Bride of Lammermoor


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The Republic of Plato is the longest of his works with the exception of the Laws, and is certainly the greatest of them. There are nearer approaches to modern metaphysics in the Philebus and in the Sophist; the Politicus or Statesman is more ideal; the form and institutions of the State are more clearly drawn out in the Laws; as works of art, the Symposium and the Protagoras are of higher excellence. But no other Dialogue of Plato has the same largeness of view and the same perfection of style; no other shows an equal knowledge of the world, or contains more of those thoughts which are new as well as old, and not of one age only but of all. Nowhere in Plato is there a deeper irony or a greater wealth of humour or imagery, or more dramatic power. Nor in any other of his writings is the attempt made to interweave life and speculation, or to connect politics with philosophy. The Republic is the centre around which the other Dialogues may be grouped; here philosophy reaches the highest point (cp, especially in Books V, VI, VII) to which ancient thinkers ever attained. Plato among the Greeks, like Bacon among the moderns, was the first who conceived a method of knowledge, although neither of them always distinguished the bare outline or form from the substance of truth; and both of them had to be content with an abstraction of science which was not yet realized. He was the greatest metaphysical genius whom the world has seen; and in him, more than in any other ancient thinker, the germs of future knowledge are contained. The sciences of logic and psychology, which have supplied so many instruments of thought to after-ages, are based upon the analyses of Socrates and Plato.




The Bride of Lammermoor by Sir Walter Scott - Delphi Classics (Illustrated)


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This eBook features the unabridged text of ‘The Bride of Lammermoor’ from the bestselling edition of ‘The Complete Works of Sir Walter Scott’. Having established their name as the leading publisher of classic literature and art, Delphi Classics produce publications that are individually crafted with superior formatting, while introducing many rare texts for the first time in digital print. The Delphi Classics edition of Scott includes original annotations and illustrations relating to the life and works of the author, as well as individual tables of contents, allowing you to navigate eBooks quickly and easily. eBook features: * The complete unabridged text of ‘The Bride of Lammermoor’ * Beautifully illustrated with images related to Scott’s works * Individual contents table, allowing easy navigation around the eBook * Excellent formatting of the textPlease visit www.delphiclassics.com to learn more about our wide range of titles




Bride Of Lammermoor


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Although the period of this tragedy of Lammermoor is placed within the reign of William and Mary, the story (unlike most of the others) has little historical connection. It tells, instead, of the feud of two Scotch families, which—as in "Romeo and Juliet''—brings woe to two lovers who have dared plight their troth despite the ancestral hatred. Scott states that it is based closely upon fact. Edgar of Ravenswood is the last of a noble house which has formerly been rich and powerful; but his father, having been involved in the Jacobite cause, is ousted from the family estates by Sir William Ashton. After the old lord's death, nothing remains to Edgar save the dilapidated Tower of Wolf's Crag, and the fidelity of two ancient servants Mysie and Caleb. Shortly after his father's funeral, the young man rescues Sir William and his daughter Lucy from the charge of an infuriated bull, and thus wins the respect of his ancient enemy and a warmer interest on the part of the maiden ...




The bride of Lammermoor


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The Bride of Lammermoor, Complete


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INTRODUCTION TO THE BRIDE OF LAMMERMOOR THE Author, on a former occasion, declined giving the real source from which he drew the tragic subject of this history, because, though occurring at a distant period, it might possibly be unpleasing to the feelings of the descendants of the parties. But as he finds an account of the circumstances given in the Notes to Law's Memorials, by his ingenious friend, Charles Kirkpatrick Sharpe, Esq., and also indicated in his reprint of the Rev. Mr. Symson's poems appended to the Large Description of Galloway, as the original of the Bride of Lammermoor, the Author feels himself now at liberty to tell the tale as he had it from connexions of his own, who lived very near the period, and were closely related to the family of the bride. It is well known that the family of Dalrymple, which has produced, within the space of two centuries, as many men of talent, civil and military, and of literary, political, and professional eminence, as any house in Scotland, first rose into distinction in the person of James Dalrymple, one of the most eminent lawyers that ever lived, though the labours of his powerful mind were unhappily exercised on a subject so limited as Scottish jurisprudence, on which he has composed an admirable work. He married Margaret, daughter to Ross of Balneel, with whom he obtained a considerable estate. She was an able, politic, and high-minded woman, so successful in what she undertook, that the vulgar, no way partial to her husband or her family, imputed her success to necromancy. According to the popular belief, this Dame Margaret purchased the temporal prosperity of her family from the Master whom she served under a singular condition, which is thus narrated by the historian of her grandson, the great Earl of Stair: "She lived to a great age, and at her death desired that she might not be put under ground, but that her coffin should stand upright on one end of it, promising that while she remained in that situation the Dalrymples should continue to flourish. What was the old lady's motive for the request, or whether she really made such a promise, I shall not take upon me to determine; but it's certain her coffin stands upright in the isle of the church of Kirklistown, the burial-place belonging to the family." The talents of this accomplished race were sufficient to have accounted for the dignities which many members of the family attained, without any supernatural assistance. But their extraordinary prosperity was attended by some equally singular family misfortunes, of which that which befell their eldest daughter was at once unaccountable and melancholy.




The bride of Lammermoor


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The Bride of Lammermoor


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Reproduction of the original.




A Legend Of Montrose


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"A Legend of Montrose" is a historical novel by Walter Scott first published in 1819. Set in Scotland during the 1640s, it concentrates on a love triangle between Allan M'Aulay, his friend the Earl of Menteith, and Annot Lyle set to the backdrop of the Civil War. Part of the Waverley series, "A Legend of Montrose" is highly recommended for fans and collectors of Scott's work. Sir Walter Scott (1771 - 1832) was a seminal Scottish playwright, poet, and historical novelist whose novels were and remain to be widely read and enjoyed the world over. Other notables works by this author include: "Ivanhoe", "Rob Roy", "Old Mortality", "The Lady of the Lake", "Waverley", "The Heart of Midlothian", and "The Bride of Lammermoor". Many vintage books such as this are becoming increasingly rare and expensive. We are republishing this volume now in an affordable, modern, high-quality edition complete with a specially commissioned new biography of the author.




The Bride of Lammermoor


Book Description

The Bride of Lammermoor is set in the Lammermuir Hills of south-east Scotland, and tells of a tragic love affair between young Lucy Ashton and her family's enemy Edgar Ravenswood. Edgar's father was stripped of the title for supporting the deposed King James VII. Lucy's ambitious father, Sir William Ashton, then bought the Ravenswood estate. Edgar hates Sir William for this usurpation of his family's heritage, but on meeting Lucy, falls in love with her, and renounces his plans for vengeance.