The Happy Apple


Book Description

An apple's wish to see the world is fulfilled when he goes flying with the weathervane cock.




Come Lasses and Lads - Illustrated by Randolph Caldecott


Book Description

This story, 'Come Lasses And Lads', was originally published in 1884 as one of Randolph Caldecott's sixteen 'Picture Books'. These were published in pairs each Christmas from 1877 until Caldecott's death in 1886. Randolph Caldecott (1846 – 1886) was one of the most important British illustrators of the Victorian period. He transformed the world of decorated children’s books, with his delicate yet considered drawings and imaginative subject choices. Caldecott selected all the stories and rhymes he illustrated (and occasionally wrote) and frequently added to the stories himself. His delightful style and humour can still be enjoyed by young and old alike. Pook Press celebrates the great ‘Golden Age of llustration‘ in children’s literature – a period of unparalleled excellence in book illustration. We publish rare and vintage classic illustrated books, in high-quality colour editions, so that the masterful artwork and story-telling can continue to delight both young and old.




Adel Abdessemed


Book Description

Organised around an extensive essay by Larys Frogier, this monograph offers an overview of the work of Adel Abdessemed.




Raw Truth


Book Description

The Rijksmuseum and Ordovas are staging a unique joint exhibition in the autumn, centred around paintings and etchings by Rembrandt (1606–1669) on loan from the collection of the Rijksmuseum, in conversation with paintings by Frank Auerbach (b. 1931). The exhibition brings together a striking group of landscapes and portraits by Rembrandt Harmensz. van Rijn, and Frank Auerbach, the renowned British artist. Frank Auerbach is a painter steeped in tradition and his engagement with the Old Masters, and Rembrandt in particular, is well known and documented. He has been making drawings from, and occasionally producing paintings in response to, the Rembrandts and other Old Masters in the collection of the National Gallery throughout his career, as demonstrated in the 1995 exhibition at the National Gallery, 'Frank Auerbach and the National Gallery: Working after the Masters'.0Exhibition: Ordovas Gallery, London, UK (4.10.-1.12.2013) / Rijksmuseum Amsterdam, the Netherlands (12.12.2013-16.3.2014).




San Francisco Museum of Modern Art


Book Description

Edited by Janet Bishop, Corey Keller, Sarah Roberts. Foreword by Neal Benezra. Text by Gary Garrels, Henry Urbach, Sandra S. Phillips, et al.




Bard Breivik - Sculpture


Book Description

- The comprehensive monograph of the Norwegian conceptual artist Bård Breivik- Includes 875 stunning color and black & white imagesThe work of the Norwegian artist Bård Breivik unfolds over more than 1,000 pages in a stunning presentation of a career in sculpture and Conceptual art encompassing more than forty years. Thematically arranged source material, including interviews, sketches, anecdotes and reviews, elucidate the phenomenon that is Bård Breivik. The sheer volume of his oeuvre is also reflected in his choice of materials: he switches as if by sleight of hand between sand and snow, wood, rock and steel. In a series that has continued to evolve since 1986, he has persisted in working on vertically arranged forms 120 cm in length, which have been designed with the means of differing cultural traditions, thus retaining their uniqueness. Volume I: I'd Love the Key to the Master Lock Volume II: The Life and Art of Bård Breivik" With contributions by Jan H. Landro, Mats B, Per Gunnar Eeg-Tverbakk, Sigurdur Gudmundsson, Stig Holmaas, Ingvild Krogvig, Gerhard Stoltz, Arvid Pettersen, Jorunn Veiteberg, Lars Nittve, Jan Håfström, Ulf Rollof, Paul Osipow, Sune Nordgren, Bo Nilsson, Gerd Tinglum/Hilmar Fredriksen, Georg Morgenstern, Sverre Wyller, Martin Puryear, Jørgen Lund, Janne Stang Dahl, Wu Hong, Frode Sandvik, Lars Nittve, Ika Kaminka, Cato Litangen, Henrik Roaldsnes, Aslaug Nyrnes.




Artist, Work, Lisson


Book Description

Featuring work by more than 150 artists from over 500 exhibitions staged at Lisson's galleries in London, Milan and New York since 1967, this substantial 1200-page volume celebrates the legacy and continuing importance of Lisson. The celebration is not only happening in book form, as there is also the accompanying exhibition Everything at Once, co-organised with The Vinyl Factory, taking place at the Store Studios in London (5 October - 10 December).Lisson Gallery's extensive and unique archive provides this book with more than 2,000 illustrations gathered from five decades of resources, including installation views, invitations, letters, postcards and other ephemera, essays and significant press clippings. The A-Z structure of ARTIST WORK LISSON features every artist to have had a solo show with Lisson: from ABRAMOVIC, AKOMFRAH, ANDRE and ARCANGEL, to RYMAN, SANDBACK and WEINER. Each is accompanied by a short narrative, notable review or previously published extract by many of the finest writers of the last half century including: Stuart Morgan, Okwui Enwezor, Iwona Blazwick, Germano Celant, Chrissie Iles, Lisa Phillips, Roberta Smith, Homi K Bhabha, Tom McCarthy and Robert Storr. As well as a deep collection of textual, archival and visual material, ARTIST WORK LISSON includes a number of short essays and recollections by the founder, Nicholas Logsdail, and other members of the Lisson Gallery including Ossian Ward and Greg Hilty.These individual contributions, distributed throughout the book, address specific themes relevant to the gallery's unrivalled longevity and position at the centre of international contemporary art in Britain over the last 50 years: BEGINNINGS, COLLECTORS, MINIMALISM, INTERNATIONALISM, MARKET, MATERIAL, etc.Designed by renowned Dutch graphic designer Irma Boom, and follows the success of her Seth Siegelaub catalogue and exhibition design for the Stedelijk Museum, Amsterdam in 2016.




Dust & Data


Book Description

One hundred years after the Bauhaus School's founding in 1919, this volume tells its story by interweaving the multiple historiographies of the Bauhaus with the global histories of modernist architecture.