Best Microfiction 2019


Book Description

Best Microfiction is an annual showcase for the world's best very short stories.




Best Microfiction 2021


Book Description

Fiction. Short Stories. Edited by Meg Pokrass and Gary Fincke with guest editor Amber Sparks. THE BEST MICROFICTION anthology series provides recognition for outstanding literary stories of 400 words or fewer. Co-edited by award-winning microfiction writer/editor Meg Pokrass; and Flannery O'Connor Prize-winning author Gary Fincke; the anthology features Amber Sparks serving as final judge; and one hundred and five of the world's best very short short stories.




Best Microfiction 2020


Book Description

"The Best Microfiction anthology series provides recognition for outstanding literary stories of 400 words or fewer. Co-edited by award-winning microfiction writer/editor Meg Pokrass, and Flannery O'Connor Prize-winning author Gary Fincke, and acclaimed author/editor Michael Martone serving as final judge."--Provided by publisher




Micro Fiction


Book Description

Ten years ago, Jerome Stern, director of the writing program at Florida State, initiated the World's Best Short Short Story Contest. Stories were to be about 250 words long; first prize was a check and a crate of oranges. Two to three thousand stories began to show up annually in Tallahassee, and National Public Radio regularly broadcast the winner. But, more important, the Micro form turned out to be contagious; stories of this "lack of length" now dot the literary magazines. The time seemed right, then, for this anthology, presenting a decade of contest winners and selected finalists. In addition, Stern commissioned Micros, persuading a roster of writers to accept the challenge of completing a story in one page. Jesse Lee Kercheval has a new spin on the sinking of the Titanic; Virgil Suarez sets his sights on the notorious Singapore caning; George Garrett conjures up a wondrous screen treatment pitch; and Antonya Nelson invites us into an eerie landscape. Verve and nerve and astonishing variety are here, with some wild denouements. How short can a Micro be, you wonder. Look up Amy Hempel's contribution, and you'll see.




Best Microfiction 2022


Book Description

The Best Microfiction anthology series provides recognition for outstanding literary stories of 400 words or fewer. Co-edited by award-winning microfiction writer/editor Meg Pokrass, and Flannery O'Connor Prize-winning author Gary Fincke, the anthology features Tania Hershman serving as final judge,




A Small Fiction


Book Description

At night, the trees whispered. Told ghost stories, their leaves trembling. Remembered the fallen. Joked. Dry laughter rustled the dark. What happens when a writer wants to tell a hundred stories but doesn’t have the time to write a hundred books? They write the seeds of those stories and cast them to the wind... A Small Fiction presents a collection of illustrated micro-fiction, all told in 140 characters or fewer. From the humorous to the bleak, the dystopian to the dog-filled, there’s a story for every occasion, and an occasion for every story.




The Rose Metal Press Field Guide to Writing Flash Nonfiction


Book Description

FEATURING ESSAYS FROM: Barrie Jean Borich • Jenny Boully • Norma Elia Cantú • Rigoberto González • Philip Graham • Carol Guess • Jeff Gundy • Robin Hemley • Barbara Hurd • Judith Kitchen •Eric LeMay • Dinah Lenney • Bret Lott • Patrick Madden• Lee Martin • Maggie McKnight • Brenda Miller •Kyle Minor • Aimee Nezhukumatathil • Anne Panning • Lia Purpura • Peggy Shumaker • Sue William Silverman • Jennifer Sinor • Ira Sukrungruang • Nicole Walker Unmatched in its focus on a concise and popular emerging genre, The Rose Metal Press Field Guide to Writing Flash Nonfiction features 26 eminent writers, editors, and teachers offering expert analysis, focused exercises, and helpful examples of what make the brief essay form such a perfect medium for experimentation, insight, and illumination. With a comprehensive introduction to the genre and book by editor Dinty W. Moore, this guide is perfect for both the classroom and the individual writer’s desk—an essential handbook for anyone interested in the scintillating and succinct flash nonfiction form. How many words does it take to tell a compelling true story? The answer might surprise you.




Eternal Night at the Nature Museum


Book Description

The characters in Eternal Night at the Nature Museum take refuge in strange, repurposed spaces. A middle-aged addict emcees at demolition derby, which transforms into a hostel—then a cult. An elderly folk-artist builds mailbox reproductions of her dream homes. A church congregates in an abandoned Hardee's. Octogenarians escape their nursing home. Unsupervised children sell knives to the neighborhood. In twenty vivid, rowdy, buoyant stories, Tyler Barton assembles a collection of places to crash, if only for the night.




Tender Cuts


Book Description

A six-year-old beauty pageant contestant strives to please her demanding mother; a woman marries a 1985 Buick LeSabre; in a laundromat bored wives fall under the romantic spell of a lobster; a grown woman is still being fat-shamed by her deceased mother via a Ouija board; a widow carries her husband's ashes around in Baggies...




Micro Science Fiction


Book Description

O. Westin's micro science fiction is set in an extra-terrestrial future, capturing scenes of interstellar life - transgalactic communication attempts between aliens and humans, philosophizing robots, Siri's emotions, and plenty of comic relief across the space-time continuum. The over 350 very short stories tackle all the Big Questions: How do you establish contact with aliens without offending them? Will artificial intelligences one day demand election rights? And which species would aliens decide to contact on Planet Earth? "Some of the best depth and potential built into the space of a single tweet." MEG, Chair of the BristolCon SF Convention "I've been writing microfics on postcards and my appreciation for the Sheer Compressed Wonder you create has only increased. (Which isn't to say I ever thought it was *easy*.)" Jeanette Ng, award-nominated SF novelist "Like a circus tent, @MicroSFF stories are much bigger on the inside than they appear on the outside." Gunnstein R'Lyeh