Cang Jie, The Inventor of Chinese Characters


Book Description

In ancient times under the reign of Yellow Emperor (about 2500 B.C.), people kept records by piling stones and tying knots. One day, Cang Jie, a historical official who tied knots to keep records under Yellow Emperor, unexpectedly made a big mistake. Feeling very guilty, he was determined to find out a better way for keeping records. He went back to his hometown to think it over for many days and nights. Inspired by the footprints of animals, he began to carefully observe the sun, moon, stars, mountains, rivers, lakes, seas, as well as birds and animals. At the same time, he traveled around collecting signs created by fishermen, farmers, hunters and soldiers. In the end, he succeeded in creating Chinese characters, which are still widely used today. In this multicultural children's story, kids will find out that there is a story behind every Chinese character. Children will also learn about basic Chinese characters and how to make them.




Legend of Demon Master Kunpeng


Book Description

A modern man traversing space and time had arrived at the prehistoric period. Who would have thought that he would actually become a great villain of the demon master, Kun Peng. In order to become a saint, many schemes were carried out, and finally, the story of becoming a saint was told ...




Bone, Bronze, and Bamboo


Book Description

Bone, Bronze, and Bamboo explores the tremendous wealth of newly unearthed artifacts and manuscripts that have been revolutionizing the study of early China. Leading scholars from China and abroad lend their expertise in archaeology, art history, paleography, intellectual history, and many other disciplines to show how these fascinating finds change our understanding of China's past. Organized in a chronological progression from the Shang to Han periods, and treating bone, bronze, and bamboo-strip artifacts in turn, the book treats a wide breadth of topics, from the status of owls in Shang religion to the Zhou court's economic interest in managing salt resources, and from the conceptual evolution of de 德 in Spring and Autumn covenants to the interplay between materiality and text in Han scribal primers. Bone, Bronze, and Bamboo exemplifies the exciting energy and sense of discovery inspired by these sources in recent years, while surveying the latest debates and developments shaping early China as a field.




The Paper Trail


Book Description

A sweeping, richly detailed history that tells the fascinating story of how paper—the simple Chinese invention of two thousand years ago—wrapped itself around our world, humankind’s most momentous ideas imprinted on its surface. The emergence of paper in the imperial court of Han China brought about a revolution in the transmission of knowledge and ideas, allowing religions, philosophies and propaganda to spread with ever greater ease. The first writing surface sufficiently cheap, portable and printable for books, pamphlets and journals to be mass-produced and distributed widely, paper opened the way for an unprecedented, ongoing dialogue between individuals and between communities across continents, oceans and time. The Paper Trail explores how the new substance was used to solidify social and political systems that influenced China even into our own time. We see how paper made possible the spread of the then new religions of Buddhism and Manichaeism into Japan, Korea and Vietnam . . . how it enabled theologians, scientists and artists to build the vast and signally intellectual empire of the Abbasid Caliphate and embed the Koran in popular culture . . . how paper was carried along the Silk Road by merchants and missionaries, finally reaching Europe in the late thirteenth century . . . and how, once established in Europe, along with the printing press, paper played an essential role in the three great foundations of Western modernity: the Renaissance, the Reformation and the Scientific Revolution. Here is a dramatic, comprehensively researched, vividly written story populated by holy men and scholars, warriors and poets, rulers and ordinary men and women—an essential story brilliantly told in this luminous work of history.




Unlimited Online Game


Book Description

Long Fei was a jobless youth who had coincidentally entered a game from the future. Long Fei raised his sword and roared towards the sky: "Good, I will not only rewrite history, but also live a wonderful life. "Let me tell you, I'm not playing the game, I'm playing the game!"




Demon Master Becomes a Saint


Book Description

A modern man traversing space and time had arrived at the prehistoric period, he did not expect that he would actually become the great villain of the Demon Master, Kun Peng. In order to become a saint, he went through many plans, and finally became a saint.




