Burmese Ceramics


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Southeast Asian Ceramics


Book Description

Southeast Asia is known to many as a region teeming with tourist destinations, economic opportunities and ex-colonies, but a lesser known facet is its colourful and myriad cultures in which ceramics form an integral part of the social fabric. Focusing primarily on the Classical Period (800-1500 CE), this book views ancient Southeast Asian culture through the lens of ceramic production and trade, influenced but not completely overshadowed by its powerful neighbour, China. In this landmark publication, noted archaeologist and scholar John N. Miksic constructs a vivid picture of the development of Southeast Asia's unique ceramics. Along with three contributing authors - Pamela M. Watkins, Dawn F. Rooney and Michael Flecker - he summarizes the fruits of their research over the last forty years, beginning in Singapore with the founding of the Southeast Asian Ceramic Society in 1969. The result is a comprehensive and insightful overview of the technology, aesthetics and organization, both economic and political, of seemingly diverse territories in pre-colonial Southeast Asia. It is essential reading for all those with an interest in the economic history of the region, and also for anyone who seeks a better understanding of the brilliant but too often underestimated material culture of Southeast Asia.










Bagan and the World


Book Description

The archaeological site of Bagan and the kingdom which bore its name contains one of the greatest concentrations of ancient architecture and art in Asia. Much of what is visible today consists of ruins of Buddhist monasteries. While these monuments are a major tourist attraction, recent advances in archaeology and textual history have added considerable new understanding of this kingdom, which flourished between the 11th and 14th centuries. Bagan was not an isolated monastic site; its inhabitants participated actively in networks of Buddhist religious activity and commerce, abetted by the site’s location near the junction where South Asia, China and Southeast Asia meet. This volume presents the result of recent research by scholars from around the world, including indigenous Myanmar people, whose work deserves to be known among the international community. The perspective on Myanmar’s role as an integral part of the intellectual, artistic and economic framework found in this volume yields a glimpse of new themes which future studies of Asian history will no doubt explore. span, SPAN { background-color:inherit; text-decoration:inherit; white-space:pre-wrap }




Burmese Crafts


Book Description

Craftsmen have always held an honoured place in Burmese society and have taken great pride in their creative abilities. In pre-colonial Burma, all sections of the population - from royalty to the monkhood to the common folk - used finely crafted objects in their everyday lives. Prehistoricand Historic evidence indicates that the inhabitants of Burma have been fashioning objects of beauty and utility for over 2,000 years.Buddhism over the centuries has been the prime inspiration for much of Burma's artistic endeavour. This, in combination with a thriving body of pre-Buddhist animistic beliefs, a rich oral and vernacular literature, and a love of detailed surface embellishment, have culminated in the production ofdistinctive works of art.In this work, the author introduces the reader to the scope and beauty of Burmese crafts by exploring the historical background, the foundations of Burma's artistic traditions, and the temple and pagoda arts of brick, stucco, sculpture, and painting, before embarking on a systematic survey of thedevelopment and evolution of Burma's major crafts, such as bronze and ironwork, wooden architecture, wood-carving, gold, silver, and jewellery, ceramics, lacquer, textiles and costume, books, paper, baskets, mats, and umbrellas.The author has lived and worked in Asia as a writer and educator for over twenty-five years and has written numerous articles and books about Asian arts and crafts.




Khmer Ceramics


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Burmese Design & Architecture


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With over 500 full-color photographs and expert insights provided by leading archaeological authorities, Burmese Design & Architecture is a must-have for serious connoisseurs of architecture, design or Burma itself. It is the first book to showcase the amazing diversity of architecture, design and art found in Burma (Myanmar). Ranging from the monumental pagodas of Pagan (Bagan) to the architectural heritage of Rangoon (Yangon), religious as well as contemporary secular buildings are presented in rich detail. A series of authoritative essays by archaeological experts highlight the major influences and styles found throughout the country, while chapters on Myanmar's rich art and craft traditions provide a wealth of information on Buddha images, lacquerware, painting, ceramics, woodcarving, bronzes, textiles, costumes and much more. Burmese design, heavily influenced by its proximity to China and India, is a many-layered thing, interwoven with spiritual, religious and political messages. Burmese Design & Architecture takes an in-depth look at the entire span of Burmese design, from arts and crafts to both religious and secular architecture.




Burma's Freedom


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The Wheel-Turner and His House


Book Description

The recorded history of precolonial Burmese empire and the modern state of Myanmar starts with the kingdom of Bagan in the eleventh century. The oldest surviving written records and structures are from the reign of King Anawrahta (1044–1077). Anawrahta converted to Theravada Buddhism and created a vibrant Buddhist state in the Irrawaddy River basin. Anawrahta is a folk hero to this day in Myanmar and is widely credited as a charismatic and pious leader who consolidated various ethnic groups throughout the region into a single nation. The Wheel-Turner and His House traces the archaeological and historical record of Anawrahta and his seminal position in forming modern Myanmar, based on the few sources that have been recovered. The Great Chronicle, an important history of the country written by the 18th-century Burmese nobleman U Kala, forms the basis for much of the knowledge we have about Anawrahta today. Geok Yian Goh examines U Kala's work in light of the context of U Kala's own time and points out the bias of his royal court, as well as the scribe's personal views from the elaborate narratives he produced. She looks at other sources as well, including unpublished palm-leaf manuscripts, to disentangle earlier knowledge about Anawrahta and eleventh-century Bagan. Placing the overall study of Burmese historical tradition within the larger manuscript culture of Asia, Goh presents a critique of theoretical issues in history, especially the relationship between the past and memory. In order to analyze the expansion of Anawrahta's historical image that formed the development of a Buddhist ecumene in the eleventh and twelth centuries, Goh utilizes published and unpublished texts in Burmese and classical Chinese, along with northern Thai and Sri Lankan texts, many of which Goh makes available for the first time in English.