Brill's Companion to Euripides (2 vols)


Book Description

Brill’s Companion to Euripides, as well as presenting a comprehensive and authoritative guide to understanding Euripides and his masterworks, provides scholars and students with compelling fresh perspectives upon a broad range of issues in the field of Euripidean studies.




A Companion to Euripides


Book Description

A COMPANION TO EURIPIDES A COMPANION TO EURIPIDES Euripides has enjoyed a resurgence of interest as a result of many recent important publications, attesting to the poet’s enduring relevance to the modern world. A Companion to Euripides is the product of this contemporary work, with many essays drawing on the latest texts, commentaries, and scholarship on the man and his oeuvre. Divided into seven sections, the companion begins with a general discussion of Euripidean drama. The following sections contain essays on Euripidean biography and the manuscript tradition, and individual essays on each play, organized in chronological order. Chapters offer summaries of important scholarship and methodologies, synopses of individual plays and the myths from which they borrow their plots, and conclude with suggestions for additional reading. The final two sections deal with topics central to Euripidean scholarship, such as religion, myth, and gender, and the reception of Euripides from the 4th century BCE to the modern world. A Companion to Euripides brings together a variety of leading Euripides scholars from a wide range of perspectives. As a result, specific issues and themes emerge across the chapters as central to our understanding of the poet and his meaning for our time. Contributions are original and provocative interpretations of Euripides’ plays, which forge important paths of inquiry for future scholarship.




Euripides' Hippolytus


Book Description

Euripides’ Hippolytus is a fascinating play about passion, innocence, rejection, betrayal, and the tragic breakdown of a family. This commentary, designed for intermediate and advanced students of ancient Greek, helps readers understand and fully appreciate this classic tragedy in all its rich complexity. The volume is the first commentary on the play to appear in print since 1996, and it is the most student-friendly guide to Hippolytus currently available. To make the play accessible to students who are tackling it for the first time, this book features the Greek text in sections followed immediately by detailed line-by-line notes. By explaining various points of vocabulary, grammar, syntax, and content, these notes allow students to read the play on their own without resorting frequently to dictionaries or other outside aids. The volume also includes the complete, uninterrupted text of the play. In her wide-ranging introduction to the book, Hanna M. Roisman discusses the play’s mythological background and relevant aspects of Greek tragedy and performance. In addition, she explains the literary devices Euripides employs, as well as meter, prosody, and lexicality. Comprehensive in scope, this commentary concludes with a detailed glossary; a line-by-line index of grammatical, syntactical, literary, and rhetorical figures; a list of irregular verbs; and a select bibliography.




Brill's Companion to Theocritus


Book Description

Brill's Companion to Theocritus offers an up-to-date guide to a thorough understanding of Theocritus’ literary output. Exploring his corpus from a variety of novel perspectives, it presents a detailed account of the intricacy of Theocritus’ poetic art.




The Ancient World in Alternative History and Counterfactual Fictions


Book Description

Focusing in turn on history, powerful individuals, under-represented voices and the arts, the essays in this collection cover a wide variety of modern and contemporary narrative fiction from Jo Walton and L. Sprague De Camp to T. S. Chaudhry and Catherynne M. Valente. Chapters look into the question of chance versus determinism in the unfolding of historical events, the role individuals play in shaping a society or occasion, and the way art and literature symbolise important messages in counterfactual histories. They also show how uchronic narratives can take advantage of modern literary techniques to reveal new and relevant aspects of the past, giving voices to marginalised minorities and suppressed individuals of the ancient world. Counterfactual fiction and uchronic narratives have been largely up until now the domain of literary critics. However, these modes of literature are here analysed by scholars of Ancient History, Egyptology and Classics, shedding important new light on how cultures of the ancient world have been (and still are) perceived, and to what extent our conceptions of the past are used to explore alternate presents and futures. Alternate history entices the imagination of the public by suggesting hypothetical scenarios that never occurred, underlining a latent tension between reality and imagination, and between determinism and contingency. This interest has resulted in a growing number of publications that gauge the impact of what-if narratives, and this one is the first to give scholars of the ancient world centre-stage.




