Building on Borrowed Time


Book Description

A timely ethnography of how Indonesia’s coastal dwellers inhabit the “chronic present” of a slow-motion natural disaster Ice caps are melting, seas are rising, and densely populated cities worldwide are threatened by floodwaters, especially in Southeast Asia. Building on Borrowed Time is a timely and powerful ethnography of how people in Semarang, Indonesia, on the north coast of Java, are dealing with this global warming–driven existential challenge. In addition to antiflooding infrastructure breaking down, vast areas of cities like Semarang and Jakarta are rapidly sinking, affecting the very foundations of urban life: toxic water oozes through the floors of houses, bridges are submerged, traffic is interrupted. As Lukas Ley shows, the residents of Semarang are constantly engaged in maintaining their homes and streets, trying to live through a slow-motion disaster shaped by the interacting temporalities of infrastructural failure, ecological deterioration, and urban development. He casts this predicament through the temporal lens of a “meantime,” a managerial response that means a constant enduring of the present rather than progress toward a better future—a “chronic present.” Building on Borrowed Time takes us to a place where a flood crisis has already arrived—where everyday residents are not waiting for the effects of climate change but are in fact already living with it—and shows that life in coastal Southeast Asia is defined not by the temporality of climate science but by the lived experience of tidal flooding.




Borrowed Time


Book Description

In Tracy Clark's electrifying new mystery featuring Cassandra Raines, the former Chicago cop turned private investigator looks into a suspicious death as a favor to a friend--and makes some powerful enemies . . . Sitting in cold cars for hours, serving lowlifes with summonses. . . . Being a P.I. means riding out a lot of slow patches. But sometimes the most familiar paths can lead straight to danger--like at Cass's go-to diner, where new delivery guy Jung Byson wants to enlist her expertise. Jung's friend, Tim Ayers, scion of a wealthy Chicago family, has been found dead, floating in Lake Michigan near his luxury boat. And Jung is convinced there's a murderer on the loose . . . Cass reluctantly begins digging, only to discover that Jung neglected to mention one crucial fact: Tim Ayers was terminally ill. Given the large quantities of alcohol and drugs found in his body, Ayers' death appears to be either an accident or suicide. Yet as much as Cass would like to dismiss Jung's suspicions, there are too many unanswered questions and unexplained coincidences. Working her connections on both sides of the law, Cass tries to point the police in the right direction. But violence is escalating around her, and Cass's persistence has already attracted unwanted attention, uncovering sinister secrets that Cass may end up taking to her grave.




Borrowed Time


Book Description

Caroline Vaughan's photographs offer inspired and surprising visions of landscapes, still lifes, and the human form. In Borrowed Time, her images of nature and people, sometimes surreal and often arresting, follow each other to create a visual poem of opposition and likeness, physical beauty and balance. Compelling the viewer's attention with delicate rich tones and meticulous technique, she holds the viewer's gaze even when her subject is difficult. Most highly acclaimed for her psychologically complex but subtle portraits of family, friends, loved ones, and strangers, Vaughan's work, though widely published and displayed, is collected here for the first time.




On Borrowed Time


Book Description

After an accident on the way to Kendrick Falls, Richard Kilmer's fiance Jennifer Ryan vanishes. However, no one in Richard's life will even confirm Jen's existence. But where could she have gone? Has Richard lost his mind or is someone else behind it all? Martin's Press.




Borrowed Time


Book Description

The disturbing, untold story of one of the largest financial institutions in the world, Citigroup—one of the " too big to fail" banks—from its founding in 1812 to its role in the 2008 financial crisis, and the many disasters in between. During the 2008 financial crisis, Citi was presented as the victim of events beyond its control—the larger financial panic, unforeseen economic disruptions, and a perfect storm of credit expansion, private greed, and public incompetence. To save the economy and keep the bank afloat, the government provided huge infusions of cash through multiple bailouts that frustrated and angered the American public. But, as financial experts James Freeman and Vern McKinley reveal, the 2008 crisis was just one of many disasters Citi has experienced since its founding more than two hundred years ago. In Borrowed Time, they reveal Citi’s history of instability and government support. It’s not a story that either Citi or Washington wants told. From its founding in 1812 and through much of its history the bank has been tied to the federal government—a relationship that has benefited both. Many of its initial stockholders had owned stock in the Bank of the United States, and its first president, Samuel Osgood, had been a member of the Continental Congress and America’s first Postmaster General. From its earliest years, Citi took massive risks that led to crisis. But thanks to private investors, including John Jacob Astor, they survived throughout the nineteenth century. In the twentieth century, Senator Carter Glass blamed Citi CEO "Sunshine Charlie" Mitchell for the 1929 stock market crash, and the bank was actually in violation of the senator’s signature achievement, the Glass-Steagall law, in the late 1990s until then U.S. Treasury Secretary Robert Rubin engineered the law’s repeal. Rubin later became the chairman of the executive committee of Citigroup, helping to oversee the bank as it ramped up its increasing mortgage risks before the 2008 crash. The scale of the financial panic of 2008 was not, as the media and experts claim, unprecedented. As Borrowed Time shows, disasters have been relatively frequent during the century of government-protected banking—especially at Citi.




