out how serious her relationship with the Adonis living in her basement really is. If it's heading in the direction she's hoping for, she can die happy. Though, admittedly, she'd rather not. Die. Happy or otherwise. None of that will matter, however, if she can't figure out how to foil the supernatural assassin who's been sent for her. Until then, it's business-and hopefully romance-as usual. Now if she can only figure out how to tame a lacuna wolf.




Beguiled by a Baron


Book Description

A Lady with a Secret… Partially deaf, with a birthmark marring her face, Bridget Hamilton is content with her life, even if she’s been cast out of her family. But her peaceful existence—expanding her mind with her study of rare books—is threatened with an ultimatum from her evil brother—steal a valuable book or give up her son. Bridget has no choice; her son is her world. A Lord with a Purpose… Vail Basingstoke, Baron Chilton is known throughout London as the Bastard Baron. After battling at Waterloo, he establishes himself as the foremost dealer in rare books and builds a fortune, determined to never be like the self-serving duke who sired him. He devotes his life to growing his fortune to care for his illegitimate siblings, also fathered by the duke. The chance to sell a highly coveted book for a financial windfall is his only thought. Two Paths Collide… When Bridget masquerades as the baron’s newest housekeeper, he’s hopelessly intrigued by her quick wit and her skill with antique tomes. Wary from having his heart broken in the past, it should be easy enough to keep Bridget at arm’s length, yet desire for her dogs his steps. As they spend time in each other’s company, understanding for life grows as does love, but when Bridget’s integrity is called into question, Vail’s world is shattered—as is his heart again. Now Bridget and Vail will have to overcome the horrendous secrets and lies between them to grasp a love—and life—together.




Beguiled


Book Description

A dark and enthralling story about a young woman who makes a deal with a spirit to try and gain her independence—and the twisted price she has to pay for it Ella is a 17-year-old weaver whose entire livelihood depends on her loom. She dreams of opening her own shop, but when her father died in debtor’s prison, she had to support herself by taking whatever clients she could get. In order to buy her supplies she goes into debt of her own, and when her loom breaks, Ella realizes she needs more help than a repairperson can give her. She, like everyone, has heard about the old washerwoman spirit called the Bean-Nighe who will grant any one wish—for a price. But Ella is desperate, so she asks the Bean-Nighe to fix her loom. And it works. The loom is fixed, and she creates beautiful pieces she could have never imagined before. All she has to do is feed the loom a drop of blood each time she weaves—a small price to pay for such magnificent silks. And when she brings two bolts to a rich client, she meets a mysterious young man named Callum and bargains for an invitation to his exclusive party. At that party, he's so mesmerized by her talent, he offers Ella a place to live and patronage for her art. It seems like Ella's fortune is finally turning for the better . . . until she begins to notice the loom taking more from her than she offered. As she becomes entangled in the lives of the city’s rich, swept into Callum's allure, and trapped by the Bean-Nighe’s magic, Ella must figure out a way to secure her future while she still has a future at all.




Eating Beauty


Book Description

"The enigmatic link between the natural and artistic beauty that is to be contemplated but not eaten, on the one hand, and the eucharistic beauty that is both seen (with the eyes of faith) and eaten, on the other, intrigues me and inspires this book. One cannot ask theo-aesthetic questions about the Eucharist without engaging fundamental questions about the relationship between beauty, art (broadly defined), and eating."—from Eating Beauty In a remarkable book that is at once learned, startlingly original, and highly personal, Ann W. Astell explores the ambiguity of the phrase "eating beauty." The phrase evokes the destruction of beauty, the devouring mouth of the grave, the mouth of hell. To eat beauty is to destroy it. Yet in the case of the Eucharist the person of faith who eats the Host is transformed into beauty itself, literally incorporated into Christ. In this sense, Astell explains, the Eucharist was "productive of an entire 'way' of life, a virtuous life-form, an artwork, with Christ himself as the principal artist." The Eucharist established for the people of the Middle Ages distinctive schools of sanctity—Cistercian, Franciscan, Dominican, and Ignatian—whose members were united by the eucharistic sacrament that they received. Reading the lives of the saints not primarily as historical documents but as iconic expressions of original artworks fashioned by the eucharistic Christ, Astell puts the "faceless" Host in a dynamic relationship with these icons. With the advent of each new spirituality, the Christian idea of beauty expanded to include, first, the marred beauty of the saint and, finally, that of the church torn by division—an anti-aesthetic beauty embracing process, suffering, deformity, and disappearance, as well as the radiant lightness of the resurrected body. This astonishing work of intellectual and religious history is illustrated with telling artistic examples ranging from medieval manuscript illuminations to sculptures by Michelangelo and paintings by Salvador Dalí. Astell puts the lives of medieval saints in conversation with modern philosophers as disparate as Simone Weil and G. W. F. Hegel.




BEGUILED


Book Description

Lady Lillian Walford Had The Look Of Perfection Yet a fateful flaw doomed her to a life of silence. And although Anthony Harbreas, the gallant Earl of Graydon, had showered her with his attention, Lillian knew she was fit to be no man's wife. So why had the much-sought-after earl asked her to be his true-bound bride? Tricked by her brother into marriage with the lovely Lillian, Anthony was quick to realize his incredible luck. For he knew that beneath the surface of her quiet beauty, Lillian was a priceless jewel. And he was determined to convince his innocent wife of her true worth and their golden future.




The Thirst of God


Book Description

"There is a rich tradition of wonderful women and other contemplatives who are great resources for thinking differently about Christianity. They emphasized divine love, human compassion, and the radical possibilities of contemplative practices. They were not afraid to criticize the church and indeed thought of their challenge as crucial to their faith. We do not have to lose faith with the beautiful wisdom of this story of intimate and compassionate love, dwelling among us and within us, if we do not want to." —from the acknowledgments and note to readers To those seeking a more open, progressive approach to Christian faith, the Christian past can sometimes seem like a desert, an empty space devoid of encouragement or example. Yet in the latter years of the Middle Ages a quiet flowering of a more accessible, positive approach to Christian belief took place among a group of female mystics, those who emphasized an immediate, nonhierarchical experience of the divine. In this enlightening volume, Wendy Farley eloquently brings the work of three female mystics—Marguerite Porete, Mechthild of Magdeburg, and Julian of Norwich—into creative conversation with contemporary Christian life and thought. From alternatives to the standard, violent understandings of the atonement, to new forms of contemplation and prayer, these figures offer us relevant insights through a theology centered on God's love and compassion. Farley demonstrates how these women can help to refresh and expand our awareness of the depth of divine love that encompasses all creation and dwells in the cavern of every human heart.




Strange Beauty


Book Description

"A study of reliquaries as a form of representation in medieval art. Explores how reliquaries stage the importance and meaning of relics using a wide range of artistic means from material and ornament to metaphor and symbolism"--Provided by publisher.