Borrowed Angels and Roll Models


Book Description

Examines disability and illness life narratives published between the early 1980’s and 2004, including Frank Deford’s Alex: The Life of a Child, Lucy Grealy’s Autobiography of a Face, Ann Patchett’s Truth and Beauty: A Friendship, John Hockenberry’s Moving Violations and Kenny Fries’ Body, Remember. I apply studies of the culture of sentiment, shame, Erving Goffman’s stigma theory, masculinity studies, autobiography theory and disability studies to examining the ways in which these narratives, both individually, juxtaposed, and collectively, offer reinterpretations of the subject position implied by the term 'disability'. In every case, the authors I have included challenge the medical model of disability, choosing to portray themselves or their lost loved ones as energetic, unique, often funny and charming individuals worthy of our attention and respect.




Borrowed Angel


Book Description

A riveting novel of desire, murder, and a race for survival in the storm-drenched Everglades by the New York Times–bestselling “queen of romantic suspense” (RT Book Reviews). It was supposed to be a great gig: a high-profile photo shoot in the Florida Everglades, with Ashley Dane modeling a set of famous emeralds. Instead, Ashley finds herself fleeing through the snake-filled swamp after witnessing a murder. Writer Eric Hawk is also on the run—he’s being hunted by a man from his past. Ashley doesn’t completely trust Eric, but she has no one else to turn to . . . and she finds him irresistible. Unrelenting threats keep them on the move through the dangerous terrain, and although they come from different worlds, their deepening feelings for each other make them believe they might have a future together . . . if they make it out alive. “Graham stands at the top of the romantic suspense category.” —Publishers Weekly “There are good reasons for Graham’s steady standing as a bestselling author.” —Booklist




Role Models


Book Description

In today's image-conscious world, photography is one of the most powerful mediators of our sense of self. Exploring the ways in which female identity is constructed and mediated through the art of photography is the central theme of this fascinating, fully illustrated book, published to accompany a major exhibition at the National Museum of Women in the Arts in Washington, D.C. This book features the work of two generations of artists whose portraiture, self-portraiture, and narrative photographs have indelibly inflected our understanding of gender and identity over the past thirty years. More specifically, it focuses on how role models and role-playing have been central to the art, meaning, and social function of contemporary photography. Role Models begins with the early 1980s, a time when many American women artists and photographers such as Eleanor Antin and Cindy Sherman realised that they could be both the creator and the subject of their work, while others such as Nan Goldin, Sally Mann, and Mary Ellen Mark sought to document the varied roles that women and girls try on in their struggle to find an identity that fits. Role Models also considers how, by the late 1990s, a generation of photographers including Anna Gaskell, Catherine Opie, and Nikki S. Lee had become exemplars for a new cadre of younger women artists by collapsing old boundaries between postmodern and documentary photography, establishing new post-feminist sensibilities and evolving more fluid concepts of female identity. AUTHOR: Susan Fisher Sterling is Deputy Director and Chief Curator of the National Museum of Women in the Arts, Washington, DC. Kathryn A. Wat is Curator of Modern and Contemporary Art at the Museum. SELLING POINTS: *Photographers featured include Eleanor Antin, Tina Barney, Anna Gaskell, Nan Goldin, Katy Grannan, Justine Kurland, Nikki S. Lee, Sharon Lockhart, Sally Mann, Mary Ellen Mark, Catherine Opie, Barbara Probst, Collier Schorr, Cindy Sherman, Laurie Simmons, Lorna Simpson, Angela Strassheim, Carrie Mae Weems *Full colour photography and essays by leaders in the field 92 colour & 34 b/w illustrations




Borrowed Angel


Book Description







M


Book Description

A bold, fresh biography of the world's first modern painter As presented with "blood and bone and sinew" (Times Literary Supplement) by Peter Robb, Caravaggio's wild and tempestuous life was a provocation to a culture in a state of siege. The of the sixteenth century was marked by the Inquisition and Counter-Reformation, a background of ideological cold war against which, despite all odds and at great cost to their creators, brilliant feats of art and science were achieved. No artist captured the dark, violent spirit of the time better than Caravaggio, variously known as Marisi, Moriggia, Merigi, and sometimes, simply M. As art critic Robert Hughes has said, "There was art before him and art after him, and they were not the same."Caravaggio threw out Renaissance dogma to paint with dazzling originality and fierce vitality, qualities that are echoed in Robb's prose. As with Caravaggio's art, M arrests and susps time to reveal what the author calls "the theater of the partly seen." Caravaggio's wild persona leaps through these pages like quicksilver; in Robb's skilled hands, he is an immensely attractive character with an astonishing connection to the glories and brutalities of life.




Angel in the Rubble


Book Description

The story of the last survivor pulled from the 9/11 Ground Zero debris after 27 hours and her journey from desperation to a miraculous salvation.




Rebels, Rubyfruit, and Rhinestones


Book Description

Publisher Fact Sheet. A richly told history of queer Southern life in the 1970s, after the Stonewall uprising.




Cultural Criminology


Book Description

Cultural criminology has now emerged as a distinct theoretical perspective, and as a notable intellectual alternative to certain aspects of contemporary criminology. Cultural criminology attempts to theorize the interplay of cultural processes, media practices, and crime; the emotional and embodied dimensions of crime and victimization; the particular characteristics of crime within late modern/late capitalist culture; and the role of criminology itself in constructing the reality of crime. In this sense cultural criminology not only offers innovative theoretical models for making sense of crime, criminality, and crime control, but presents as well a critical theory of criminology as a field of study. This collection is designed to highlight each of these dimensions of cultural criminology - its theoretical foundations, its current theoretical trajectories, and its broader theoretical critiques-by presenting the best of cultural criminological work from the United States, Europe, Australia, and elsewhere.




Riches, Poverty, and the Faithful


Book Description

In the book of Revelation, John appeals to the faithful to avoid the temptations of wealth, which he connects with evil and disobedience within secular society. New Testament scholars have traditionally viewed his somewhat radical stance as a reaction to the social injustices and idolatry of the imperial Roman cults of the day. Mark D. Mathews argues that John's rejection of affluence was instead shaped by ideas in the Jewish literature of the Second Temple period which associated the rich with the wicked and viewed the poor as the righteous. Mathews explores how traditions preserved in the Epistle of Enoch and later Enochic texts played a formative role in shaping John's theological perspective. This book will be of interest to those researching poverty and wealth in early Christian communities and the relationship between the traditions preserved in the Dead Sea Scrolls and New Testament.




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