Black Spartacus


Book Description

Winner of the 2021 Wolfson History Prize “Black Spartacus is a tour de force: by far the most complete, authoritative and persuasive biography of Toussaint that we are likely to have for a long time . . . An extraordinarily gripping read.” —David A. Bell, The Guardian A new interpretation of the life of the Haitian revolutionary Toussaint Louverture Among the defining figures of the Age of Revolution, Toussaint Louverture is the most enigmatic. Though the Haitian revolutionary’s image has multiplied across the globe—appearing on banknotes and in bronze, on T-shirts and in film—the only definitive portrait executed in his lifetime has been lost. Well versed in the work of everyone from Machiavelli to Rousseau, he was nonetheless dismissed by Thomas Jefferson as a “cannibal.” A Caribbean acolyte of the European Enlightenment, Toussaint nurtured a class of black Catholic clergymen who became one of the pillars of his rule, while his supporters also believed he communicated with vodou spirits. And for a leader who once summed up his modus operandi with the phrase “Say little but do as much as possible,” he was a prolific and indefatigable correspondent, famous for exhausting the five secretaries he maintained, simultaneously, at the height of his power in the 1790s. Employing groundbreaking archival research and a keen interpretive lens, Sudhir Hazareesingh restores Toussaint to his full complexity in Black Spartacus. At a time when his subject has, variously, been reduced to little more than a one-dimensional icon of liberation or criticized for his personal failings—his white mistresses, his early ownership of slaves, his authoritarianism —Hazareesingh proposes a new conception of Toussaint’s understanding of himself and his role in the Atlantic world of the late eighteenth century. Black Spartacus is a work of both biography and intellectual history, rich with insights into Toussaint’s fundamental hybridity—his ability to unite European, African, and Caribbean traditions in the service of his revolutionary aims. Hazareesingh offers a new and resonant interpretation of Toussaint’s racial politics, showing how he used Enlightenment ideas to argue for the equal dignity of all human beings while simultaneously insisting on his own world-historical importance and the universal pertinence of blackness—a message which chimed particularly powerfully among African Americans. Ultimately, Black Spartacus offers a vigorous argument in favor of “getting back to Toussaint”—a call to take Haiti’s founding father seriously on his own terms, and to honor his role in shaping the postcolonial world to come. Shortlisted for the Baillie Gifford Prize | Finalist for the PEN / Jacqueline Bograd Weld Award for Biography Named a best book of the year by the The Economist | Times Literary Supplement | New Statesman




Toussaint Louverture


Book Description

The definitive biography of the Haitian revolutionary Toussaint Louverture, leader of the only successful slave revolt in world history Toussaint Louverture's life was one of hardship, triumph, and contradiction. Born into bondage in Saint-Domingue (present-day Haiti), the richest colony in the Western Hemisphere, he witnessed first-hand the torture of the enslaved population. Yet he managed to secure his freedom and establish himself as a small-scale planter. He even purchased slaves of his own. In Toussaint Louverture, Philippe Girard reveals the dramatic story of how Louverture transformed himself from lowly freedman to revolutionary hero. In 1791, the unassuming Louverture masterminded the only successful slave revolt in history. By 1801, he was general and governor of Saint-Domingue, and an international statesman who forged treaties with Britain, France, Spain, and the United States-empires that feared the effect his example would have on their slave regimes. Louveture's ascendency was short-lived, however. In 1802, he was exiled to France, dying soon after as one of the most famous men in the world, variously feared and celebrated as the "Black Napoleon." As Girard shows, in life Louverture was not an idealist, but an ambitious pragmatist. He strove not only for abolition and independence, but to build Saint-Domingue's economic might and elevate his own social standing. He helped free Saint-Domingue's slaves yet immediately restricted their rights in the interests of protecting the island's sugar production. He warded off French invasions but embraced the cultural model of the French gentility. In death, Louverture quickly passed into legend, his memory inspiring abolitionist, black nationalist, and anti-colonialist movements well into the 20th century. Deeply researched and bracingly original, Toussaint Louverture is the definitive biography of one of the most influential people of his era, or any other.




