Cang Jie


Book Description

In ancient times under the reign of Yellow Emperor (about 2500 B.C.), people kept records by piling stones and tying knots. One day, Cang Jie, a historical official who tied knots to keep records under Yellow Emperor, unexpectedly made a big mistake. Feeling very guilty, he was determined to find out a better way for keeping records. He went back to his hometown to think it over for many days and nights. Inspired by the footprints of animals, he began to carefully observe the sun, moon, stars, mountains, rivers, lakes, seas, as well as birds and animals. At the same time, he traveled around collecting signs created by fishermen, farmers, hunters and soldiers. In the end, he succeeded in creating Chinese characters, which are still widely used today. In this multicultural children's story, kids will find out that there is a story behind every Chinese character. Children will also learn about basic Chinese characters and how to make them.




Cang Jie, The Inventor of Chinese Characters


Book Description

In ancient times under the reign of Yellow Emperor (about 2500 B.C.), people kept records by piling stones and tying knots. One day, Cang Jie, a historical official who tied knots to keep records under Yellow Emperor, unexpectedly made a big mistake. Feeling very guilty, he was determined to find out a better way for keeping records. He went back to his hometown to think it over for many days and nights. Inspired by the footprints of animals, he began to carefully observe the sun, moon, stars, mountains, rivers, lakes, seas, as well as birds and animals. At the same time, he traveled around collecting signs created by fishermen, farmers, hunters and soldiers. In the end, he succeeded in creating Chinese characters, which are still widely used today. In this multicultural children's story, kids will find out that there is a story behind every Chinese character. Children will also learn about basic Chinese characters and how to make them.




The Paper Trail


Book Description

A sweeping, richly detailed history that tells the fascinating story of how paper—the simple Chinese invention of two thousand years ago—wrapped itself around our world, humankind’s most momentous ideas imprinted on its surface. The emergence of paper in the imperial court of Han China brought about a revolution in the transmission of knowledge and ideas, allowing religions, philosophies and propaganda to spread with ever greater ease. The first writing surface sufficiently cheap, portable and printable for books, pamphlets and journals to be mass-produced and distributed widely, paper opened the way for an unprecedented, ongoing dialogue between individuals and between communities across continents, oceans and time. The Paper Trail explores how the new substance was used to solidify social and political systems that influenced China even into our own time. We see how paper made possible the spread of the then new religions of Buddhism and Manichaeism into Japan, Korea and Vietnam . . . how it enabled theologians, scientists and artists to build the vast and signally intellectual empire of the Abbasid Caliphate and embed the Koran in popular culture . . . how paper was carried along the Silk Road by merchants and missionaries, finally reaching Europe in the late thirteenth century . . . and how, once established in Europe, along with the printing press, paper played an essential role in the three great foundations of Western modernity: the Renaissance, the Reformation and the Scientific Revolution. Here is a dramatic, comprehensively researched, vividly written story populated by holy men and scholars, warriors and poets, rulers and ordinary men and women—an essential story brilliantly told in this luminous work of history.




The Huainanzi


Book Description

Compiled by scholars at the court of Liu An, king of Huainan, in the second century B.C.E, The Huainanzi is a tightly organized, sophisticated articulation of Western Han philosophy and statecraft. Outlining "all that a modern monarch needs to know," the text emphasizes rigorous self-cultivation and mental discipline, brilliantly synthesizing for readers past and present the full spectrum of early Chinese thought. The Huainanzi locates the key to successful rule in a balance of broad knowledge, diligent application, and the penetrating wisdom of a sage. It is a unique and creative synthesis of Daoist classics, such as the Laozi and the Zhuangzi; works associated with the Confucian tradition, such as the Changes, the Odes, and the Documents; and a wide range of other foundational philosophical and literary texts from the Mozi to the Hanfeizi. The product of twelve years of scholarship, this remarkable translation preserves The Huainanzi's special rhetorical features, such as parallel prose and verse, and showcases a compositional technique that conveys the work's powerful philosophical appeal. This path-breaking volume will have a transformative impact on the field of early Chinese intellectual history and will be of great interest to scholars and students alike.




