Brendan Behan's Island


Book Description

From the snug of the 'Shaky Man' (probably the nearest pub to Guinness Brewery in Dublin) Brendan Behan take us on a tour of his native country. Not very much topographical information is imparted perhaps and even the Georgian architecture for which Dublin is deservedly famous is scarcely mentioned: 'Good architecture, ' Mr. Behan reports as architect friend as saying 'is invisible.' Mr Behan is less interested in things than in people and a galaxy of characters and stories about the inhabitants of that Augustan city cross his pages. But Brendan has been outside Dublin from time to time as London, Paris, Berlin, New York, Montreal, San Francisco and Mexico City can well witness. His investigations among the aborigines of those famed cities are not his concern in this book, however: those anthropological investigations must await another occasion for the telling. Here he regales us with his views on Dublin, the North of Ireland, Galway and the Aran Islands and the counties of the south - always with an eye on the people and their habits rather than on the places themselves. He was accompanied on many expeditions by Paul Hogarth, whose drawings complement the spirit of the text as no other artist's could have done. Intellectuality stimulating, Mr. Behan discourses on the evils of drinking potheen, the mores of Limerick girls, storytellers in the last bastion of Gaelic culture on the Aran Islands, the Irish middle-classes and what he calls 'the Anglo-Irish Horse-Protestants.' Enlivened with song, poem, story, and Paul Hogarth's drawings, this book tells a lot about Ireland but tells us even more about that fascinating human Behan.




Borstal Boy


Book Description

This miracle of autobiography and prison literature begins: "Friday, in the evening, the landlady shouted up the stairs: 'Oh God, oh Jesus, oh Sacred Heart, Boy, there's two gentlemen here to see you.' I knew by the screeches of her that the gentlemen were not calling to inquire after my health . . . I grabbed my suitcase, containing Pot. Chlor., Sulph Ac, gelignite, detonators, electrical and ignition, and the rest of my Sinn Fein conjurer's outfit, and carried it to the window . . ." The men were, of course, the police, and seventeen-year-old Behan. He spent three years as a prisoner in England, primarily in Borstal (reform school), and was then expelled to his homeland, a changed but hardly defeated rebel. Once banned in the Irish Republic, Borstal Boy is both a riveting self-portrait and a clear look into the problems, passions, and heartbreak of Ireland.




Brendan Behan's Island


Book Description




The King of Ireland's Son


Book Description

Chronicles the adventures of the King of Ireland's eldest and wildest son, describing how he encounters an enchanter's daughter, the king of the cats, Gilly of the goat-skin, and numerous others.




Irish Mythology: a Dictionary


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That Neutral Island


Book Description

Where previous histories of Ireland in the war years have focused on high politics, That Neutral Island mines deeper layers of experience. Stories, letters, and diaries illuminate this small country as it suffered rationing, censorship, the threat of invasion, and a strange detachment from the war.




The Complete Plays


Book Description

In Seconds of Pleasure Neil LaBute unleashes his imagination in stories that offer unflinching insight into our very human shortcomings and impure urges with shocking candor."--Jacket.




Brendan Behan's Island


Book Description




After The Wake


Book Description

Brendan Behan's genius was to strike a chord between critic and common man. When he died, at the age of 41, he was arguably the most celebrated Irish writer of the twentieth century. After the Wake is a collection of seven prose works and a series of articles. It includes all that exists of an unfinished novel, 'The Catacombs', and pieces together items whose comic and fanciful accounts evoke Flann O'Brien. Also featured are works of acknowledged excellence, 'The Confirmation Suit' and 'A Woman of No Standing'. This writing bears all the hallmarks of the author's talent – an ability to bring characters to life quickly and unforgettably, a sharp ear for dialogue and dialect, and a natural vocation for story-telling. This diverse collection is a delightful and entertaining windfall from one of Ireland's most colourful writers. An essential complement to Behan's master works.




A Century of Irish Drama


Book Description

This book traces a significant shift in 20th century Irish theatre from the largely national plays produced in Dublin to a more expansive international art form. Confirmed by the recent success outside of Ireland of the "third wave" of Irish playwrights writing in the 1990s, the new Irish drama has encouraged critics to reconsider both the early national theatre and the dramatic tradition it fostered. On the occasion of the centenary of the first professional production of the Irish Literary Theatre, the contributors to this volume investigate contemporary Irish drama's aesthetic features and socio-political commitments and re-read the plays produced earlier in the century. Although these essayists cover a wide range of topics, from the productions and objectives of the Abbey Theatre's first rivals to mid-century theatre festivals, to plays about the "Troubles" in the North, they all reassess the oppositions so commonplace in critical discussions of Irish drama: nationalism vs. internationalism, high vs. low culture, urban experience vs. rural or peasant life. A Century of Irish Drama includes essays on such figures as W. B. Yeats, Lady Gregory, J. M. Synge, Sean O'Casey, Brendan Behan, Samuel Beckett, Marina Carr, Brian Friel, Frank McGuinness, Christina Read, Martin McDonagh, and many more. Stephen Watt is Professor of English and Cultural Studies at Indiana University-Bloomington, and author of Postmodern/Drama: Reading the Contemporary Stage, Joyce, O'Casey, and the Irish Popular Theatre, and essays on Irish and Irish-American culture. He has also written extensively on higher education, most recently Academic Keywords: A Devil's Dictionary for Higher Education (with Cary Nelson). Eileen M. Morgan is a lecturer in English and Irish Studies at the University of Michigan, Ann Arbor. She is currently working on Sean O'Faolain's biographies of De Valera and on Edna O'Brien's 1990s trilogy, and is preparing a book-length study on the influence of radio in Ireland. Shakir Mustafa is a Visiting Instructor in the English department at Indiana University. His work has appeared in such journals as New Hibernia Review and The Canadian Journal of Irish Studies, and he is now translating Arabic short stories into English. Drama and Performance Studies--Timothy Wiles, general editor