The Haitian Revolution


Book Description

Toussaint L’Ouverture was the leader of the Haitian Revolution in the late eighteenth century, in which slaves rebelled against their masters and established the first black republic. In this collection of his writings and speeches, former Haitian politician Jean-Bertrand Aristide demonstrates L’Ouverture’s profound contribution to the struggle for equality.




Spartacus


Book Description

The best-selling novel about a slave revolt in ancient Rome and the basis for the popular motion picture.




Revolutionary Suicide


Book Description

The searing, visionary memoir of founding Black Panther Huey P. Newton, in a dazzling graphic package Tracing the birth of a revolutionary, Huey P. Newton's famous and oft-quoted autobiography is as much a manifesto as a portrait of the inner circle of America's Black Panther Party. From Newton's impoverished childhood on the streets of Oakland to his adolescence and struggles with the system, from his role in the Black Panthers to his solitary confinement in the Alameda County Jail, Revolutionary Suicide is unrepentant and thought-provoking in its portrayal of inspired radicalism. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.




Spartacus, the Gladiator


Book Description

"Gritty, passionate and violent, this thrilling book is a real page-turner and a damn good read. It brings Spartacus—and ancient Rome—to vivid, colorful life."—Steven Pressfield, author of Gates of Fire Sink your teeth into the gritty, powerful tale of Spartacus: The Gladiator, a historical thriller that will grip you from the first page to the very last. Written by bestselling novelist Ben Kane, this epic journey delves into the life of Spartacus—from Roman auxiliary and slave to revered gladiator and a symbol of defiance against the most potent army of the era. Step onto the unforgiving sands of the gladiatorial arena and experience the brutality and raw energy of combat at its most primal. Witness the audacious bid for freedom led by Spartacus and his band of gladiators as they risk everything to break free from their shackles and challenge their oppressors–the mighty, ever-expanding Roman Empire. Spartacus's tale isn’t just a story of rebellion; it's an exploration of humanity, resilience, love, and sacrifice, set against the historic grandeur of ancient Rome. Charged with emotion and vivid color, this novel will transport you back in time to the underbelly of the Roman Empire—a journey that’s as thrilling as it is enlightening. Enjoy a fresh perspective of the legend that is Spartacus, one that goes deeper than ever before, uncovering the man at the heart of the myth.




The Black Jacobins


Book Description

A powerful and impassioned historical account of the largest successful revolt by enslaved people in history: the Haitian Revolution of 1791–1803 “One of the seminal texts about the history of slavery and abolition.... Provocative and empowering.” —The New York Times Book Review The Black Jacobins, by Trinidadian historian C. L. R. James, was the first major analysis of the uprising that began in the wake of the storming of the Bastille in France and became the model for liberation movements from Africa to Cuba. It is the story of the French colony of San Domingo, a place where the brutality of plantation owners toward enslaved people was horrifyingly severe. And it is the story of a charismatic and barely literate enslaved person named Toussaint L’Ouverture, who successfully led the Black people of San Domingo against successive invasions by overwhelming French, Spanish, and English forces—and in the process helped form the first independent post-colonial nation in the Caribbean. With a new introduction (2023) by Professor David Scott.




I Am Spartacus!


Book Description

A “lively” memoir by the Hollywood legend about the making of Spartacus, with a foreword by George Clooney (Los Angeles Times). One of the world’s most iconic movie stars, Kirk Douglas has distinguished himself as a producer, philanthropist, and author of ten works of fiction and memoir. Now, more than fifty years after the release of his enduring epic Spartacus, Douglas reveals the riveting drama behind the making of the legendary gladiator film. Douglas began producing the movie in the midst of the politically charged era when Hollywood’s moguls refused to hire anyone accused of Communist sympathies. In a risky move, Douglas chose Dalton Trumbo, a blacklisted screenwriter, to write Spartacus. Trumbo was one of the “Unfriendly Ten,” men who had gone to prison rather than testify before the House Un-American Activities Committee about their political affiliations. Douglas’s source material was already a hot property, as the novel Spartacus was written by Howard Fast while he was in jail for defying HUAC. With the financial future of his young family at stake, Douglas plunged into a tumultuous production both on- and off-screen. As both producer and star of the film, he faced explosive moments with young director Stanley Kubrick, struggles with a leading lady, and negotiations with giant personalities, including Sir Laurence Olivier, Charles Laughton, Peter Ustinov, and Lew Wasserman. Writing from his heart and from his own meticulously researched archives, Kirk Douglas, at ninety-five, looks back at his audacious decisions. He made the most expensive film of its era—but more importantly, his moral courage in giving public credit to Trumbo effectively ended the notorious Hollywood blacklist. A master storyteller, Douglas paints a vivid and often humorous portrait in I Am Spartacus! The book is enhanced by newly discovered period photography of the stars and filmmakers both on and off the set.