The Origins of Chinese Thought


Book Description

Winner of the 2019 Choice Outstanding Academic Title "The Origins of Chinese Thought offers an account of the origins and nature of a uniquely Chinese way of thinking that, carried through Confucian tradition, continues to define the character of Chinese culture and society. Li Zehou argues that vestiges of the practices of early shamanistic ritual, rationalized in ritual regulations and internalized in morals and values, continue to shape Chinese thought and relationships. This outlook and its understanding of the world, the divine, ourselves, one another, what is right and what is good differ fundamentally from other world traditions. As an alternative to modern liberalism, it offers unique resources for addressing modern Chinese—and even global—philosophic and moral issues."




Chinese Character Manipulation in Literature and Divination


Book Description

In Chinese Character Manipulation in Literature and Divination, Anne Schmiedl analyses the little-studied method of Chinese character manipulation as found in imperial sources. Focusing on one of the most famous and important works on this subject, the Zichu by Zhou Lianggong (1612–1672), Schmiedl traces and discusses the historical development and linguistic properties of this method. This book represents the first thorough study of the Zichu and the reader is invited to explore how, on the one hand, the educated elite leveraged character manipulation as a literary play form. On the other hand, as detailed exhaustively by Schmiedl, practitioners of divination also used and altered the visual, phonetic, and semantic structure of Chinese characters to gain insights into events and objects in the material world.




Planning Chinese Characters


Book Description

This book presents the most comprehensive synthesis and analysis of major developments in reforming programs in modernizing the Chinese writing system. It traces the language policy and planning related developments for Chinese characters, with particular emphasis on post-1950 period in the People’s Republic of China (PRC) and the more recent challenges that technology, and particularly the World Wide Web, have posed for the language.




A Dictionary of Chinese Characters


Book Description

By arranging frequently used characters under the phonetic element they have in common, rather than only under their radical, the Dictionary encourages the student to link characters according to their phonetic. The system of cross-referencing then allows the student to find easily all the characters in the dictionary which have the same phonetic element, thus helping to fix in the memory the link between a character and its sound and meaning. This innovative resource will be an excellent study-aid for students with a basic grasp of Chinese, whether they are studying with a teacher or learning on their own.




The Origins of Chinese Writing


Book Description

This study explores the evidence for Chinese writing in the late Neolithic (3500-2000 BCE) and early Bronze Age (2000-1250 BCE) periods. Chinese writing is often said to have begun with little incubation during the late Shang period (c. 1300-1045 BCE) in the middle-lower Yellow River Valley area as a sudden independent invention. This explanation runs counter to evidence from Mesopotamia, Egypt, and Mesoamerica that shows that independent developments of writing generally undergo a protracted evolution. It also ignores archaeological data from the Chinese Neolithic and early Bronze Age that reveals the existence of signs comparable to Shang characters. Paola Demattè takes this data into account to address the issue of what writing is, and when, why, and how it develops, by employing a theory of writing that does not privilege language as a prime mover. It focuses instead on visual systems of communication as well as ideological and socio-economic developments as key elements that promote the eventual development of writing. To understand the processes that led to primary developments of writing, The Origins of Chinese Writing draws from the latest research on the early writing systems of Mesopotamia, Egypt, and Mesoamerica, and other forms of protowriting. The result is a novel and inclusive theoretical approach to the archaeological evidence, grammatological data, and textual sources, an approach that demonstrates that Chinese writing emerged out of a long process that began in the Late Neolithic and continued during the Early Bronze Age.




Literary Information in China


Book Description

“Information” has become a core concept across the disciplines, yet it is still often seen as a unique feature of the Western world that became central only in the digital age. In this book, leading experts turn to China’s textual tradition to show the significance of information for reconceptualizing the work of literary history, from its beginnings to the present moment. Contributors trace the organization of literary information across China’s three millennia of history, examining the forms and practices of information management that have evolved alongside the increasing scale and complexity of textual production. They reimagine literary history as information processing, detailing the many kinds of storage, encoding, sorting, and transmission that constitute and feed back into China’s long and ever-growing cultural tradition. The volume features state-of-the-field essays on all major forms of literary information management, from graphs to internet literature, and from commentaries to literary museums and archives. By shifting focus from individual works and their authors to the informatic schemata of literature, it identifies three scales of information management—the word, the document, and the collection—and surveys the forms that operate at each level, such as the dictionary, the anthology, and the library. Literary Information in China is a groundbreaking work that provides a systematic and innovative reassessment of literary history with implications that extend beyond the particular Chinese context, revealing how informatic practices shape literary tradition.