Hong Kong: Borrowed Place, Borrowed Time


Book Description

Rev. ed. published 1976 under title: Borrowed place, borrowed time. Bibliography: p. [173].




On Borrowed Time


Book Description

The New York Times bestselling Library Lover's mysteries continue with a hot new case... Loving a good cup of coffee runs in the family for Briar Creek library director Lindsey Norris. But when her brother, Jack, a consultant for a coffee company, goes missing, her favorite beverage becomes a key clue in a dangerous mystery. Between preparing the library for the holidays and juggling the affections of ex-boyfriend, Captain Mike Sullivan, and her new crush, actor Robbie Vine, Lindsey has her hands full. But the mysterious disappearance of her world-traveling playboy brother takes precedence over all. Afraid that involving the police could brew trouble for Jack, Lindsey takes matters into her own hands. But as her quest for her brother embroils her in a strange case involving South American business dealings and an enigmatic and exotic woman, it’ll take the help of both her library book club—the crafternooners—and her eager-to-please suitors to keep Jack from ending up in hot water… INCLUDES READING GROUP RECOMMENDATIONS




Building Up and Tearing Down


Book Description

PAUL GOLDBERGER ON THE AGE OF ARCHITECTURE The Guggenheim Museum Bilbao by Frank Gehry, the CCTV Headquarters by Rem Koolhaas, the Getty Center by Richard Meier, the Times Building by Renzo Piano: Pulitzer Prize–winning critic Paul Goldberger’s tenure atThe New Yorkerhas documented a captivating era in the world of architecture, one in which larger-than-life buildings, urban schemes, historic preservation battles, and personalities have commanded an international stage. Goldberger’s keen observations and sharp wit make him one of the most insightful and passionate architectural voices of our time. In this collection of fifty-seven essays, the critic Tracy Kidder called “America’s foremost interpreter of public architecture” ranges from Havana to Beijing, from Chicago to Las Vegas, dissecting everything from skyscrapers by Norman Foster and museums by Tadao Ando to airports, monuments, suburban shopping malls, and white-brick apartment houses. This is a comprehensive account of the best—and the worst—of the “age of architecture.” On Norman Foster: Norman Foster is the Mozart of modernism. He is nimble and prolific, and his buildings are marked by lightness and grace. He works very hard, but his designs don’t show the effort. He brings an air of unnerving aplomb to everything he creates—from skyscrapers to airports, research laboratories to art galleries, chairs to doorknobs. His ability to produce surprising work that doesn’t feel labored must drive his competitors crazy. On the Westin Hotel: The forty-five-story Westin is the most garish tall building that has gone up in New York in as long as I can remember. It is fascinating, if only because it makes Times Square vulgar in a whole new way, extending up into the sky. It is not easy, these days, to go beyond the bounds of taste. If the architects, the Miami-based firm Arquitectonica, had been trying to allude to bad taste, one could perhaps respect what they came up with. But they simply wanted, like most architects today, to entertain us. On Mies van der Rohe: Mies’s buildings look like the simplest things you could imagine, yet they are among the richest works of architecture ever created. Modern architecture was supposed to remake the world, and Mies was at the center of the revolution, but he was also a counterrevolutionary who designed beautiful things. His spare, minimalist objects are exquisite. He is the only modernist who created a language that ranks with the architectural languages of the past, and while this has sometimes been troubling for his reputation . . . his architectural forms become more astonishing as time goes on.







The Borrowed House


Book Description

During World War II a young German girl, who has been indoctrinated into the Hitler Youth, travels to occupied Amsterdam to rejoin her parents then comes to realize the truth about the war. New introduction by the author's son, John Tepper Marlin. "So, you're falsifying papers?" said Janna. "You belong to the Dutch Resistance." She looked at him curiously. The boy shrugged his shoulders. "You could call it that. I'm just helping the van Arkels rescue innocent people from certain death. They need these identification papers and food cards to keep alive. If you betray me, all these people will either starve or be forced to give themselves up to be sent to the gas chambers of a concentration camp." "Gas chambers?" Janna looked at the boy with horror. "You mean ... they are killed?" The book looked sternly at her. "Do you think," he said, "that Germany is sending Jews to a nice vacation spa, or to pretty villages with geraniums in the windows? That's what they told us at first, though in Holland we never believed it." This book is based on a true story, and even though it deals with some hard issues brought about by the German occupation of Amsterdam, it provides an opportunity to discuss World War II from a unique perspective.