Black Spartacus


Book Description

John Henrik Clarke asked "why do we pull so little on the greatness that we have been in order to understand the greatness we still have to be?" I believe the answer lies in popular promotion, which means that we pull so little on that greatness primarily because we have been allowed or even encouraged to know so little about it, especially in the area of Black-on-White revolutionary violence. We are exposed to so little about amazing people like Hannibal Barca, Queen Nzingha, Toussaint L'Ouverture, Denmark Vesey, Queen Nanny, Yaa Asantewa, Dedan Kimathi, Amilcar Cabral, and Robert F. Williams. The logic, according to Paulo Freire, is simple, intelligent, and self-protective on the part of institutionalized White supremacy: "The oppressed must see examples of the vulnerability of the oppressor so that a contrary conviction [to the oppressor's invincibility] can begin grow within them. Until this occurs, they will continue to be disheartened, fearful, and beaten." Although Whites are bombarded with heroic images of themselves in textbooks, television, and the big screen violently defeating their enemies, both real and imagined, and Black self-destruction is made infamous via various media, there is a remarkable void of comprehensive literature addressing how oppressed Blacks have historically committed the ultimate act of self-defense-killing their definitive enemy.The ability of institutionalized White supremacy to deny the historical existence of armed Black rebellion against White supremacy is what makes it truly powerful according to Newton's definition of power, which is "not in terms of how many people you can control. To us power is, first of all, the ability to define phenomena, and secondly, the ability to make these phenomena act in a desired manner." According to Gayraud Wilmore, "it now seems clear that, notwithstanding the suppression of information, the whole issue of black insurrections was underplayed-partly because of that peculiar racist predisposition of many to remember the Negroes as docile, accommodating collaborators in their own misery, waiting for whites to give them their freedom."Malcolm X proposed that "when you select heroes about which Black people ought to be taught, let them be Black heroes who have died fighting for the benefit of Black people...We need to be taught about [Black] people who fought, who bled for [their] freedom and made others bleed." Black Spartacus fulfills that need.




The Black Avenger in Atlantic Culture


Book Description

With the Ta-Nehisi Coates–authored Black Panther comic book series (2016); recent films Django Unchained (2012) and The Birth of a Nation (2016); Nate Parker’s cinematic imagining of the Nat Turner rebellion; and screen adaptations of Marvel’s Luke Cage (2016) and Black Panther (2018); violent black redeemers have rarely been so present in mainstream Western culture. Grégory Pierrot argues, however, that the black avenger has always been with us: the trope has fired the news and imaginations of the United States and the larger Atlantic World for three centuries. The black avenger channeled fresh anxieties about slave uprisings and racial belonging occasioned by European colonization in the Americas. Even as he is portrayed as a heathen and a barbarian, his values—honor, loyalty, love—reflect his ties to the West. Yet being racially different, he cannot belong, and his qualities in turn make him an anomaly among black people. The black avenger is thus a liminal figure defining racial borders. Where his body lies, lies the color line. Regularly throughout the modern era and to this day, variations on the trope have contributed to defining race in the Atlantic World and thwarting the constitution of a black polity. Pierrot’s The Black Avenger in Atlantic Culture studies this cultural history, examining a multicultural and cross-historical network of print material including fiction, drama, poetry, news, and historical writing as well as visual culture. It tracks the black avenger trope from its inception in the seventeenth century to the U.S. occupation of Haiti in 1915. Pierrot argues that this Western archetype plays an essential role in helping exclusive, hostile understandings of racial belonging become normalized in the collective consciousness of Atlantic nations. His study follows important articulations of the figure and how it has shifted based on historical and cultural contexts.