The Art of Ancient Greek Theater


Book Description

An explanation of Greek theater as seen through its many depictions in classical art




On the Gods and the World


Book Description

The Derveni papyrus is a multi-layered and intricate philosophical and religious treatise written in Greek, probably just before 400 BCE. Since its discovery in 1962, the papyrus has attracted the attention of scholars in several areas of Classical studies, mostly ancient philosophy and religion, but also literary studies. The anonymous author of the text quotes a previously unknown Orphic poem and comments on it using philosophical motifs and concepts borrowed from various Presocratic thinkers but especially Heraclitus and the Anaxagoreans. The book presents a new interpretation of various aspects of this complex text: situating the treatise within the tradition of allegorical interpretation; providing an interpretation of the opening columns, which describe a peculiar ritual and contain some Heraclitean material, including, as the study argues, some previously unknown fragments; reconstructing the contents of the Orphic poem upon which the Derveni author comments; examining various allegorical devices employed by the Derveni author in his explanation of the Orphic poem, following his commentary in detail; and finally, discussing the likely intellectual background in which the Derveni treatise originated. In general, the study argues that rather than being the work of a philosophising Orphic initiate, the Derveni treatise is a philosophical text whose aim was to explain a nonstandard religious poem. The commentary explains the Orphic poem from a perspective influenced by discussions among the followers of philosophy of Anaxagoras and Heraclitus, and employs reflections on the use and function of language found in the writings of some contemporary thinkers. Based on an analysis of sources upon which the Derveni papyrus is based, it is concluded that its author was probably active in Athens in late fifth century BCE and may have been a person close to Socrates' teacher Archelaus.




Greek Drama V


Book Description

Drawing together new research from emerging and senior scholars, this selection of papers from the decennial Greek Drama V conference (Vancouver, 2017) explores the works of the ancient Greek playwrights and showcases new methodologies with which to study them. Sixteen chapters from a field of international contributors examine a range of topics, from the politics of the ancient theatre, to the role of the chorus, to the earliest history of the reception of Aeschylus' Oresteia. Employing anthropological, historical, and psychological critical methods alongside performance analysis and textual criticism, these studies bring fresh and original interpretations to the plays. Several contributions analyse fragmentary tragedies, while others incorporate ideas on the performance aspect of certain plays. The final chapters deal separately with comedy, naturally focusing on the plays of Aristophanes and Menander. Greek Drama V offers a window into where the academic field of Greek drama is now, and points towards the future scholarship it will produce.




The Greeks


Book Description

This fully revised, new edition of The Greeks is a concise but wide-ranging introduction to the culture of ancient Greece, providing a comprehensive survey that covers all the key elements of ancient Greek civilisation from the age of Homer to the Hellenistic period. It opens with an overview of ancient historical sources and their authors and perspectives before delving into early history, legends and excavations, and the famed age of classical Greece. Chapters follow on politics, religion, daily life, literature, philosophy, and art and architecture, with a concluding chapter on the Greek world following the death of Alexander the Great and during the Roman era. This new edition features: greater discussion of underrepresented groups, especially women and slaves; a chapter on ancient politics that provides a comparison of an ancient aristocracy, democracy, and monarchy in Sparta, Athens, and Macedon; new and revised images, all now with detailed captions to merge the artefacts and texts more fully and bring the narrative to life for every reader; and new translations of all ancient passages revised for accuracy and clarity. Clearly written, with generous references to original source material, The Greeks places ancient Greek culture firmly in its political, social, and historical context. The fourth edition of The Greeks remains an invaluable introduction for all students of Classics and an indispensable guide for students of other disciplines who require grounding in ancient Greek civilisation and history.




Theatre and Metatheatre


Book Description

The aim of this book is to explore the definition(s) of ‘theatre’ and ‘metatheatre’ that scholars use when studying the ancient Greek world. Although in modern languages their meaning is mostly straightforward, both concepts become problematical when applied to ancient reality. In fact, ‘theatre’ as well as ‘metatheatre’ are used in many different, sometimes even contradictory, ways by modern scholars. Through a series of papers examining questions related to ancient Greek theatre and dramatic performances of various genres the use of those two terms is problematized and put into question. Must ancient Greek theatre be reduced to what was performed in proper theatre-buildings? And is everything was performed within such buildings to be considered as ‘theatre’? How does the definition of what is considered as theatre evolve from one period to the other? As for ‘metatheatre’, the discussion revolves around the interaction between reality and fiction in dramatic pieces of all genres. The various definitions of ‘metatheatre’ are also explored and explicited by the papers gathered in this volume, as well as the question of the distinction between paratheatre (understood as paratragedy/comedy) and metatheatre. Readers will be encouraged by the diversity of approaches presented in this book to re-think their own understanding and use of ‘theatre’ and ‘metatheatre’ when examining ancient Greek reality.