BLACK [AF]: Devil's Dye


Book Description

This latest BLACK [AF] collected mini-series is written by breakout star Vita Ayala (X-Men: Children Of The Atom, Morbius, Bitch Planet, The Wilds) and rising star artist Liana Kangas (She Said Destroy). When a new drug called VANTA hits the streets, word is it's the hottest thing since Ecstacy. For regular people, it has all the highs and none of the lows of traditional drugs. There is some fine print, however - for empowered Black folks, the drug causes a total and violent loss of control. The Project sends Indigo to investigate, and it soon becomes apparent that this is more than just a new designer distraction for the masses. Indigo, together with former Detective Ellen Waters race to find the source of the substance poisoning their people, before it's too late! The superhero universe where only black people have super powers continues to expand, for the first time with a new creative team building onto the exciting world created by Kwanza Osajyefo, Tim Smith 3, Jamal Igle & Khary Randolph. Collects issues 1-4.




Multiplicity and Cultural Representation in Transmedia Storytelling


Book Description

This book explores the relationship between multiplicity and representation of non-European and European-American cultures, with a focus on comics and superheroes. The author employs a combination of research methodologies, including close reading of transmedia texts and interviews with transmedia storytellers and audiences, to better understand the way in which diverse cultures are employed as agents of multiplicity in transmedia narratives. The book addresses both commercial franchises such as superhero narratives, as well as smaller indie projects, in an attempt to elucidate the way in which key cultural symbols and concepts are utilized by writers, designers, and producers, and how these narrative choices affect audiences – both those who identify as members of the culture being represented and those who do not. Case studies include fan fiction based on Marvel’s Black Panther (2018), fan fiction and art created for the Moana (2016) and Mulan (2020) films, and creations by both U.S.-based and international indie comics artists and writers. This book will appeal to scholars and students of new media, narrative theory, cultural studies, sociocultural anthropology, folkloristics, English/literary studies, and popular culture, transmedia storytelling researchers, and both creators and fans of superhero comics.




She Said Destroy


Book Description

STAR WARS meets The Wicked + The Divine! The Morrigan, Goddess of Death, is the last thing standing between her sister Brigid and total domination of the solar system. As their forces prepare for a final battle, the Morrigan must destroy everything to save anything. A WAR BETWEEN SISTERS, WAGED OVER EONS, COMES TO A CLOSE. Over millenniums, Brigid, Goddess of the Sun, has conquered and converted the entire solar system into worshipping her and her alone, save one space colony. The witches of Fey are the last believers of The Morrigan, Goddess of Death, Brigid's sister and the only other God left. As Brigid's forces prepare for one final battle, The Morrigan prepares to do what she does best: Destroy! Collects the complete five issue series.




Black and Slave


Book Description

The series Studies of the Bible and Its Reception (SBR) publishes monographs and collected volumes which explore the reception history of the Bible in a wide variety of academic and cultural contexts. Closely linked to the multi-volume project Encyclopedia of the Bible and Its Reception (EBR), this book series is a publication platform for works which cover the broad field of reception history of the Bible in various religious traditions, historical periods, and cultural fields. Volumes in this series aim to present the material of reception processes or to develop methodological discussions in more detail, enabling authors and readers to more deeply engage and understand the dynamics of biblical reception in a wide variety of academic fields. Further information on „The Bible and Its Reception“.




Stay Black and Die


Book Description

In Stay Black and Die, I. Augustus Durham examines melancholy and genius in black culture, letters, and media from the nineteenth century to the contemporary moment. Drawing on psychoanalysis, affect theory, and black studies, Durham explores the black mother as both a lost object and a found subject often obscured when constituting a cultural legacy of genius across history. He analyzes the works of Frederick Douglass, Ralph Ellison, Marvin Gaye, Octavia E. Butler, and Kendrick Lamar to show how black cultural practices and aesthetics abstract and reveal the lost mother through performance. Whether attributing Douglass’s intellect to his matrilineage, reading Gaye’s falsetto singing voice as a move to interpolate black female vocality, or examining the women in Ellison’s life who encouraged his aesthetic interests, Durham demonstrates that melancholy becomes the catalyst for genius and genius in turn is a signifier of the maternal. Using psychoanalysis to develop a theory of racial melancholy while “playing” with affect theory to investigate racial aesthetics, Durham theorizes the role of the feminine, especially the black maternal, in the production of black masculinist genius.




Black African Voices


Book Description







The Pulse of Black America at My Fingertips


Book Description

The book is adapted from an online/email forum dialogue. Topics includes interracial relationships, Jesse Jackson, Election 2000, KKK, etc. Discussions takes a closer look at America—in Black & White.Excerpt: "I date white women exclusively. Well, I should say "non-African American women" exclusively. So, I guess I'm what you call a sell out. Why?…"Excerpt #2: "Are there any true black Republicans? And if the answer is yes then WHY?? I cannot and will not ever understand why any minority would vote for Bush. And why any minority would support him. It's also no different why Jesse Helms continues to win in the state of North Carolina. Will the real Uncle Tom please stand up?"Excerpt #3: "Venus Williams' success on the tennis courts is no less impressive than some of our male athletes in different sports but we don't seem to give her the same esteem."




The Curse of Ham


Book Description

How old is prejudice against black people? Were the racist attitudes that fueled the Atlantic slave trade firmly in place 700 years before the European discovery of sub-Saharan Africa? In this groundbreaking book, David Goldenberg seeks to discover how dark-skinned peoples, especially black Africans, were portrayed in the Bible and by those who interpreted the Bible--Jews, Christians, and Muslims. Unprecedented in rigor and breadth, his investigation covers a 1,500-year period, from ancient Israel (around 800 B.C.E.) to the eighth century C.E., after the birth of Islam. By tracing the development of anti-Black sentiment during this time, Goldenberg uncovers views about race, color, and slavery that took shape over the centuries--most centrally, the belief that the biblical Ham and his descendants, the black Africans, had been cursed by God with eternal slavery. Goldenberg begins by examining a host of references to black Africans in biblical and postbiblical Jewish literature. From there he moves the inquiry from Black as an ethnic group to black as color, and early Jewish attitudes toward dark skin color. He goes on to ask when the black African first became identified as slave in the Near East, and, in a powerful culmination, discusses the resounding influence of this identification on Jewish, Christian, and Islamic thinking, noting each tradition's exegetical treatment of pertinent biblical passages. Authoritative, fluidly written, and situated at a richly illuminating nexus of images, attitudes, and history, The Curse of Ham is sure to have a profound and lasting impact on the perennial debate over the roots of racism and slavery, and on the study of early Judaism, Christianity, and Islam.




The Devil's Half Acre


Book Description

The inspiring true story of an enslaved woman who liberated an infamous slave jail and transformed it into one of the nation’s first HBCUs In The Devil’s Half Acre, New York Times bestselling author Kristen Green draws on years of research to tell the extraordinary and little-known story of young Mary Lumpkin, an enslaved woman who blazed a path of liberation for thousands. She was forced to have the children of a brutal slave trader and live on the premises of his slave jail, known as the “Devil’s Half Acre.” When she inherited the jail after the death of her slaveholder, she transformed it into “God’s Half Acre,” a school where Black men could fulfill their dreams. It still exists today as Virginia Union University, one of America’s first Historically Black Colleges and Universities. A sweeping narrative of a life in the margins of the American slave trade, The Devil’s Half Acre brings Mary Lumpkin into the light. This is the story of the resilience of a woman on the path to freedom, her historic contributions, and her enduring legacy.




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