EMERGENCE AND INTERPRETATION


Book Description

Mencius’ many assertions from virtue “Being what I inherently possess” to “this [virtue] is what Heaven or Nature gives to me” clearly show the basic self-consciousness of virtue in pre-Qin Confucianism and the confirmation that virtue originates from Heaven or Nature. Then, what was the reason for the Chinese “Axis Age” thinkers to unanimously trace the origin of human virtue back to Heaven or Nature and the mandate of Heaven? Of course, for them, the source of human virtue is Heaven or Nature, which means that they realized that human being was the limit of cognition. Since in their view, the problem is itself a question that transcends human cognition or that human understanding can possibly clarify both virtue itself and the source of human virtue being beyond the bounds of human knowledge. Namely, tracing back virtue to its source is a quest that transcends the capacity of human understanding. However, those who have been influenced by modern cognitive theory and who constantly explore how Confucian thought emerged as well as how it took shape, cannot give a satisfying answer. Therefore, to trace the emergence and development of Confucianism through the perspective of the survival of agency and the foundation of the survival of agency is not only my own personal interest, but also one necessary for clarifying the development of Confucianism and the legitimacy of its existence.




The Early Modern Travels of Manchu


Book Description

A linguistic and historical study of the Manchu script in the early modern world Manchu was a language first written down as part of the Qing state-building project in Northeast Asia in the early seventeenth century. After the Qing invasion of China in 1644, and for the next two and a half centuries, Manchu was the language of state in one of the early modern world's great powers. Its prominence and novelty attracted the interest of not only Chinese literati but also foreign scholars. Yet scholars in Europe and Japan, and occasionally even within China itself, were compelled to study the language without access to a native speaker. Jesuit missionaries in Beijing sent Chinese books on Manchu to Europe, where scholars struggled to represent it in an alphabet compatible with Western pedagogy and printing technology. In southern China, meanwhile, an isolated phonologist with access to Jesuit books relied on expositions of the Roman alphabet to make sense of the Manchu script. When Chinese textbooks and dictionaries of Manchu eventually reached Japan, scholars there used their knowledge of Dutch to understand Manchu. In The Early Modern Travels of Manchu, Mårten Söderblom Saarela focuses on outsiders both within and beyond the Qing empire who had little interaction with Manchu speakers but took an interest in the strange, new language of a rising world power. He shows how—through observation, inference, and reference to received ideas on language and writing—intellectuals in southern China, Russia, France, Chosŏn Korea, and Tokugawa Japan deciphered the Manchu script and explores the uses to which it was put for recording sounds and arranging words.




Saved from Desert Sands


Book Description

Saved from Desert Sands, edited by Kelsey Granger and Imre Galambos, unites historians, codicologists, art historians, archaeologists, and curators in the study of material culture on the Silk Roads. The re-discovery of forgotten manuscript archives and sand-buried cities in the twentieth century has brought to light thousands of manuscripts and artefacts. To date, textual content has largely been prioritised over physical objects and their materiality, but the material aspects of these objects are just as important. Focusing primarily on the material and non-textual, this volume presents studies on silver dishes, sealing systems, manuscripts, Buddhist paintings, and ceramics, all of which demonstrate the centrality of material culture in the study of the Silk Roads.




Appropriating Antiquity for Modern Chinese Painting


Book Description

The pursuit of antiquity was important for scholarly artists in constructing their knowledge of history and cultural identity in late imperial China. By examining versatile trends within paintings in modern China, this book questions the extent to which historical relics have been used to represent the ethnic identity of modern Chinese art. In doing so, this book asks: did the antiquarian movements ultimately serve as a deliberate tool for re-writing Chinese art history in modern China? In searching for the public meaning of inventive private collecting activity, Appropriating Antiquity in Modern Chinese Painting draws on various modes of artistic creation to address how the use of antiquities in early 20th-century Chinese art both produced and reinforced the imaginative links between ancient civilization and modern lives in the late Qing dynasty. Further exploring how these social and cultural transformations were related to the artistic exchanges happening at the time between China, Japan and the West, the book successfully analyses how modernity was translated and appropriated at the turn of the 20th century, throughout Asia and further afield.